tag:blogger.com,1999:blog-2204115676935055832024-03-18T17:22:55.231+01:00C H I R C A ___Amelia & Mihai-StefanAmelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comBlogger1369125tag:blogger.com,1999:blog-220411567693505583.post-36648903277745972782024-03-17T07:57:00.001+01:002024-03-18T17:22:24.378+01:006. CAMBODGIA / ANGKOR / SRAH SRANG – Baia regală interzisă elefanților<p style="text-align: center;"><span style="font-family: times; font-size: large;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGiRaJ8VjiT_DCr6IqoY-OpuinvNDOtuKBtMPGMu0jYNsc2Z0XNJOPJOt7uw3r0zMXpruEkCaq4ikzBIDeyx6nT8T4VPeM7V4NtH0IHilFRW3W1pNE5RO_kdG8yw_BhzqJHU5wYGADH57G40nzHIUH76M7GSAidOS_q9brB_1ySCo0hyphenhyphenXpXEZcnQgeH0aJ/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGiRaJ8VjiT_DCr6IqoY-OpuinvNDOtuKBtMPGMu0jYNsc2Z0XNJOPJOt7uw3r0zMXpruEkCaq4ikzBIDeyx6nT8T4VPeM7V4NtH0IHilFRW3W1pNE5RO_kdG8yw_BhzqJHU5wYGADH57G40nzHIUH76M7GSAidOS_q9brB_1ySCo0hyphenhyphenXpXEZcnQgeH0aJ/w640-h298/01.jpg" width="640" /></a></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: large;"><span lang="RO">„Micul <i>baray</i> de la Srah Srang, care a putut
s</span><span lang="RO">ă</span><span lang="RO">-și conserve apele mai
mult de zece secole,<br />
este un loc minunat și de un calm odihnitor” (Claude Jacques).<o:p></o:p></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPgZJc451c1HDxN9XTeRpr49zh9BGAVz25P1IXU7pLvHoj10RBYbO6m60-lSw9kaQDA9Z-VWfnKlh_bxizwJ891YyLEiDUAADIdf56fPcGZv20emWT2lafdOZRxIMrwcEuQVxCeaZ34VpXiOYQxSci94zhCRlfXdXanyXfy_157nSh2sxVo4MSq6fWEoGG/s1000/02.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="410" data-original-width="1000" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPgZJc451c1HDxN9XTeRpr49zh9BGAVz25P1IXU7pLvHoj10RBYbO6m60-lSw9kaQDA9Z-VWfnKlh_bxizwJ891YyLEiDUAADIdf56fPcGZv20emWT2lafdOZRxIMrwcEuQVxCeaZ34VpXiOYQxSci94zhCRlfXdXanyXfy_157nSh2sxVo4MSq6fWEoGG/w640-h262/02.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO">„Micul” lac de baraj (<i>baray</i>) de la Srah
Srang dateaz</span><span lang="RO">ă</span><span lang="RO"> de la
mijlocul secolului X. Este un „mic” <i>baray</i> deoarece laturile sale au
numai 700 pe 350 metri, capacitatea sa fiind doar de 700 000 m<sup>3</sup>
de ap</span><span lang="RO">ă.</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnU9sw8p4uoh5c7T7Te3RPYmz7AHx_wX8zdcuPnBTB_ThtPeB2B6bWAmx8swQ8Q3qXQZCepbSxp4jYHA2epehxQ-LKBfvZXB5RlDkPCtkreZSrdPgRtX2erX94KhTWK00rpYuLBlT9jgf6x9OUNSkOheBTKf42-XOcKTSIzE6ysK2XQdqli25zPr_ud6aM/s1000/03.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnU9sw8p4uoh5c7T7Te3RPYmz7AHx_wX8zdcuPnBTB_ThtPeB2B6bWAmx8swQ8Q3qXQZCepbSxp4jYHA2epehxQ-LKBfvZXB5RlDkPCtkreZSrdPgRtX2erX94KhTWK00rpYuLBlT9jgf6x9OUNSkOheBTKf42-XOcKTSIzE6ysK2XQdqli25zPr_ud6aM/w640-h298/03.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO">Pentru
comparație: cel mai mare rezervor de apă de la Angkor, <i>baray</i>-ul Mebon
occidental </span><span lang="RO">(construit pe la
1050 și restaurat la începutul anilor 1950)</span><span lang="RO"> are 8,0 pe
2,2 km și la un nivel al apei de 7 metri are o capacitate de peste 123 000 000
</span><span lang="RO">m<sup>3</sup></span><span lang="RO">.</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-yL8FPAuO0-WsItHq0KF_plAt3PeXqyI9F-E3xiyBWYfs-t7UC2VODsijajCBb37IA2u8WbsHixzEdv2d0wDf_KDraSKSHgF4vuUSitFKFrq107KJjmeLnDTH3gLHiCkKMUg2yPnzTC-jfC7QttjjQGuHNEY7CHpq89ktTR1dd0npiapoiANOEQbDdgJ7/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="419" data-original-width="1000" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-yL8FPAuO0-WsItHq0KF_plAt3PeXqyI9F-E3xiyBWYfs-t7UC2VODsijajCBb37IA2u8WbsHixzEdv2d0wDf_KDraSKSHgF4vuUSitFKFrq107KJjmeLnDTH3gLHiCkKMUg2yPnzTC-jfC7QttjjQGuHNEY7CHpq89ktTR1dd0npiapoiANOEQbDdgJ7/w640-h268/04.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO">Numele <b>srah</b> vine din sanscrit</span><span lang="RO">ă</span><span lang="RO">, de la „saras”, care înseamn</span><span lang="RO">ă</span><span lang="RO"> bazin, iaz, heleșteu. <br />
<b>Srah Srang</b> înseamn</span><span lang="RO">ă</span><span lang="RO">
„bazinul (pentru) baia regal</span><span lang="RO">ă”</span><span lang="RO"> (S. Lewitz, p. 392).</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiLwarNZvSJYi1KLAna_DYoAjhaeSnPTfP1CWjto5_rrMMVNSLhBGIcRCvWcUS0g6gsf6q0hoN5WbZWMv5GtlLzyAZ2nT1dz5eu6LVYk40xTENYFD-MznGt736WHEZnm06lJZBMRaUv9fR5QdBA9ksdhpgX0AUheBdOt-5D1xB2XemIK9ntM3yPDsGe3Sf/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiLwarNZvSJYi1KLAna_DYoAjhaeSnPTfP1CWjto5_rrMMVNSLhBGIcRCvWcUS0g6gsf6q0hoN5WbZWMv5GtlLzyAZ2nT1dz5eu6LVYk40xTENYFD-MznGt736WHEZnm06lJZBMRaUv9fR5QdBA9ksdhpgX0AUheBdOt-5D1xB2XemIK9ntM3yPDsGe3Sf/w640-h298/05.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO"> </span><span lang="RO" style="line-height: 107%;">Inscripțiile din sec. X precizeaz</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;"> c</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;"> „apa a fost strâns</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;"> aici
pentru binele tuturor creaturilor” exceptând elefanții, c</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;">ci aceștia sunt „sp</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;">rg</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;">tori de diguri” (C. Jacques, p. 151).</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio9hxmclqyleO1mwPySNb9xpdkgUxG4UDlmBgP8reX-pEKce4fR_DPqytddq34kSe1BcRF0dz0ZIDh4LXGF1ve30k0UTE__eRcvDRkLVwJTtq92V_F1Q0xK0CdcLJqrCnC-f8UaJ3bNvd5d-GXSeVHmHWKdrgmUJ8VjfmOGHDieo5l_5d4vQCHzMbMUDcU/s1000/06.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio9hxmclqyleO1mwPySNb9xpdkgUxG4UDlmBgP8reX-pEKce4fR_DPqytddq34kSe1BcRF0dz0ZIDh4LXGF1ve30k0UTE__eRcvDRkLVwJTtq92V_F1Q0xK0CdcLJqrCnC-f8UaJ3bNvd5d-GXSeVHmHWKdrgmUJ8VjfmOGHDieo5l_5d4vQCHzMbMUDcU/w640-h298/06.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><i><span lang="RO">Baray</span></i><span lang="RO">-ul, rezervor artificial de mare capacitate, avea în timpul imperiului
khmer o dubl</span><span lang="RO">ă</span><span lang="RO">
funcție: economic</span><span lang="RO">ă - servind la irigații,</span><span lang="RO"> și politic</span><span lang="RO">ă - demonstrând </span><span lang="RO">puterea regelui (J. Rouer – <i>Angkor, la cité
hydraulique</i>).<o:p></o:p></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWUd3Z4ftKcTeFLZJvHwrLaSkzNlenzZXVcF6d5nrjvf8KEYafURx1gCGW4jP1L0y3sbY70opWIUxC-lqCUopMDm0_Hlu7m-7m147of6v4u6SsPYUnJ72fFdOPM1a6GgahzhWjoolRjfiIRr6e8gXRFFy-y65AXNnrOod9xCBr0mYf-RQ8HCQZlwglRBr/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibWUd3Z4ftKcTeFLZJvHwrLaSkzNlenzZXVcF6d5nrjvf8KEYafURx1gCGW4jP1L0y3sbY70opWIUxC-lqCUopMDm0_Hlu7m-7m147of6v4u6SsPYUnJ72fFdOPM1a6GgahzhWjoolRjfiIRr6e8gXRFFy-y65AXNnrOod9xCBr0mYf-RQ8HCQZlwglRBr/w640-h298/07.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO">Apa de la Sran Srang avea în plus și un caracter
sacru. În epopeea <i>Ramakerti</i> (Gloria lui Rama), Lakșmana, fratele cadet
al lui Rama, este la un moment dat r</span><span lang="RO">ă</span><span lang="RO">nit. Remediul divin folosit pentru a-l vindeca este un amestec de stamine
de lotus, urin</span><span lang="RO">ă</span><span lang="RO"> de
taur și ap</span><span lang="RO">ă</span><span lang="RO"> din
„heleșteul miraculos” (S. Lewitz, p. 427).</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwE1MgaIhh7gbyEVqao_euFnZa66yNmJdL8RTWSdfHcK64-EMg93pghoqpoixWjGvSgMelspT3gQLSVFP08-Qa8VUX1Gnt1iTgYJcW1Rg9I8PM1O43TrUqMPcu6ImfYkne4AlcT1WHXPrvuVFG_mWXRvvwao8HIbsdas7xdsTABQh4hLo2Rg1vQ36jtxa/s1000/08.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="580" data-original-width="1000" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXwE1MgaIhh7gbyEVqao_euFnZa66yNmJdL8RTWSdfHcK64-EMg93pghoqpoixWjGvSgMelspT3gQLSVFP08-Qa8VUX1Gnt1iTgYJcW1Rg9I8PM1O43TrUqMPcu6ImfYkne4AlcT1WHXPrvuVFG_mWXRvvwao8HIbsdas7xdsTABQh4hLo2Rg1vQ36jtxa/w640-h372/08.JPG" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><span lang="RO">„Plecând de la drumul care trece prin fața intr</span><span lang="RO">ă</span><span lang="RO">rii în templul Banteay Kdei, urcați
treptele pân</span><span lang="RO">ă</span><span lang="RO"> la
terasa de gresie. Treptele care coboar</span><span lang="RO">ă</span><span lang="RO"> spre ap</span><span lang="RO">ă</span><span lang="RO"> sunt
str</span><span lang="RO">ă</span><span lang="RO">juite
de doi lei.” (C. Jacques)</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSzblI1tY-lc9YY6tG8gw8jmiCqY5YnQq1-2VdxlOf-8NCef-Y7sfgAoYyk4j7LEaQUIpSFYHoG9Q5sYFGSMm59IKX005h97npeMcEz3vfr7gMJ80FcZa1liarRYEs7yD8i-IhZItLiLzdSPlhmPqKJuRO8EqHURc1_p5X8W_lSkA0O6mVkcU61t8iHxzy/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSzblI1tY-lc9YY6tG8gw8jmiCqY5YnQq1-2VdxlOf-8NCef-Y7sfgAoYyk4j7LEaQUIpSFYHoG9Q5sYFGSMm59IKX005h97npeMcEz3vfr7gMJ80FcZa1liarRYEs7yD8i-IhZItLiLzdSPlhmPqKJuRO8EqHURc1_p5X8W_lSkA0O6mVkcU61t8iHxzy/w640-h298/09.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: times; font-size: large;"><i><span lang="RO">Baray</span></i><span lang="RO"> de la Srah Srang a fost construit [în timpul domniei regelui Rajendravarman
(944-968)] de singurul arhitect khmer c</span><span lang="RO">ă</span><span lang="RO">ruia i s-a p</span><span lang="RO">ă</span><span lang="RO">strat
numele: KAVINDRARIMATHANA.</span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlA6YjQVYrSnJjLLlimG8gtmlhNduQp6uUs2CcwvokVetSJEnS6KCQzxTtoSe5Rxi0oNJaDwYgm4KoKGfYn1TO2ybZy3fw996K3WQmdybWm-_SFfepsVUj87aY4XEcbaXPOrXrBwzLNjH5Z2nt6LdT80bUrSQ2MsOMCxEPNmpCpZAXebkyTFHXF7eCHoff/s1000/10.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: large;"><img border="0" data-original-height="684" data-original-width="1000" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlA6YjQVYrSnJjLLlimG8gtmlhNduQp6uUs2CcwvokVetSJEnS6KCQzxTtoSe5Rxi0oNJaDwYgm4KoKGfYn1TO2ybZy3fw996K3WQmdybWm-_SFfepsVUj87aY4XEcbaXPOrXrBwzLNjH5Z2nt6LdT80bUrSQ2MsOMCxEPNmpCpZAXebkyTFHXF7eCHoff/w640-h438/10.JPG" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-58331454770491784972024-03-04T10:43:00.002+01:002024-03-04T21:18:41.653+01:005. CAMBODGIA / ANGKOR / Templul MEBON oriental, sec. X<p style="text-align: center;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguOeefsT-BmaOnDqY1OVLrdXu0j7-erd8dG3QqUIFwe7XNuCL4DyQeQx9P-x5AlpM7n4XBNWx0wxpltf4weX4V08tRoDxUba2fBCiivxuwco5MTVV_2p93ZggyBIFwhHRLiiPiXrC_E9y2TRqa_d0wcmmSfEo7BeMBPQv8l3GJcgYx3V6o_d5nxztnI9Yp/s1000/01_20240101_114225.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguOeefsT-BmaOnDqY1OVLrdXu0j7-erd8dG3QqUIFwe7XNuCL4DyQeQx9P-x5AlpM7n4XBNWx0wxpltf4weX4V08tRoDxUba2fBCiivxuwco5MTVV_2p93ZggyBIFwhHRLiiPiXrC_E9y2TRqa_d0wcmmSfEo7BeMBPQv8l3GJcgYx3V6o_d5nxztnI9Yp/w640-h298/01_20240101_114225.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Regele <b>Rajendravarman
II</b> (944-968), din dinastia Varman, a hotărât ca pe insula din
mijlocul marelui lac de baraj, <b>baray,</b> din apropierea capitalei khmere să fie
construit un templu dedicat divinității sale protectoare, <b>Rajendresvara</b>.</span><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiStbKs4lNwJPlLPGaKWaACIT4PxkhDvoWIYDsvB4ZUpWkL3Xji2jjnSgrHt7_xteH-zmeU2Hf1ZYbOAVVtmdLdGy44JOMVwLlrB1fUpGKYMDUFXDr4cUVqZiifHigKBoMUv9g0TnD-c68C9yYiVBOTtGrIOPbtUsRWn_eXA_cPI44qT_FDM17CvPE_0qtO/s1017/02_P1280288.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1017" data-original-width="667" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiStbKs4lNwJPlLPGaKWaACIT4PxkhDvoWIYDsvB4ZUpWkL3Xji2jjnSgrHt7_xteH-zmeU2Hf1ZYbOAVVtmdLdGy44JOMVwLlrB1fUpGKYMDUFXDr4cUVqZiifHigKBoMUv9g0TnD-c68C9yYiVBOTtGrIOPbtUsRWn_eXA_cPI44qT_FDM17CvPE_0qtO/w420-h640/02_P1280288.JPG" width="420" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Așa a luat
naștere templul <b>Mebon oriental</b> a cărui inaugurare a avut loc vineri, 28
ianuarie 935, pe la ora 11 dimineața, când în sanctuarul principal a fost
instalat simbolul divinițății protectoare.*</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC_X2Nq9gSyY_RoIyjwghizBBVjuXffrfATelJ7LTSg-FMHsFgCV_FK79_7N8GOaZd-FyLeQk-olSWiEC4_nNPtq2M68sNAIR8L-9Kv7TPfTay2uhxvgrTKyKJB8s8lGoqTsHtO5SmEjnPwR-upRvovSZS4IQ6M8hjmY3ST1rWmTDrYVcuHJ3zs-e-bOxf/s1017/03_P1280284.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1017" data-original-width="667" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC_X2Nq9gSyY_RoIyjwghizBBVjuXffrfATelJ7LTSg-FMHsFgCV_FK79_7N8GOaZd-FyLeQk-olSWiEC4_nNPtq2M68sNAIR8L-9Kv7TPfTay2uhxvgrTKyKJB8s8lGoqTsHtO5SmEjnPwR-upRvovSZS4IQ6M8hjmY3ST1rWmTDrYVcuHJ3zs-e-bOxf/w420-h640/03_P1280284.JPG" width="420" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><b><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Rajendra</span></span></b><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">,
prenume folosit și azi în India,<b> </b>este o combinație între <b>raja</b> - rege,
în sanscrită, și <b>Indra</b> - zeu atotputernic, zeu al cerului, fulgerelor,
ploii și furtunii (un fel de Jupiter), reprezentat adeseori călare pe un
elefant alb numit Airavata.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgeamhScBn1czzN0O5v5xQcrgAsImFRmZzRmfqspDCKiwrnlWdO5VooPE_M_DgSfk3QxMJbKociWUV1uB-l_GaHo7omls-LcC8G_ymrsvDtGZ0njqkHRm8mRsAFYKBH7p49SP-bl4aZ5FeL5OAL7tJY-8pOhx1bhBfHh99kTh0ZyLIR6m5iZYMfJI2WQZJ/s1000/04_IMG_20240101_115525.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="516" data-original-width="1000" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgeamhScBn1czzN0O5v5xQcrgAsImFRmZzRmfqspDCKiwrnlWdO5VooPE_M_DgSfk3QxMJbKociWUV1uB-l_GaHo7omls-LcC8G_ymrsvDtGZ0njqkHRm8mRsAFYKBH7p49SP-bl4aZ5FeL5OAL7tJY-8pOhx1bhBfHh99kTh0ZyLIR6m5iZYMfJI2WQZJ/w640-h330/04_IMG_20240101_115525.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Cât despre „<b>vara”</b>,
în sanscrită înseamnă „nobil, suprem”**. <br />
De aici, numele divinității principale de la Mebon oriental: <b>Rajendresvara</b>.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoER4tvYD4btk0sU_FposTv-xGFcjw7u4Ag_8eFefRtjv20xF2Mbi4T8oFROFl3Bo8WLXaed4CWy-1k4jzwrGOJfGLdgSfSOIvUytl5mj-JGehCvx1OdRemaVl-daGmRC3feW3Vg7uWm8AtX8qazPWQGQMffB96fARcdv92U2WNGAOv1vJ6AYgZl3vSvQd/s1000/05_IMG_20240101_114747.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoER4tvYD4btk0sU_FposTv-xGFcjw7u4Ag_8eFefRtjv20xF2Mbi4T8oFROFl3Bo8WLXaed4CWy-1k4jzwrGOJfGLdgSfSOIvUytl5mj-JGehCvx1OdRemaVl-daGmRC3feW3Vg7uWm8AtX8qazPWQGQMffB96fARcdv92U2WNGAOv1vJ6AYgZl3vSvQd/w640-h298/05_IMG_20240101_114747.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">„Baray
oriental”, lacul artificial creat prin ridicarea unui „baraj” dreptunghiular de
diguri [<b>baray</b>, în khmer] a fost realizat cam cu 50 de ani înainte de ridicarea
templului Mebon oriental.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRxIxRXoDyNfr2ZfvL7w5leE3qjbYH3XQuM5uiRy54H_Igv87hSB0iXnb-CiJWMmWZ8OXjRYsoxUqrbXLyoQIadj9uI3b1RilvUezQSzF1wBlMpYTLA99fYZR_oiPrR2mmGGdDr3ocY4BTi5cj8ngGh1ZeDwnxyC2jUXvr8TG7zT0utuEicV6G5o1MkTGn/s1000/06_20240101_120736.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="1000" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRxIxRXoDyNfr2ZfvL7w5leE3qjbYH3XQuM5uiRy54H_Igv87hSB0iXnb-CiJWMmWZ8OXjRYsoxUqrbXLyoQIadj9uI3b1RilvUezQSzF1wBlMpYTLA99fYZR_oiPrR2mmGGdDr3ocY4BTi5cj8ngGh1ZeDwnxyC2jUXvr8TG7zT0utuEicV6G5o1MkTGn/w640-h304/06_20240101_120736.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Digul era lung
de 7,5 km și lat de 1,83 km, astfel că atunci când nivelul apei atingea 4
metri, lacul conținea aprox. 55 de milioane de metri cubi de apă. Iar nivelul
apei, adusă printr-un canal din râul Roluos, putea atinge și 5 metri.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5CqVJqgzw5n3fQgzBJbgEcZYcf3rJXuUBarrJI1WSIBVhjqty3uP8kCoPiRG4BqErS32O8a-1r1pD9hwCtfZzJGpenth3WzQkNEEjgwaKjHsjBVqC6JirNEivI_VRg-ZRUPp__LR4bCCY7G_SxETLqgp8VaSW2Fd2LQE4vThiBN_1nlC5xbIkzXTEifKm/s1000/07_20240101_113121.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="567" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5CqVJqgzw5n3fQgzBJbgEcZYcf3rJXuUBarrJI1WSIBVhjqty3uP8kCoPiRG4BqErS32O8a-1r1pD9hwCtfZzJGpenth3WzQkNEEjgwaKjHsjBVqC6JirNEivI_VRg-ZRUPp__LR4bCCY7G_SxETLqgp8VaSW2Fd2LQE4vThiBN_1nlC5xbIkzXTEifKm/w362-h640/07_20240101_113121.jpg" width="362" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Construcția
enormului Baray oriental a fost decisă în timpul domniei regelui Yasovarman I
(889-910), cel care a mutat capitala regatului khmer la Angkor.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_13nDOMQAdf0-hm3oKYyARP5RBjq_dT2qMDnk6xSOW80kDGDKMliUGcgeoRVKa-ij9CwkqNQafobmPmKRXXlMVPWUnCQLC8xi9etIrRwyhVyeyNCxGe-08F0uLWmdRXRk4l8u21f8AQPjGY_QsJmpUUMShpEVgj8H-SOw_kpLf0QNM55BuOf_qR-oPil_/s1000/08_IMG_20240101_113248.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_13nDOMQAdf0-hm3oKYyARP5RBjq_dT2qMDnk6xSOW80kDGDKMliUGcgeoRVKa-ij9CwkqNQafobmPmKRXXlMVPWUnCQLC8xi9etIrRwyhVyeyNCxGe-08F0uLWmdRXRk4l8u21f8AQPjGY_QsJmpUUMShpEVgj8H-SOw_kpLf0QNM55BuOf_qR-oPil_/w640-h298/08_IMG_20240101_113248.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Astăzi, Baray
oriental este secat, iar templul Mebon oriental pare înalt, deși nu este un „templu
munte”, deoarece îl privim de pe fundul lacului de altădată. <o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicuHQb4ydVIpsHFZgqKXE5OnyiMI8BTfnovyIYEL6PvF27Jtq-f8nadeRuG9N5aZT2TwURX5uaErFWsqx91AhHQxq5b1O060L39akpe9GYYrYnC1qLQrGe9PCp7Jxxa0EF67iRumwIufTYiQpOy-tM5UDAHoGNEgPOU0DrmxwWMpihafPn9MvMjJVaiTdF/s1000/09_IMG_20240101_113627.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="401" data-original-width="1000" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicuHQb4ydVIpsHFZgqKXE5OnyiMI8BTfnovyIYEL6PvF27Jtq-f8nadeRuG9N5aZT2TwURX5uaErFWsqx91AhHQxq5b1O060L39akpe9GYYrYnC1qLQrGe9PCp7Jxxa0EF67iRumwIufTYiQpOy-tM5UDAHoGNEgPOU0DrmxwWMpihafPn9MvMjJVaiTdF/w640-h256/09_IMG_20240101_113627.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Fiind înconjurat de apă, templul nu avea nevoie de șanțuri de apărare sau de drumuri
de acces, ci de debarcadere. Astfel că în fiecare din cele patru puncte
cardinale exista câte un debarcader.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8BJidlRwpovkx4q12opVyxUl7mlbi9ph6FvUQwHri3AlFldP5pHIb0qXKESowLFl3yY0vDkwbxJugyFdaW0ivHQNW_Th1y0pp1WnhBluoNPlAvLev5yOUvx_tuNGtAfAXb11FxxcbL9s4uYfdsjYWZ365WhEFjrtSm9v9PeDeF0OB_CssPEvA5tN0it4v/s1000/10_IMG_20240101_114211.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="467" data-original-width="1000" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8BJidlRwpovkx4q12opVyxUl7mlbi9ph6FvUQwHri3AlFldP5pHIb0qXKESowLFl3yY0vDkwbxJugyFdaW0ivHQNW_Th1y0pp1WnhBluoNPlAvLev5yOUvx_tuNGtAfAXb11FxxcbL9s4uYfdsjYWZ365WhEFjrtSm9v9PeDeF0OB_CssPEvA5tN0it4v/w640-h298/10_IMG_20240101_114211.jpg" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Vizitarea
templului începe de la debarcaderul de est. Baza templului, construită în
laterit, măsoară 126 pe 121 metri. Urmează o incintă de 108 pe 104 metri,
înconjurată de un zid în care, în dreptul debarcaderelor, se află cele patru <b>gopura</b>,
intrările în templu. </span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHsMlHhG8okbg4IVnkE5kDum3Amiq4Lbww7unOOgOFA7ErSy00wk9qZAgSasoTzGniBlfWUw9TxL2tr_sQiRlZ9sojkxSwINQUQnnsBWe9g5Q6msnPRen2v_-5fqItkaRgBCKMuDQJg-ff7amQvNPnbBLec6h7hn96B8nX28OAJvWYuuvgoc3KUE94__2u/s1000/11_P1280287.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="1000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHsMlHhG8okbg4IVnkE5kDum3Amiq4Lbww7unOOgOFA7ErSy00wk9qZAgSasoTzGniBlfWUw9TxL2tr_sQiRlZ9sojkxSwINQUQnnsBWe9g5Q6msnPRen2v_-5fqItkaRgBCKMuDQJg-ff7amQvNPnbBLec6h7hn96B8nX28OAJvWYuuvgoc3KUE94__2u/w640-h332/11_P1280287.JPG" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Partea centrală
cuprinde cinci turnuri sanctuare, din care unul central, mai mare, și alte
patru în colțuri.</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO09qPGcu7UTgt9fkmohc4WGnAGans6deF7-x8eU78c20fMEq6GI-A1gh9a0-aXxcQuD2cuhtYpgPOQ-Dn4bKRFWSHxRc6Zw9rSZUJKKWH-rAHeP1GgnGxVLml1z2tFp9Ha6vl8ms9PNuUZcfYogCag3q7GxRdti9-FE-re8XAGbD7wRDr-dqlDbtOro2c/s1000/12_DSC01502.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="580" data-original-width="1000" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO09qPGcu7UTgt9fkmohc4WGnAGans6deF7-x8eU78c20fMEq6GI-A1gh9a0-aXxcQuD2cuhtYpgPOQ-Dn4bKRFWSHxRc6Zw9rSZUJKKWH-rAHeP1GgnGxVLml1z2tFp9Ha6vl8ms9PNuUZcfYogCag3q7GxRdti9-FE-re8XAGbD7wRDr-dqlDbtOro2c/w640-h372/12_DSC01502.JPG" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Regăsim ușile
false blocate de mari lespezi de piatră, ferestrele cu coloane, divinitățile păzitoare
de la colțurile clădirilor, grinzile sculptate de deasupra ușilor...</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgq4OJZOkSoNN6kKJF9sOYtGrjUfwcFHm4LTxAkVAVneKifFOkhcGVZg7KJGCJrtRJ09Th8NXb16CthqRj8mseMXRIIq1sl2hCf3p_VTQeb1QflTbZEVmzx_Cbn0HXwKwwwd9qlZ16MtYPjSZokeAFiPE5K9Rq9ccgUxfqNGHmBKDxiDMEwnCuIEcsu92E/s999/13_P1280283sel.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="999" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgq4OJZOkSoNN6kKJF9sOYtGrjUfwcFHm4LTxAkVAVneKifFOkhcGVZg7KJGCJrtRJ09Th8NXb16CthqRj8mseMXRIIq1sl2hCf3p_VTQeb1QflTbZEVmzx_Cbn0HXwKwwwd9qlZ16MtYPjSZokeAFiPE5K9Rq9ccgUxfqNGHmBKDxiDMEwnCuIEcsu92E/w640-h332/13_P1280283sel.JPG" width="640" /></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">La colțurile teraselor,
opt elefanți străjuiau sanctuarul.<br />
Unul dintre ei se dovedește și azi deosebit de prietenos!</span><o:p></o:p></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghna_zNjp0LS8gtBW_iuBiwtuAlL9ZEcHrfOyBCezlPUlLfziv3ltTmeHVx_UgUxwNaJh7GNJFrpHqpb6WPklA3QS1AA26om20QfgksUsGyBQQq2X_LLw0LvUY25fT1mZPOHn9f7aOJzsYIdLBPetQY2E3L8Gz753LogN1qkkvCbSnQfMIu_SzgxtxoXtY/s1000/14_P1280281sel.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="517" data-original-width="1000" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghna_zNjp0LS8gtBW_iuBiwtuAlL9ZEcHrfOyBCezlPUlLfziv3ltTmeHVx_UgUxwNaJh7GNJFrpHqpb6WPklA3QS1AA26om20QfgksUsGyBQQq2X_LLw0LvUY25fT1mZPOHn9f7aOJzsYIdLBPetQY2E3L8Gz753LogN1qkkvCbSnQfMIu_SzgxtxoXtY/w640-h330/14_P1280281sel.JPG" width="640" /></a></div><div style="text-align: left;"><br /></div><p></p><p class="MsoNormal"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: x-small;">Bibliografie<o:p></o:p></span></span></p><div>
<p class="MsoNormal"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: x-small;">* Claude Jacques, Michael Freeman - <i>Angkor, Cité
khmère</i>, River Books, 2012, p. 161.<o:p></o:p></span></span></p>
<p class="MsoNormal"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: x-small;">** Saveros Lewitz – <i>La toponymie khmère</i>, Bulletin
de l’Ecole française d’Extrême-Orient, tome 53 n° 2, 1967, p. 424.</span></span></p></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-86631981561152440862024-02-24T08:21:00.001+01:002024-03-04T21:16:42.213+01:004. CAMBODGIA / ANGKOR / Templele budiste restaurate de la Lolei si Bakong<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosa9EeVhPyY6rWMVDDo5yuWxxgjnyPwfFvNRreJ3_BnqGiBtpjyNqDGYXrWD7J3AEZHVbQhanAOPgpIB25xlKhNXoputqxzMmpMYogopbUI4Pq4NYiMoSN8z2aPPcvfq4yRbkMrB0_shM4KmZggiqvhQPtu5Cbu6JXeTFCY8JLJY268oKrfa93tehEct4/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="517" data-original-width="1000" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiosa9EeVhPyY6rWMVDDo5yuWxxgjnyPwfFvNRreJ3_BnqGiBtpjyNqDGYXrWD7J3AEZHVbQhanAOPgpIB25xlKhNXoputqxzMmpMYogopbUI4Pq4NYiMoSN8z2aPPcvfq4yRbkMrB0_shM4KmZggiqvhQPtu5Cbu6JXeTFCY8JLJY268oKrfa93tehEct4/w640-h330/01.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Înainte de a vizita templele budiste ale Cambodgiei, merită
să vedem ce destinație au avut aceste sanctuare în perioada khmerilor roșii, din 1975
până în 1979.<br />
Iată un fragment dintr-o teză de doctorat recentă*:<o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijdLVWIzWGJW3LPour3aHO-zdRFO1uhckD2Ll9XH5h8iaxJQsZ_5qeVi6JNblJuyJLqELp4X2Nj3SfAFj7hJzHwth7CEMZwUmqVzoh25SCXb_LdsMZeMCvPPe-r-Pm1kDY4MQWlaFSWaQEhZnSW-iUIhIJgsp5eza4vDajgqAmUaUPqyUcowQVPHOe2pFd/s547/Emploi%20sanctuaires%201.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="187" data-original-width="547" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijdLVWIzWGJW3LPour3aHO-zdRFO1uhckD2Ll9XH5h8iaxJQsZ_5qeVi6JNblJuyJLqELp4X2Nj3SfAFj7hJzHwth7CEMZwUmqVzoh25SCXb_LdsMZeMCvPPe-r-Pm1kDY4MQWlaFSWaQEhZnSW-iUIhIJgsp5eza4vDajgqAmUaUPqyUcowQVPHOe2pFd/w640-h218/Emploi%20sanctuaires%201.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSE4vEtiH7gnlw9X_v-WwdGuu9kWFGwYOCxUd8HQVmEoM4INAZ8pMlNr0uY4C6tOyzNdDkYETOwveEAaTK8aOr5kbARpG9EvjMMFV1Jz7cR0XxV4r07lk3Ni09FaA7VBP21thzRXH-4MGUCAn5fyEXh4kXS9HWPq_OpFXnmpQeOtqd5fUMlD2Csjjv-NxA/s546/Emploi%20sanctuaires%203.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="222" data-original-width="546" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSE4vEtiH7gnlw9X_v-WwdGuu9kWFGwYOCxUd8HQVmEoM4INAZ8pMlNr0uY4C6tOyzNdDkYETOwveEAaTK8aOr5kbARpG9EvjMMFV1Jz7cR0XxV4r07lk3Ni09FaA7VBP21thzRXH-4MGUCAn5fyEXh4kXS9HWPq_OpFXnmpQeOtqd5fUMlD2Csjjv-NxA/w640-h260/Emploi%20sanctuaires%203.jpg" width="640" /></a></div><p class="MsoListParagraph"><span lang="RO" style="font-family: "Times New Roman", serif; line-height: 107%;">*Dominique-Pierre
Guéret, <i>Les monastères bouddhiques de Cambodge: caractéristiques des
sanctuaires antérieurs à 1975</i>, Thése de Doctorat, Université Paris Sorbonne,
2015, vol. I, p. 498.<span style="font-size: 14pt;"><o:p></o:p></span></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6IkmqdQqpFjvqd7W6hmmIUF8d3hlhu0qLsWSY9bCH5qM0llozji_K0QQUlXt2zcxImkN2fdrlnojJ_zlk61weEV7LWjlN0TQTGJiWL88dZUGwydxs7DMGoYbmYuvYuTqNMr4oNbYFdIzrlv_-wm_uastrS6n3oGz5mxyBdacJjYJMq5g-cexLGWAcKF4y/s1000/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6IkmqdQqpFjvqd7W6hmmIUF8d3hlhu0qLsWSY9bCH5qM0llozji_K0QQUlXt2zcxImkN2fdrlnojJ_zlk61weEV7LWjlN0TQTGJiWL88dZUGwydxs7DMGoYbmYuvYuTqNMr4oNbYFdIzrlv_-wm_uastrS6n3oGz5mxyBdacJjYJMq5g-cexLGWAcKF4y/w640-h300/02.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Templul de la Lolei servea deci ca închisoare, în timp ce
alte temple fuseseră transformate în depozite de sare sau de orez, în garaje de
biciclete și motorete, în grajduri sau în crescătorii de porci. Nici unul
dintre temple nu își mai păstrase destinația inițială, în cel mai bun caz devenind
spital.<o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9yCvu73vYLtyvYjjlabEkou0wC2aDIng18meEUdKzUcoepF50XTfL4tRTlNAL-_5Z0JqBH8Z6voA0GOiQyuCRc3aauwAMQ4t9tHFNFFV6TcZcFk6mk2rJPh_HJ4pb8jbOiiEOmt1es6Bk1JTsG1kJg5NE1SrGGvsKwwjghVUtzdbiBXV40-glFz43O-L6/s1000/03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9yCvu73vYLtyvYjjlabEkou0wC2aDIng18meEUdKzUcoepF50XTfL4tRTlNAL-_5Z0JqBH8Z6voA0GOiQyuCRc3aauwAMQ4t9tHFNFFV6TcZcFk6mk2rJPh_HJ4pb8jbOiiEOmt1es6Bk1JTsG1kJg5NE1SrGGvsKwwjghVUtzdbiBXV40-glFz43O-L6/w640-h300/03.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">E drept că după ce ai vizitat la Phnom Penh celebra S21, școala
transformată în închisoare și centru de tortură, nici nu te așteptai la altceva
din partea khmerilor roșii.</span><span style="font-family: "Times New Roman", serif; font-size: 14pt;"> </span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFjBf29rDqXoTubX0rAi_plmT3s5OFO6JLIxDvzoJ1KnJ1UCElRNTbyRV0EoNS-TWnGJigw3tgTTaPkqh73SZ2uEM1Sg5r04vxCL-eAHIrst34WjoQ95hgzsvu3lah3N_Wt4JthCb_uae4ymmb3XL4xI3w0zj36b91mt1w5YKpiD0FyGgEmCvTcq0cqAw0/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFjBf29rDqXoTubX0rAi_plmT3s5OFO6JLIxDvzoJ1KnJ1UCElRNTbyRV0EoNS-TWnGJigw3tgTTaPkqh73SZ2uEM1Sg5r04vxCL-eAHIrst34WjoQ95hgzsvu3lah3N_Wt4JthCb_uae4ymmb3XL4xI3w0zj36b91mt1w5YKpiD0FyGgEmCvTcq0cqAw0/w640-h300/04.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Cu atât mai remarcabil este modul în care aceste temple
budiste au fost restaurate și sunt acum întreținute.<o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-uWBu0oS123jJ3478LulW8-3YOFuwSygflYXPwDLActXHA573tRBAfRJsS2KJ4lUbaOXvfktslN5jCln5TgBHWlGJ-Mnl-C3GEfcV0c7GMb2y9gtJzUgUY4d8N1-QrWvuELwnvw0HRCEAVzI58ja67y0EromMLJBCOHMzLdhiRGeFcdMbUXiH_Vg6w_BS/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-uWBu0oS123jJ3478LulW8-3YOFuwSygflYXPwDLActXHA573tRBAfRJsS2KJ4lUbaOXvfktslN5jCln5TgBHWlGJ-Mnl-C3GEfcV0c7GMb2y9gtJzUgUY4d8N1-QrWvuELwnvw0HRCEAVzI58ja67y0EromMLJBCOHMzLdhiRGeFcdMbUXiH_Vg6w_BS/w640-h300/05.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Și la Lolei și la Bakong, în imediata apropiere a vechilor
temple khmere, funcționează azi temple budiste, căci 95% din populația
Cambodgiei este adeptă a budismului theravada.<o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwvEoCx6zjT7NUbmMYsV_2ITelZxeoCiS0XnKlS19Gyf2EFRmthLqzvcStHdTYy4cwIWCJD9DmsePkiEH3E5P3PjL_HJ7pzyfjk9peeN06B2d1gohw2HXzMt9wgA1HlSt-xo-o5902qr07U6VSCqBEbg9uEScpqSQ4fXqjeVP5KESHA0DVkj9w81MNBRhA/s1000/06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwvEoCx6zjT7NUbmMYsV_2ITelZxeoCiS0XnKlS19Gyf2EFRmthLqzvcStHdTYy4cwIWCJD9DmsePkiEH3E5P3PjL_HJ7pzyfjk9peeN06B2d1gohw2HXzMt9wgA1HlSt-xo-o5902qr07U6VSCqBEbg9uEScpqSQ4fXqjeVP5KESHA0DVkj9w81MNBRhA/w640-h300/06.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Reconstruit începând din 1939 pe o structură care exista
deja la câțiva metri de incinta de est a templului khmer, sanctuarul budist de
la Bakong a fost restaurat recent din fonduri private. <o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmeG_9WZOZ3gb-rwA0WrrJGuGHCui3HZcomAWUydTN2K8AQ14dBLImvWK9nMixNBnARWbYGjNl1qrd8-SAyC11pC70WbdgMcB_WdgHO79nUpSF-v0a0ViUPy8freMgYd3rRYoMSGlDXkjKr4rDNZphRYzxKtGjsnjOkiS173KA9n3FE06jufywf__q0L9/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmeG_9WZOZ3gb-rwA0WrrJGuGHCui3HZcomAWUydTN2K8AQ14dBLImvWK9nMixNBnARWbYGjNl1qrd8-SAyC11pC70WbdgMcB_WdgHO79nUpSF-v0a0ViUPy8freMgYd3rRYoMSGlDXkjKr4rDNZphRYzxKtGjsnjOkiS173KA9n3FE06jufywf__q0L9/w640-h300/07.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Restaurarea templului nu s-a limitat doar la sanctuarul
propriu-zis, ci a inclus și alte elemente cum sunt spațiile pentru primirea
credincioșilor, locuințele bonzilor, sala de clasă pentru tineri, biblioteca.<o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqCqCm6fWO5PrjwIk_LWREwT-DxsUBC0vgnKpvgE_iJvkvSymz47mI5ZMEfu_bIVvw0C3Oi00WbbFPjMTUlMJgcVM3IkPT3MEIeSFiCYEvHV-MuMspHlMVTLDMzmHLFAIYLMDMVLP0y2wjzDx3aAO-ECgWXDi-c332KTNG1qSY9QyQboRWOgfeC-niw6B7/s1000/08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqCqCm6fWO5PrjwIk_LWREwT-DxsUBC0vgnKpvgE_iJvkvSymz47mI5ZMEfu_bIVvw0C3Oi00WbbFPjMTUlMJgcVM3IkPT3MEIeSFiCYEvHV-MuMspHlMVTLDMzmHLFAIYLMDMVLP0y2wjzDx3aAO-ECgWXDi-c332KTNG1qSY9QyQboRWOgfeC-niw6B7/w640-h300/08.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: 14pt; line-height: 107%; mso-ansi-language: RO;">Lucrările au fost efectuate de „Restauratori fără
frontiere”, iar restaurarea a fost finalizată în 2011*.<o:p></o:p></span></p><p style="text-align: center;">
</p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman", serif; line-height: 107%;">* Dominique Pierre Guéret, <i>Les monastères bouddhiques...,
</i>vol. I, p. 97.<span style="font-size: 14pt;"><o:p></o:p></span></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibDNM6dtChM1GCmOnySlYaOeZKiSd3yZkwcVT7uiCP6K-X0vuna-sc3h9R-xTFCx-Hxh_LW1pM6P7-TQbCixc1avwvLrrclPt2XuUaQn0sgEAP3qCNAO1WD5sgJ1Jmqd24UWCPULA1z9SfEcEZHYYoBBuaRD64Fs26vLjmogD-H3ToRlotZrmUjKwYk2SN/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibDNM6dtChM1GCmOnySlYaOeZKiSd3yZkwcVT7uiCP6K-X0vuna-sc3h9R-xTFCx-Hxh_LW1pM6P7-TQbCixc1avwvLrrclPt2XuUaQn0sgEAP3qCNAO1WD5sgJ1Jmqd24UWCPULA1z9SfEcEZHYYoBBuaRD64Fs26vLjmogD-H3ToRlotZrmUjKwYk2SN/w640-h300/09.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman", serif; line-height: 107%;">Câteva cuvinte despre autorul tezei de doctorat citată
mai sus.<o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman", serif; line-height: 107%;">Dominique-Pierre Guéret (1946-2023), în calitate de
expert ONU pentru Dezvoltare, și soția sa Danielle Guéret, profesoară la
Facultatea de Arheologie a Universității Regale de Beaux-Arts din Phnom Penh, au
lucrat în Cambodgia în perioada 1992-2015. Lucrările lor detaliate de
inventoriere și descriere a pagodelor, efectuate în ultimii 11 ani petrecuți în
Cambodgia, s-au concretizat </span><span style="font-family: "Times New Roman", serif;">și</span><span style="font-family: "Times New Roman", serif;"> în două teze de doctorat, una tratând arhitectura mănastirilor
budiste, iar cealaltă picturile de pe zidul sanctuarelor care au rezistat timpului
și khmerilor roșii.</span></p><p style="text-align: center;">
</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwg36nO9XpzNLdpbjg0isQCTqjmaaIzVPj6H3sib_D9VwsRCRMVAE_EoT7f7fXpAKGSFKQ3K3qgjx5NyBG1MshOlDZPaEn4R_5kfTYn4McTSjUBJ0R3lCwWyQiECnUTfy-HGn3qIrbayu2ZxXHznb7ikgvij1wzvWdZ7bthJULzeIHIL6csXb0e3grSs59/s1000/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwg36nO9XpzNLdpbjg0isQCTqjmaaIzVPj6H3sib_D9VwsRCRMVAE_EoT7f7fXpAKGSFKQ3K3qgjx5NyBG1MshOlDZPaEn4R_5kfTYn4McTSjUBJ0R3lCwWyQiECnUTfy-HGn3qIrbayu2ZxXHznb7ikgvij1wzvWdZ7bthJULzeIHIL6csXb0e3grSs59/w640-h300/10.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-84348449084756721742024-02-16T07:46:00.005+01:002024-03-04T21:18:15.293+01:003. CAMBODGIA / ANGKOR / LOLEI – Templul inaugurat duminică, 8 iulie 893<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCRjnogWAi6njbOVooNHqRHKfis6ORXaDil_VYPJp3BzLWC5g_t5BiYvUHReyqP9sYEK7Yf-Vz9n6jxonvjU_MgRCB_Srtyo_JjFVNeyDJMaX1kFkP7nXzkkD2sYq9wN2zOZitNVJ4oD2cdUP7YUECikxoif9DCsyPURGdZ3Ll72KxVeGQemmb0NqoS_s/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCRjnogWAi6njbOVooNHqRHKfis6ORXaDil_VYPJp3BzLWC5g_t5BiYvUHReyqP9sYEK7Yf-Vz9n6jxonvjU_MgRCB_Srtyo_JjFVNeyDJMaX1kFkP7nXzkkD2sYq9wN2zOZitNVJ4oD2cdUP7YUECikxoif9DCsyPURGdZ3Ll72KxVeGQemmb0NqoS_s/w640-h300/01.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif; text-transform: uppercase;">Lolei</span><span style="font-family: "Times New Roman",serif;"> este construit la sfârșitul sec.
IX lângă vechea capitală khmeră, Hariharalaya, la circa 15 km sud-est de
Angkor. Templul a fost inaugurat duminică, 8 iulie 893, când "cele patru
divinități au prins viață în cele patru sanctuare" [cf. Claude Jacques…,
2012].<o:p></o:p></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdbgpg14tC-8VNlYNvUss6dlKKnWogXuzjdZQ9BwGTrp3YzHLRaAVV5-_CCZ6YaeX_O0mAjpI-MoDOn9naI2eidtmZm1r3Gs2jQPmduiRxdPTENXi06fHrYAhgm38ehQsRHMbemFzwQZ8x8Ksthue9j_bwR2TT0yHHHLXyEsjmOoNKL9UP1BxFdqhPPMNW/s1000/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdbgpg14tC-8VNlYNvUss6dlKKnWogXuzjdZQ9BwGTrp3YzHLRaAVV5-_CCZ6YaeX_O0mAjpI-MoDOn9naI2eidtmZm1r3Gs2jQPmduiRxdPTENXi06fHrYAhgm38ehQsRHMbemFzwQZ8x8Ksthue9j_bwR2TT0yHHHLXyEsjmOoNKL9UP1BxFdqhPPMNW/w640-h300/02.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Atunci când a fost inaugurat,
templul se afla pe o insulă artificială în milocul unui <i>baray*</i> de 800 pe
1800 de metri. Construirea <i>baray</i>-ului Indratataka a început în timpul
domniei regelui Indravarman I, când s-au ridicat digurile pe laturile de est,
sud și vest. Fiul său, Yaçovarman I, a dispus realizarea laturei de nord și a
finalizat construirea templului.<o:p></o:p></span></p>
<p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">[* <i>Baray</i> - mare rezervor de
apă construit nu prin săpare, ci prin ridicarea de diguri solide]</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1WobZ9nrsdLicwa4RJWWL37rVRKVG7TXKavXqUpw5iPmC6cWWAzvA9Tv1Ds0sUXbuTHfpm_Wgy9qoI_9UGUPJh5WYcMc685CKY8VzcGrUG-qa3WEmyAnZg2koXUesbUckpA8GygwKDSQ8GhaxkkmqJuLobRJyGtIBgym9QQu6WnuB-2uoOzfh_JeAfCzF/s1018/03.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="667" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1WobZ9nrsdLicwa4RJWWL37rVRKVG7TXKavXqUpw5iPmC6cWWAzvA9Tv1Ds0sUXbuTHfpm_Wgy9qoI_9UGUPJh5WYcMc685CKY8VzcGrUG-qa3WEmyAnZg2koXUesbUckpA8GygwKDSQ8GhaxkkmqJuLobRJyGtIBgym9QQu6WnuB-2uoOzfh_JeAfCzF/w420-h640/03.JPG" width="420" /></a> </div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Intrarea în templu se face pe la
est. La origine existau patru <i>gopura</i>, intrări monumentale, construite pe
fiecare latură a incintei de cărămidă, toate dispărute astăzi. Din insula de
altădată a mai rămas o mare terasă de 80 pe 90 metri.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUN81Gee2ffaLVmy45mxC16WxMxEli8DctNVWy8zrJlzFadh_AbgjAHgTc3HxgC1_QMMKQzaLjMJ2XJPV-EmRVvkkA5ZBY8p4LQQHM_XzWI_vPz-FcWz8mUfHF-Z1xld07d1ZyyBGRVssArlfCfiJpBK0stEogWqN9E37OPGu10y_Ckz5n-glMfF5l4FVf/s1000/04.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1000" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUN81Gee2ffaLVmy45mxC16WxMxEli8DctNVWy8zrJlzFadh_AbgjAHgTc3HxgC1_QMMKQzaLjMJ2XJPV-EmRVvkkA5ZBY8p4LQQHM_XzWI_vPz-FcWz8mUfHF-Z1xld07d1ZyyBGRVssArlfCfiJpBK0stEogWqN9E37OPGu10y_Ckz5n-glMfF5l4FVf/w640-h438/04.JPG" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Pe terasă se află patru
turnuri-sanctuare de cărămidă, plasate asimetric, ceea ce sugerează că inițial
se dorea construirea a șase turnuri, cele două turnuri aflate azi la nord,
urmând să devină turnurile centrale.<o:p></o:p></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiABJhxkvUV0s17-x7CZ-tYmXTtX9GUY1_rU13YgkTiBuJSfGXT37aQimdtCFOQIWyTKWwHfLDbzp7WXt635F8GDrNQ9nXLDC6ANAh9ezlv5Q7K5KoeF7KVTCwUMumsuIimukiCttdgy0uDBOxj_60Ps3lGxqvKeG9iSjfslK_VEt67laWrn68hACUFGA74/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiABJhxkvUV0s17-x7CZ-tYmXTtX9GUY1_rU13YgkTiBuJSfGXT37aQimdtCFOQIWyTKWwHfLDbzp7WXt635F8GDrNQ9nXLDC6ANAh9ezlv5Q7K5KoeF7KVTCwUMumsuIimukiCttdgy0uDBOxj_60Ps3lGxqvKeG9iSjfslK_VEt67laWrn68hACUFGA74/w640-h300/05.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Deoarece stela de fundație nu
menționează decât patru divinități, se crede că renunțarea la două din cele
șase turnuri a fost decisă din cauza faptului că regele Yaçovarman I nu a reușit
să cucerească teritoriile ale căror divinițăți urmau să fie adăpostite în
aceste sanctuare.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixmN4aHFrHXTmmP1TvsTA0kxxCWAxA_uZd2otzNa6g7hyphenhyphen3CSoL-R3YLLzD4APJNWFD8xY8zmz_7joZJoIuIQp2JG-119TdFWfpXmAsyrTGlHGN_dZOm1GaUh-9v7vyMEYn6e-jul1xcYYBxR83JU2us5ZYWp0MS1x8BGLgS32Mv7BF5pKD4XEV5c12yvu6/s1018/06.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixmN4aHFrHXTmmP1TvsTA0kxxCWAxA_uZd2otzNa6g7hyphenhyphen3CSoL-R3YLLzD4APJNWFD8xY8zmz_7joZJoIuIQp2JG-119TdFWfpXmAsyrTGlHGN_dZOm1GaUh-9v7vyMEYn6e-jul1xcYYBxR83JU2us5ZYWp0MS1x8BGLgS32Mv7BF5pKD4XEV5c12yvu6/w472-h640/06.JPG" width="472" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Turnurile de la est sunt cele mai
importante. Ele au o bază pătrată cu latura de 6 metri și sunt supraînălțate cu
patru etaje false. Turnul din sud-est s-a prăbușit în 1968.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWdBer6D1l1QW7inaZZpvEzxdjczQrarb6woLi_DGDutPA4seXR9Wjz3DkOwfSN_N2817VPOr0NQQNcRdgJ5DZdDVdzc2JkoOt47hQVl80ZYFCB0orTkBgVQQOQGUe1OX1RE6OYmDMjdER7gPZFvKuzRxEVyLhZr7A-n9V4Y3c15EU0SA1HlpbiU93ahck/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWdBer6D1l1QW7inaZZpvEzxdjczQrarb6woLi_DGDutPA4seXR9Wjz3DkOwfSN_N2817VPOr0NQQNcRdgJ5DZdDVdzc2JkoOt47hQVl80ZYFCB0orTkBgVQQOQGUe1OX1RE6OYmDMjdER7gPZFvKuzRxEVyLhZr7A-n9V4Y3c15EU0SA1HlpbiU93ahck/w640-h300/07.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Zidurile de cărămidă erau inițial
tencuite. Azi nu a mai rămas nimic din tencuială. Au rezistat însă coloanele,
grinzile și personajele sculptate în gresie. Ușile false, ca la turnul din
stânga, sunt realizate în blocuri monolitice.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZmUy9w3p50NXdr44HWQ5p6_2QHmfvQv0hnA7czdFY7JvQG5HxqtC95tyY0wRT_Fka5qFasNk2eKAupW6HpgioaYgPbN6DuQ8Q7MrA53-LiU1fMUVb6y-O_IJOJz-zOl2A1yAJv1F632Z3AYMdLaEyvhjULC8PMeQCfUy0bjR3eYLPHZrR52WXw5tYr2Y/s1000/08.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="1000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZmUy9w3p50NXdr44HWQ5p6_2QHmfvQv0hnA7czdFY7JvQG5HxqtC95tyY0wRT_Fka5qFasNk2eKAupW6HpgioaYgPbN6DuQ8Q7MrA53-LiU1fMUVb6y-O_IJOJz-zOl2A1yAJv1F632Z3AYMdLaEyvhjULC8PMeQCfUy0bjR3eYLPHZrR52WXw5tYr2Y/w640-h332/08.JPG" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Pe "piédroit", glaful
ușii, o inscripție în fascinanta scriere khmeră veche, rotunjită și plină de
bucle. Deasupra ușii, pe marea grindă sculptată [<i>linteau</i> ;
buiandrug], o divinitate fioroasă păzește intrarea.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUdg6lYqGrlY7nxAm4K3u6QdoZ4iRjy1INbfVIaElqg_qqp6QiOmQg3vXnwKhdTbQ_ucWJTij4djmIpKTjagKZOGXIhRgeSD09LDDp9cjJUPmePchbqRg_YauY6AdHPWOGKy-m9CzE84VlXacE083GaK1ZIUyL1f0U_U5qbiv86_CiauyclT01A5LLOZDQ/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="1000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUdg6lYqGrlY7nxAm4K3u6QdoZ4iRjy1INbfVIaElqg_qqp6QiOmQg3vXnwKhdTbQ_ucWJTij4djmIpKTjagKZOGXIhRgeSD09LDDp9cjJUPmePchbqRg_YauY6AdHPWOGKy-m9CzE84VlXacE083GaK1ZIUyL1f0U_U5qbiv86_CiauyclT01A5LLOZDQ/w640-h332/09.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">Preak Ko, Bakong și Lolei – iată
trei temple din secolul IX de la Roluos, Angkor, care pot fi vizitate într-o
singură dimineață, cum a fost cea a zilei de 1 ianuarie 2024.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx8RKd3dDBmfYTpLJvuYh05Alv9-6wSHOUu6QNXCn-3M50H9Ss4ipmb6ADyZbIfi2OziAyedMc4rAE_0GpYWG83-dV20qfIM_RrElzQNURo8zy0M20DJPXrxkrTSWqQaAYIPJF-yHGdSJVGHMoMilno9idTKoBWYSDGnW2sTUGnJ6C94kgVS4u2XynHGvO/s1000/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="519" data-original-width="1000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx8RKd3dDBmfYTpLJvuYh05Alv9-6wSHOUu6QNXCn-3M50H9Ss4ipmb6ADyZbIfi2OziAyedMc4rAE_0GpYWG83-dV20qfIM_RrElzQNURo8zy0M20DJPXrxkrTSWqQaAYIPJF-yHGdSJVGHMoMilno9idTKoBWYSDGnW2sTUGnJ6C94kgVS4u2XynHGvO/w640-h332/10.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">"Noul rege [Indravarman I] își
remodelă capitala, punând să se construiască în incinta palatului templul de la
Preah Ko, consacrat în 880, și înfrumusețând Bakong. El începu și <i>baray</i>
Indratataka, pe care fiul său Yaçovarman I îl închise la nord, după ce ajunge
la putere în 889. Această succesiune fu sângeroasă, implicând după cât se pare
eliminarea violentă a prințului moștenitor desemnat, fără îndoială unul din
frații săi. Hariharalaya a suferit mari distrugeri, îndeosebi cea a palatului.
Învingătorul decise să reconstruiască o nouă capitală pe situl actual
Angkor."<o:p></o:p></span></p>
<p align="center" class="MsoNormal"><span style="font-family: "Times New Roman",serif;">[Claude Jacques, Michael Freeman - <i>Angkor
cité khmère</i>, River Book, 2012, p. 9-10]</span></p></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-1345277910519735782024-02-08T13:14:00.008+01:002024-03-04T21:17:43.557+01:002. CAMBODGIA / ANGKOR / BAKONG – Primul „templu-munte”<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPdDc_YfcSDMvupXmALLx4niJ3Ox7gSxnkg27W3OW8mLeSt5kO753ZIenu5M_1piuBi6kGnVvsAjbND69lIOh5dZKbFkGAZzTVd-Ut3NZivpr-nJfq0YnMLFhVjRm_PknM0Qt99zaPiSNz4xYluMgrGUZKw6vspYhX3xzwMiFWMfyNRLq-LcaOKS_JiFmM/s1000/01.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1000" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPdDc_YfcSDMvupXmALLx4niJ3Ox7gSxnkg27W3OW8mLeSt5kO753ZIenu5M_1piuBi6kGnVvsAjbND69lIOh5dZKbFkGAZzTVd-Ut3NZivpr-nJfq0YnMLFhVjRm_PknM0Qt99zaPiSNz4xYluMgrGUZKw6vspYhX3xzwMiFWMfyNRLq-LcaOKS_JiFmM/w640-h438/01.JPG" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Bakong este
primul „templu-munte” important de la Angkor, construit ca un munte cu
cinci nivele care simbolizează muntele Meru, centrul lumii și reședința zeilor
în credința hindusă. </span><o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkxvq9DUE_4j5FBHEbOHslUvMMTbEMxXNpEUH0ZG5kD_s9MKh1I6xUUCilAzkICDBPqs3o7Nx-varWmBTfsTcFH3Fg1O0xsE1ZMdWqGv7_SA9DDaHaAiZRLU4ohLxTK3X5rkYkE2WuMjptjKNVKTSzJKqzEytvQb4Ea0nrB2xAiQrFaGqOgG1Jd4FTBRJZ/s1018/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="569" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkxvq9DUE_4j5FBHEbOHslUvMMTbEMxXNpEUH0ZG5kD_s9MKh1I6xUUCilAzkICDBPqs3o7Nx-varWmBTfsTcFH3Fg1O0xsE1ZMdWqGv7_SA9DDaHaAiZRLU4ohLxTK3X5rkYkE2WuMjptjKNVKTSzJKqzEytvQb4Ea0nrB2xAiQrFaGqOgG1Jd4FTBRJZ/w358-h640/02.jpg" width="358" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Situat la
câteva sute de metri de Preah Ko, Bakong a fost inaugurat ca „templul de stat”
al regelui Indravarman I în 881, la un an după inaugurarea templului Preah Ko,
dedicat strămoșilor. Semnificativă succesiune!</span><o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5HQegrWkeA02xDlM7FSL-Rn4TdYH8Ht4k2XkW8kN-RTJye1dwoPREui4pcElpDU4LEYGDajP1ZsjsE84YLUZVvz4WGv7p9yzFHSspy2Dh2ijVTOOMB5KhQw03N1ziNExPWCBqw7TiciIMV9u242hAxHJnXxtuZ9bb3OAQY-nrGzwcCykVRuKKLWxIji-h/s1000/03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5HQegrWkeA02xDlM7FSL-Rn4TdYH8Ht4k2XkW8kN-RTJye1dwoPREui4pcElpDU4LEYGDajP1ZsjsE84YLUZVvz4WGv7p9yzFHSspy2Dh2ijVTOOMB5KhQw03N1ziNExPWCBqw7TiciIMV9u242hAxHJnXxtuZ9bb3OAQY-nrGzwcCykVRuKKLWxIji-h/w640-h300/03.jpg" width="640" /></a></p><p style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: medium; line-height: 107%; mso-ansi-language: RO; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">Se pare că inițial templul a fost construit din
laterit (ferulit) - o rocă de culoare roșie-brună bogată în oxizi de fier, în
vremea predecesorului regelui Indravarman I, iar acesta din urmă a dispus
placarea templului cu gresie.</span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim3KWHw9D-kKBn7KMQ4AeSIimDy2wC-7QrmhTj8REoJEH9KeGcMZjzbayIH3Y59LXHAlLJZBoxJVcrBTglxClzFNTx0KMdhFEvdafKdBYgwwl63uTTrc7GbqDzizMWdydmgH6ZHdPoMp7l7Gqh_3ln8nzvxbGyCFwW551cblKm5BgETfgTAqYbGdTEoYIw/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim3KWHw9D-kKBn7KMQ4AeSIimDy2wC-7QrmhTj8REoJEH9KeGcMZjzbayIH3Y59LXHAlLJZBoxJVcrBTglxClzFNTx0KMdhFEvdafKdBYgwwl63uTTrc7GbqDzizMWdydmgH6ZHdPoMp7l7Gqh_3ln8nzvxbGyCFwW551cblKm5BgETfgTAqYbGdTEoYIw/w640-h300/04.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Ca toate
templele khmere de la Angkor, Bakong nu a fost construit ca un loc de adunare a
fidelilor, ci ca un palat al zeilor de unde aceștia puteau să răspândescă
binefacerile asupra fidelilor*.</span><o:p></o:p></span></p><p style="text-align: center;">
</p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;">* Claude
Jacques, Michael Freeman – <i>Angkor, cité khmère</i>, River Book, 2012, p. 22<o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8BVtBb8D0KZOMxJDa3HE5NjrKqwxiJNcB-ymmXt7wVo9kgnIWBYGMDLxWpR9iLcN_Y9IRIpo5cr99FXUe9wy883WqxV7_nE-1UY9M-x4vYe2ukSTPb6Plmkj9efH_TVgJ9d9GFq9KYOXoSxilY21RCYBWHjgb3r5iA9RV7u5RuXHkXGcjDyZJIttTiJFi/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8BVtBb8D0KZOMxJDa3HE5NjrKqwxiJNcB-ymmXt7wVo9kgnIWBYGMDLxWpR9iLcN_Y9IRIpo5cr99FXUe9wy883WqxV7_nE-1UY9M-x4vYe2ukSTPb6Plmkj9efH_TVgJ9d9GFq9KYOXoSxilY21RCYBWHjgb3r5iA9RV7u5RuXHkXGcjDyZJIttTiJFi/w640-h300/05.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Pentru că zeii
erau nemuritori, se cuvenea ca „locuințele” lor să fie construite din materiale
durabile, cum sunt cărămida, lateritul sau gresia, în timp ce pentru muritori, fie
ei și regi, construcțiile din lemn și materiale perisabile erau suficiente.</span><o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgg9zubgVk_hP8z0Y9QBv5hOX0BX_Ls3h8r8l-G5ufp5O-RJhUV9AS3QWEe1L6FLxqW1mqZylsCRedGkAdzegt_6W0E-nxKHcXjn2AJJ0yAfDQcGUyM7enYZ0AiBEjz_DlO-jgkWjmN_FHqqjzOyMPSpnlX-M-2JyzBEbBX1fL7ELstUVx_Ow-ACgVTu9K/s1000/06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgg9zubgVk_hP8z0Y9QBv5hOX0BX_Ls3h8r8l-G5ufp5O-RJhUV9AS3QWEe1L6FLxqW1mqZylsCRedGkAdzegt_6W0E-nxKHcXjn2AJJ0yAfDQcGUyM7enYZ0AiBEjz_DlO-jgkWjmN_FHqqjzOyMPSpnlX-M-2JyzBEbBX1fL7ELstUVx_Ow-ACgVTu9K/w640-h300/06.jpg" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">Ca și la Preah
Ko, îl regăsim pe Nandin, taurul sacru al lui Shiva și „vehiculul” acestuia, care
așteaptă răbdător la estul sanctuarului principal.</span><o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglSOx_MGAD3cyGlQzRIA4ZzFtWidDRqB4Mn29q2IVaFJB_dH2dZnNSHpOcHxlBDIXJOx-3yAFU-CFwd0nj49nn1AR-JP12Y69mqXOLDgyPwcTiBuDjckgBuSpdOPsa45no2nX6aAE_ExUhm4xGUcojJ-Tbsh6rWUhlzKV6QoVm0zDZqVz0hI3_53fu32LN/s1000/07.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1000" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglSOx_MGAD3cyGlQzRIA4ZzFtWidDRqB4Mn29q2IVaFJB_dH2dZnNSHpOcHxlBDIXJOx-3yAFU-CFwd0nj49nn1AR-JP12Y69mqXOLDgyPwcTiBuDjckgBuSpdOPsa45no2nX6aAE_ExUhm4xGUcojJ-Tbsh6rWUhlzKV6QoVm0zDZqVz0hI3_53fu32LN/w640-h438/07.JPG" width="640" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">La colțurile
teraselor veghează elefanți bătrâni,</span><o:p></o:p></span></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY9OG6Wmbfz3M_3Ts8JOrCUwY70BelZgmrebPXk4tnCimcjxuhb31r2XIFerOtLCDfArduYOWu3ICNY68iFO_8VrfcWvDN5qqJ9SrxE3A1qAjo-os_zVo9bsLd8hyphenhypheneJfCPafyGKg63l20EvY4CU-YfETdwdQRY06JBbN64LrszDCnfrOyvQ-5A5YmNWcMQ/s1123/08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1123" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY9OG6Wmbfz3M_3Ts8JOrCUwY70BelZgmrebPXk4tnCimcjxuhb31r2XIFerOtLCDfArduYOWu3ICNY68iFO_8VrfcWvDN5qqJ9SrxE3A1qAjo-os_zVo9bsLd8hyphenhypheneJfCPafyGKg63l20EvY4CU-YfETdwdQRY06JBbN64LrszDCnfrOyvQ-5A5YmNWcMQ/w570-h640/08.jpg" width="570" /></a></p><p align="center" class="MsoNormal" style="text-align: center;"><span lang="RO" style="font-family: "Times New Roman",serif; mso-ansi-language: RO;"><span style="font-size: medium;">scările sunt
străjuite de lei tineri,</span><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAyPGULmYASSfsCvsJnjErmXgqwAPCpoo4jcZz7prrbRuAwiCcO8wB9nH9a7III50mHO92skCAT6pwofOI8YIvZY6sJBi0HfWwgWK4_4isMHjMBIclZ_qg_-JKB_6vrXtxUNvSuudLokRmZw2abuKmN_aTg33odmiZqnoYI-IX2LBV8lpCrswd6Z_ko28C/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAyPGULmYASSfsCvsJnjErmXgqwAPCpoo4jcZz7prrbRuAwiCcO8wB9nH9a7III50mHO92skCAT6pwofOI8YIvZY6sJBi0HfWwgWK4_4isMHjMBIclZ_qg_-JKB_6vrXtxUNvSuudLokRmZw2abuKmN_aTg33odmiZqnoYI-IX2LBV8lpCrswd6Z_ko28C/w640-h300/09.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal"><span lang="RO" style="font-family: "Times New Roman",serif; font-size: medium; mso-ansi-language: RO;">iar colțurile
clădirilor sunt păzite de <i>devata</i>, divinități feminine fără vârstă.</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4kb4sYwY8-W7O-9V0jPojyzBHT-wFI7mKjx6PhMohOpeIW6931I5De7ybC2Y666CGzAh9faRJjKtayQ3E215Yjasfha93FLWyek0475ux-_8idcGevduUGHjFVFc6JnwNlsbMDDqkMcoXzctR0gTICO1WT2shQczsVkm6CckUZdCD63jhR3wuW4nx5fqW/s1018/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4kb4sYwY8-W7O-9V0jPojyzBHT-wFI7mKjx6PhMohOpeIW6931I5De7ybC2Y666CGzAh9faRJjKtayQ3E215Yjasfha93FLWyek0475ux-_8idcGevduUGHjFVFc6JnwNlsbMDDqkMcoXzctR0gTICO1WT2shQczsVkm6CckUZdCD63jhR3wuW4nx5fqW/w628-h640/10.jpg" width="628" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-34525556047370833672024-02-01T11:40:00.008+01:002024-03-04T21:17:30.826+01:001. CAMBODGIA / ANGKOR / PREAH KO – Primul templu khmer<p style="text-align: center;"><span style="font-family: times; font-size: medium;"> <span lang="RO" style="line-height: 107%;">Dacă ar fi să mai mergem odată la Angkor, cred c</span><span lang="RO" style="line-height: 107%;">ă</span><span lang="RO" style="line-height: 107%;"> am începe vizitarea templelor cu
Preah Ko. <br />
Pentru că este cel mai vechi templu de la Angkor: sfârșitul secolului IX.</span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHJlFACWZziJRVge4EdtATt3BsnKBRp1zVjVqz9yboJNvugvqhJkXQrCpoX4_x05CQrZejTmgEbYEq7ANCoVM5UsxbftSC8w4jSH5g0MjsMCaWwIZlDfJa70JqOBZgMiSiRf_pgvHHvVtDvdGDEz-aEwoZ78yuFjvWfG_ROiqu4fEa08m6i4cgE3viI3D/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaHJlFACWZziJRVge4EdtATt3BsnKBRp1zVjVqz9yboJNvugvqhJkXQrCpoX4_x05CQrZejTmgEbYEq7ANCoVM5UsxbftSC8w4jSH5g0MjsMCaWwIZlDfJa70JqOBZgMiSiRf_pgvHHvVtDvdGDEz-aEwoZ78yuFjvWfG_ROiqu4fEa08m6i4cgE3viI3D/w640-h300/01.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><span lang="RO" style="line-height: 107%;"><span style="font-family: times; font-size: medium;">Preah Ko este ridicat în timpul domniei regelui
Indravarman I (877-889).<br />
A fost inaugurat pe 25 ianuarie 880, atunci când aici au fost instalate
simbolurilor divinităților, pentru cinstirea strămoșilor regelui. Regii din
dinastia Varman domneau asupra vechii Cambodgii de la sfârșitul secolului I, de
pe vremea regatului Funan.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: times; font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP3QjK_hazaNvO6fY10rsYBdGqMLMcO4JPYeUsn6JdguojU5DEyDpCnHcYSVSvYZI5VFDBVtC-X4gpwHGdup8QKHWSuIDVKh2dfymZfs9wrHW_NYS7rMvjMd26g2yJX0lA2lifL3GK5ryAiqv67C8sd8WIadAGkzsAi1D-APT1D7IBPaOryIcyacfVZo7_/s1018/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1018" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP3QjK_hazaNvO6fY10rsYBdGqMLMcO4JPYeUsn6JdguojU5DEyDpCnHcYSVSvYZI5VFDBVtC-X4gpwHGdup8QKHWSuIDVKh2dfymZfs9wrHW_NYS7rMvjMd26g2yJX0lA2lifL3GK5ryAiqv67C8sd8WIadAGkzsAi1D-APT1D7IBPaOryIcyacfVZo7_/w282-h640/02.jpg" width="282" /></a> </span></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">Am începe vizita dimineaț</span><span lang="RO">a</span><span lang="RO"> devreme, așa cum am f</span><span lang="RO">ă</span><span lang="RO">cut-o și cum este recomandat*.<br />
Am coborâ din nou din tuk-tuk și am p</span><span lang="RO">ă</span><span lang="RO">și în incinta templului.<br />
[* </span><span lang="IT">Claude Jacques, Michael
Freeman – <i>Angkor, cité khmère</i>, River Books, 2012, p.196.] <o:p></o:p></span></span></p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bwAYJ0kVQL6kP-3cYfWRufmxRgcmQ-xnMZDVHIRDBJT3oRHAxPaKm9CUzmeFzX888Pr5J5YtWWqoIp_T0H8iA9ST8scG7FHwIlGMqyTG9GzD3sXRb_LA2rJJBumwwa4Wr4qWlUhny3dJQeXQ_WRKumQkZqZ8JWriiDesUCum5xr5ty7HqfwSHaNhe4kt/s1000/03.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="581" data-original-width="1000" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bwAYJ0kVQL6kP-3cYfWRufmxRgcmQ-xnMZDVHIRDBJT3oRHAxPaKm9CUzmeFzX888Pr5J5YtWWqoIp_T0H8iA9ST8scG7FHwIlGMqyTG9GzD3sXRb_LA2rJJBumwwa4Wr4qWlUhny3dJQeXQ_WRKumQkZqZ8JWriiDesUCum5xr5ty7HqfwSHaNhe4kt/w640-h372/03.JPG" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">În general, templele de la Angkor
sunt construite pe o axă est-vest, cu intrarea principal</span><span lang="RO">ă</span><span lang="RO"> la
est*.<br />
</span><span lang="IT">La Preak Ko intr</span><span lang="IT">ă</span><span lang="IT">m prin așa-numita <i>gopura </i>orientală,
o clădire odat</span><span lang="IT">ă</span><span lang="IT"> acoperit</span><span lang="IT">ă,</span><span lang="IT"> din care au mai ramas doar ferestrele cu
coloane masive, sculptate</span><span lang="RO">.<br />
[*Excepția confirmă regula: la Angkor Vat intrarea principală este la vest.] <o:p></o:p></span></span></p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH2pHbh4FP1_XjcXb5m-wgwm6zfkYqF41D___tBql5CARPF7zfQhUmp1sCYTxd-V2DY-EpyjvHLVrwNZNWpckK4dCGzEZxJEIa1UbkmJ0VmH2vfWubREqNWDQ-x4f6tonSHL_KV_l-W19Ae1-G70j_jWXFcsJ2ZPj8WGE9KRtAYVzVVJ4uPmoCZxO4-g1O/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH2pHbh4FP1_XjcXb5m-wgwm6zfkYqF41D___tBql5CARPF7zfQhUmp1sCYTxd-V2DY-EpyjvHLVrwNZNWpckK4dCGzEZxJEIa1UbkmJ0VmH2vfWubREqNWDQ-x4f6tonSHL_KV_l-W19Ae1-G70j_jWXFcsJ2ZPj8WGE9KRtAYVzVVJ4uPmoCZxO4-g1O/w640-h300/04.jpg" width="640" /></span></a></div><span style="font-family: times; font-size: medium;"><span lang="IT" style="line-height: 107%;">Ajungem
în prim</span><span lang="IT" style="line-height: 107%;">a</span><span lang="IT" style="line-height: 107%;">
incint</span><span lang="IT" style="line-height: 107%;">ă</span><span lang="IT" style="line-height: 107%;">, din
cele trei care înconjoar</span><span lang="IT" style="line-height: 107%;">ă</span><span lang="IT" style="line-height: 107%;">
cladirile principale ale templului: șase turnuri de c</span><span lang="IT" style="line-height: 107%;">ă</span><span lang="IT" style="line-height: 107%;">r</span><span lang="IT" style="line-height: 107%;">ă</span><span lang="IT" style="line-height: 107%;">mid</span><span lang="IT" style="line-height: 107%;">ă, dispuse în două
rânduri de trei,</span><span lang="IT" style="line-height: 107%;"> plasate
pe o teras</span><span lang="IT" style="line-height: 107%;">ă de gresie</span><span lang="IT" style="line-height: 107%;">.</span><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUWngEQeynhyA20w3tqU0Lg55mJxHQ3Q0iu1gHlMONA8Ge84tqnrfVJar6GD-oMc9PltTFED8WjkyjrZtizrq_lSRRIqiOKF-2BiwWVG29nu-s-99X6LtTxcjz0FdA9UFDjCb-HwjNZegoV1pJNhhDdjXKsjw-P4i-h3d6Q5elY1HiqvpgSb5r9Mc0t8s0/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUWngEQeynhyA20w3tqU0Lg55mJxHQ3Q0iu1gHlMONA8Ge84tqnrfVJar6GD-oMc9PltTFED8WjkyjrZtizrq_lSRRIqiOKF-2BiwWVG29nu-s-99X6LtTxcjz0FdA9UFDjCb-HwjNZegoV1pJNhhDdjXKsjw-P4i-h3d6Q5elY1HiqvpgSb5r9Mc0t8s0/w640-h300/05.jpg" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="IT">Lateral, în partea de sud-est a incintei
exterioare, se află o construcție masivă de cărămidă, fără ferestre, doar cu
niște deschideri de ventilație în partea de sus. Este așa-numita “bibliotec</span><span lang="IT">ă</span><span lang="IT">”.<o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ2klFzXgLk-LRiI8ohzrTRk8eaO-628fkDGaCroT5b2ihFiRAFLp5ImhCO4d3y9xSq-tDEYM3tw-wcYFHNnc2cxRjsL_rJBvUFnMngLU58IyPlO4wFAkoJP9-xp7pnzUqSwPayqApUp-_S9tOV8nYeZanNsk0hjE7mnKewJ3XoqbYU7rTJeiWdWWq-Z-t/s1000/06.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ2klFzXgLk-LRiI8ohzrTRk8eaO-628fkDGaCroT5b2ihFiRAFLp5ImhCO4d3y9xSq-tDEYM3tw-wcYFHNnc2cxRjsL_rJBvUFnMngLU58IyPlO4wFAkoJP9-xp7pnzUqSwPayqApUp-_S9tOV8nYeZanNsk0hjE7mnKewJ3XoqbYU7rTJeiWdWWq-Z-t/w640-h300/06.jpg" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="IT">Pentru a urca pe terasa cu șase turnuri, pe latura
de est sunt trei scări, fiecare păzite de doi lei. <br />
Sc</span><span lang="IT">ă</span><span lang="IT">rile sunt precedate de
trei statui de tauri șezând.</span><span lang="RO"><o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH_40-KNjZ_mWGSICzzv2J6msrlLJLy4EobdWqO7r0htUsILeHiOaTMFnk67Oi3eIy1iD26FX4l09yvlfapDmFIDIngV5IAFfu1Ae-S__FUd2VHOiRONaEMUhRwA30hB1vTfg1PfsWwdxf6Ww3yGMw2154Xzj-lhF-gVcKVmHbiDA1qlyJfsnBY69riVOA/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH_40-KNjZ_mWGSICzzv2J6msrlLJLy4EobdWqO7r0htUsILeHiOaTMFnk67Oi3eIy1iD26FX4l09yvlfapDmFIDIngV5IAFfu1Ae-S__FUd2VHOiRONaEMUhRwA30hB1vTfg1PfsWwdxf6Ww3yGMw2154Xzj-lhF-gVcKVmHbiDA1qlyJfsnBY69riVOA/w640-h300/07.jpg" width="640" /></span></a></div><span style="font-family: times; font-size: medium;"><span lang="IT" style="line-height: 107%;">Este
vorba de Nandin, taurul folosit ca “vehicul” de Shiva în mitologia hindusă.<br />
Nandin înseamnă “bucuros, vesel”, ceea ce explică probabil de ce taurul
zâmbește.</span><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMtd9MgDs09eF_P56RX33uqDBST7EPm0JF2ytrPmfc5KRXwet3thWyoaqBeq5laryJ1sTMQ6YMG0l7hDPAUs9Fe9P_lKDC_W2hwY2F65zN0ejN30xNuxgASbK3tpkhLVZkuAdxFe9MSk0vrczqniq2ZlAdV91iomXHMz2rzp4iX8VDndZICRumWQ8Lhlq6/s1000/08.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="988" data-original-width="1000" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMtd9MgDs09eF_P56RX33uqDBST7EPm0JF2ytrPmfc5KRXwet3thWyoaqBeq5laryJ1sTMQ6YMG0l7hDPAUs9Fe9P_lKDC_W2hwY2F65zN0ejN30xNuxgASbK3tpkhLVZkuAdxFe9MSk0vrczqniq2ZlAdV91iomXHMz2rzp4iX8VDndZICRumWQ8Lhlq6/w640-h632/08.jpg" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">Turnul central din rândul din faț</span><span lang="RO">ă</span><span lang="RO"> era destinat lui Paramesvara - „domn
suprem”, unul din numele lui Shiva si numele postum al fondatorului imperiului
khmer, Jayavarman II (802-850).<o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjKIoQlUMwHbLKLNjkJavtqoBHKO38Mea8lK0eXKWM9WQ6aM-JWyEQX4gC0k0F7AGGHGQcTgPy_S2_h7OQ3V8MZSywivm6SGtzUOgRy_Usn3BBT70iYzq6SiJB7XuOf_olu8EgrxnTJzKPILqk5T96-RphCls3af1ZsP3PpfcZ7iJg1ycIfiAmT6MCJcVK/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="468" data-original-width="1000" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjKIoQlUMwHbLKLNjkJavtqoBHKO38Mea8lK0eXKWM9WQ6aM-JWyEQX4gC0k0F7AGGHGQcTgPy_S2_h7OQ3V8MZSywivm6SGtzUOgRy_Usn3BBT70iYzq6SiJB7XuOf_olu8EgrxnTJzKPILqk5T96-RphCls3af1ZsP3PpfcZ7iJg1ycIfiAmT6MCJcVK/w640-h300/09.jpg" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">Ușa de intrare în templu este p</span><span lang="RO">ă</span><span lang="RO">zit</span><span lang="RO">ă</span><span lang="RO"> de <i>dvarapala</i>, paznici ai ușilor, sculptați
în gresie.<br />
Toate turnurile din partea de est, destinate divinit</span><span lang="RO">ă</span><span lang="RO">ților masculine, poart</span><span lang="RO">ă</span><span lang="RO"> lungi dedicații pe p</span><span lang="RO">ă</span><span lang="RO">rțile verticale interioare ale cadrelor
ușilor. <o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglhpiVEfJRbQc01CE0-CtyMqIrgM7q3ET5k_XyocJKAIM3xWoC-T6M5JuMsN6GQDxjv9VMNHfVLlbQVmh8HWn8n5zCSSEp4TkXPvFkC-i-DJVoCNo8A3BPwoIT2Q-L1uiK9gGFWfnDQGthkbgkiZhMUwlsv2EQ-mlumGwWJfAiWRif8lYExo49xnmp4Ux4/s1000/10.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="581" data-original-width="1000" height="372" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglhpiVEfJRbQc01CE0-CtyMqIrgM7q3ET5k_XyocJKAIM3xWoC-T6M5JuMsN6GQDxjv9VMNHfVLlbQVmh8HWn8n5zCSSEp4TkXPvFkC-i-DJVoCNo8A3BPwoIT2Q-L1uiK9gGFWfnDQGthkbgkiZhMUwlsv2EQ-mlumGwWJfAiWRif8lYExo49xnmp4Ux4/w640-h372/10.JPG" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">Cele trei turnuri din partea de vest erau
destinate divinit</span><span lang="RO">ă</span><span lang="RO">țile
feminine. <br />
<i>Dvarapala</i> sunt înlocuite aici cu <i>devata</i>, care protejeaz</span><span lang="RO">ă</span><span lang="RO"> colțurile cl</span><span lang="RO">ă</span><span lang="RO">dirilor.<o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD24yapQFfsX8hOyNcxbBXZCoPDGFb3oyfekUgf-Ml6IaPupW2Nq3vVm5ojQR38TKif9syQ32syk2G4SHId0LM38cDAG9X9HMVKcUgT9ctg0m3l09d-4KVUDRahFlZ6d4jbueYyLd7clwVZ8KP7Gpj981EctRtvNghtH4gsquPB0TpSQkqGQEzGQrwj-km/s1000/11.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="534" data-original-width="1000" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD24yapQFfsX8hOyNcxbBXZCoPDGFb3oyfekUgf-Ml6IaPupW2Nq3vVm5ojQR38TKif9syQ32syk2G4SHId0LM38cDAG9X9HMVKcUgT9ctg0m3l09d-4KVUDRahFlZ6d4jbueYyLd7clwVZ8KP7Gpj981EctRtvNghtH4gsquPB0TpSQkqGQEzGQrwj-km/w640-h342/11.JPG" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><i><span lang="RO">Devata</span></i><span lang="RO">, divinit</span><span lang="RO">ă</span><span lang="RO">ți
feminine, p</span><span lang="RO">ă</span><span lang="RO">zesc </span></span><span style="font-family: times; font-size: large;">ș</span><span style="font-family: times; font-size: medium;"><span lang="RO">i ele, de 1144 de ani, templul de la Preah Ko.<o:p></o:p></span></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixRXB7VilrfngxWYdNWjn_ZjLS7TXzP1qipBd_lQ2_8OXdYUBpVWFYI-XMDFxW74xigjKjBktYcJUk_86fzgO4tLz5qSkLodeIfYXo1laIBFxsA55VRiClGwDrvi4zYQgKw_pQiDg68PNq5EpmU9ZaIJYRJWhHtzD15Sre9nYWlUEghLcyLulTGDLjzH5h/s1000/12.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: times; font-size: medium;"><img border="0" data-original-height="518" data-original-width="1000" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixRXB7VilrfngxWYdNWjn_ZjLS7TXzP1qipBd_lQ2_8OXdYUBpVWFYI-XMDFxW74xigjKjBktYcJUk_86fzgO4tLz5qSkLodeIfYXo1laIBFxsA55VRiClGwDrvi4zYQgKw_pQiDg68PNq5EpmU9ZaIJYRJWhHtzD15Sre9nYWlUEghLcyLulTGDLjzH5h/w640-h332/12.jpg" width="640" /></span></a></div><p></p><p align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: times; font-size: medium;"><span lang="RO">Sus, sculptat în stuc, un dansator a</span></span><span style="font-family: times; font-size: large;">ș</span><span style="font-family: times; font-size: medium;"><span lang="RO">teapt</span><span lang="RO">ă</span><span lang="RO"> vis</span><span lang="RO">ă</span><span lang="RO">tor...<o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-family: times; font-size: medium;"><span lang="RO">P. S. Un mesaj primit azi, 2.02.24, cu care suntem complet de acord: "</span></span><span face=""Helvetica Neue", Helvetica, Arial, sans-serif" style="background-color: white; font-size: 16px;">O adanca reverenta catre cei a caror religie indeamna la construirea unor astfel de temple, ca si catre arhitectii, constructorii, sculptorii si alti meseriasi ce au facut posibila ridicarea lor. Toata admiratia!" D. R.</span></p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-18411131456515300802024-01-21T11:40:00.001+01:002024-01-21T11:42:26.896+01:00LOUVRE - Le Trésor de Notre-Dame de Paris<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbntndXRP5lnfl_1Dza0U1EUHNvQUvozxSXVP_AKrInhY3KZBHbWWMCR3Xt7JMW2rQTgpqphySan6REPLzJLtC5J0FkpTX591l6p-NPrZvTRdBC3_ceYtyRbp1cgLxQrn-W_9GgAVGA9MfNZcGLrH10d2-kKN7TU2ihY2cPfy3E-2y_vNDWCurLtPzrrVK/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbntndXRP5lnfl_1Dza0U1EUHNvQUvozxSXVP_AKrInhY3KZBHbWWMCR3Xt7JMW2rQTgpqphySan6REPLzJLtC5J0FkpTX591l6p-NPrZvTRdBC3_ceYtyRbp1cgLxQrn-W_9GgAVGA9MfNZcGLrH10d2-kKN7TU2ihY2cPfy3E-2y_vNDWCurLtPzrrVK/w640-h320/01.jpg" width="640" /></a></p><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;"><i><b>Reliquaire de la Sainte Couronne d’épines</b> </i>(1862 ; détail)</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgpnKAzcSV4BXeZQRGShsTnIhJQPjjyr4hZb5Q6Tj7y2m3nWxior8VoWhBUQqL5RVzKO3eI8y25ZTK2afuRlzG5ngadgIRr29Sx3UBDgr5gEs-sA4e0Wc6rR6jV604o-4GBbqKK887OJbTU8nh2rdY75XmxKZJKsEx6MOVz2hrgcL40TNzjfkDEyXFCNxi/s1000/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgpnKAzcSV4BXeZQRGShsTnIhJQPjjyr4hZb5Q6Tj7y2m3nWxior8VoWhBUQqL5RVzKO3eI8y25ZTK2afuRlzG5ngadgIRr29Sx3UBDgr5gEs-sA4e0Wc6rR6jV604o-4GBbqKK887OJbTU8nh2rdY75XmxKZJKsEx6MOVz2hrgcL40TNzjfkDEyXFCNxi/w640-h320/02.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;">
« Le
trésor de Notre-Dame réunit un ensemble d’œuvres exécutées par
les orfèvres Jean-Alexandre Chertier ou Placide Poussielgue-Rusand
(1824-1889) d’après
des dessins de Violet-Le-Duc (1814-1879).
Ceux-ci témoignent de l’extraordinaire inventivité de
l’architecte alliée à un subtile connaissance des œuvres
gothiques. »</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQyI1rTK50xGs3QIybhOa6ZC8gb8KFf8SCRmb4MmTXOLD_dnKLNJFLhy500o7UObDab8V2veg-kBqZRJn9O8Jw6YDgYq2PwDJ1d89A9IhpAcHBcasWN35TrF9CwkwFwV6Ix_r97emQqY1r04VpM-m5JZsFJ0F1NLTaHg6gyuAY9QTvMN1IyCiUfd64LsdS/s1000/03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQyI1rTK50xGs3QIybhOa6ZC8gb8KFf8SCRmb4MmTXOLD_dnKLNJFLhy500o7UObDab8V2veg-kBqZRJn9O8Jw6YDgYq2PwDJ1d89A9IhpAcHBcasWN35TrF9CwkwFwV6Ix_r97emQqY1r04VpM-m5JZsFJ0F1NLTaHg6gyuAY9QTvMN1IyCiUfd64LsdS/w320-h640/03.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> Placide Poussielgue-Rusand,
d’après Viollet-Le-Duc</p>
<p align="center" style="line-height: 100%; margin-bottom: 0pt;"><i><b>Reliquaire
de la Sainte Couronne d’épines</b></i></p>
<p align="center" style="line-height: 100%; margin-bottom: 0pt;">(Argent
doré, cristal, pierres précieuses et semi-précieuses ; 1862)</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUfFQN3bS2db8mLMMx9VBy2bTHQDwE1dN7Sy2N26qqbM03mGsYzNF9n1RGv5Oj0pS3erveCkqdv6zFopG-Wr2Dux1jQq4TlFGQsLs6gqOcAC5vJbHuk8UX2L2L-Ub8OebMEPZBaLz7kALLYCAnbrfD3iQHtACcmeWANvgINZktYQ8zGlxQ0RsMiO0C_ETo/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="501" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUfFQN3bS2db8mLMMx9VBy2bTHQDwE1dN7Sy2N26qqbM03mGsYzNF9n1RGv5Oj0pS3erveCkqdv6zFopG-Wr2Dux1jQq4TlFGQsLs6gqOcAC5vJbHuk8UX2L2L-Ub8OebMEPZBaLz7kALLYCAnbrfD3iQHtACcmeWANvgINZktYQ8zGlxQ0RsMiO0C_ETo/w320-h640/04.jpg" width="320" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> « La partie supérieure du reliquaire adopte la forme d’une
couronne fleurdelisée comme le reliquaire qui abritait au 13<sup>e</sup>
siècle la Couronne d’épines à la Sainte-Chapelle. »<span style="font-size: x-small;"> <span style="text-align: left;">[cartel
de l’exposition]</span></span></p><p align="center" style="line-height: 100%; margin-bottom: 0pt;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZFjXlEIUfBLXUIZPymq9mBppNLn6oYXAUvsA7ODQ09spk5IVPRAiPAR_stRPrT9sgQHxk0ddzoAteTZuRmxcxKSKV8zgAL9_Ihr_3C6onz-5TWkRoS-HIG6agrVDO0SPXNxPA69CpHFJvy6rAUKU27SdqQXy-yle-UJVZAZ-1LfM0xaWwImTv_OyTQJXQ/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="502" data-original-width="1000" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZFjXlEIUfBLXUIZPymq9mBppNLn6oYXAUvsA7ODQ09spk5IVPRAiPAR_stRPrT9sgQHxk0ddzoAteTZuRmxcxKSKV8zgAL9_Ihr_3C6onz-5TWkRoS-HIG6agrVDO0SPXNxPA69CpHFJvy6rAUKU27SdqQXy-yle-UJVZAZ-1LfM0xaWwImTv_OyTQJXQ/w640-h322/05.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> « <span style="font-family: Times New Roman, serif;">À</span> la partie
inférieure trônent les personnalités liées à l’histoire de la
relique : sainte Hélène, mère de l’empereur chrétien
byzantin Constantin (310-337), qui avait « inventé »,
c’est-à-dire découvert la croix à Jérusalem, le roi Baudoin II
(1228-1261), empereur latin de Constantinople (Istanbul, Turquie
actuelle) qui cède à saint Louis (1226-1270) les saintes reliques,
lequel les rapporte à Paris en 1239. » <span style="text-align: left;"><span style="font-size: x-small;">[cartel
de l’exposition]</span></span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9RujLT-A-26-BxIBXwDRKFj3BWH019xcoxgpdFkjHmuInvLT_eOS0GxHzowvxFSXL-RFAFuuoBBzS5dhYGEFQ1QObWU_3BKtcOIWm1ev1nNXw7C-XJMa4lMWSshT8iGbat4PbT2RDqrrPH6s28uF57lsTsNPgdRveN3fS2BI4q1If4SEVTN_D339imIN/s1000/06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="500" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9RujLT-A-26-BxIBXwDRKFj3BWH019xcoxgpdFkjHmuInvLT_eOS0GxHzowvxFSXL-RFAFuuoBBzS5dhYGEFQ1QObWU_3BKtcOIWm1ev1nNXw7C-XJMa4lMWSshT8iGbat4PbT2RDqrrPH6s28uF57lsTsNPgdRveN3fS2BI4q1If4SEVTN_D339imIN/w320-h640/06.jpg" width="320" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> Saint Louis avec la Couronne d’épines</p><p align="center" style="line-height: 100%; margin-bottom: 0pt;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGQ0uiITvhpWRHuhREImWWLgNk-PFbuNePnPNB4FBt3NJCC5NlNeGFC84-0FIpqgmoA1oyT2HLozBOhHBa6aSXNLKY-A9Qg2NHC-49Opa9mLsKD-T-CPAbePqC_Su2o6eFBOPCp3r_G6HeW-8pF2ecwJ8RlaXscUNojCbDqi13b7lJtm1_rvt0xjw3u4wv/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGQ0uiITvhpWRHuhREImWWLgNk-PFbuNePnPNB4FBt3NJCC5NlNeGFC84-0FIpqgmoA1oyT2HLozBOhHBa6aSXNLKY-A9Qg2NHC-49Opa9mLsKD-T-CPAbePqC_Su2o6eFBOPCp3r_G6HeW-8pF2ecwJ8RlaXscUNojCbDqi13b7lJtm1_rvt0xjw3u4wv/w288-h640/07.jpg" width="288" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> Placide Poussielgue-Rusand,
d’après Viollet-Le-Duc</p>
<p align="center" style="line-height: 100%; margin-bottom: 0pt;"><i><b>Grand
ostensoir et son thabor</b></i></p>
<p align="center" style="line-height: 100%; margin-bottom: 0pt;">(Argent
doré, pierres précieuses, bronze doré ; 1867)</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSIV1PASHM2sbvbiVe63GcDxwwsi4RWcRNF87B3knOy6Uun6jZKs4pUxhIeYBHeeNeFKsB_OuN0UGMg7XKDfahsoKZO-9FcVjQKoJ3yiIICP_loB0uWMF1FX9Mog5WIgQfn86_jkM16mKzppTEdOJbKRpMCibs7-OkydfhZHDCQKixn63hr5j6drtwv-s9/s1000/08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="498" data-original-width="1000" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSIV1PASHM2sbvbiVe63GcDxwwsi4RWcRNF87B3knOy6Uun6jZKs4pUxhIeYBHeeNeFKsB_OuN0UGMg7XKDfahsoKZO-9FcVjQKoJ3yiIICP_loB0uWMF1FX9Mog5WIgQfn86_jkM16mKzppTEdOJbKRpMCibs7-OkydfhZHDCQKixn63hr5j6drtwv-s9/w640-h318/08.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> « Les rayons naissent d’un quadrilobe orné des symboles des
quatre évangélistes. » <span style="font-size: x-small;">[cartel
de l’exposition]</span></p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtoFzmwXOGbTPirqVX7HnOtLRymbWjOZZBABu1P0kZZK7NpoYyct7o4jIBvAq8ZViu-yDG5qJX6uIk6uAUALiBNW2zLvOB6XeKwHQEkZ6NdfglvL8jGvBL-jX_c3wGeuvrwYAVPy1MYcjryC-laeYFdcpUI7vWTH2BBYpKcwcVcq8KWWCldHBBnX6uw_48/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtoFzmwXOGbTPirqVX7HnOtLRymbWjOZZBABu1P0kZZK7NpoYyct7o4jIBvAq8ZViu-yDG5qJX6uIk6uAUALiBNW2zLvOB6XeKwHQEkZ6NdfglvL8jGvBL-jX_c3wGeuvrwYAVPy1MYcjryC-laeYFdcpUI7vWTH2BBYpKcwcVcq8KWWCldHBBnX6uw_48/w576-h640/09.jpg" width="576" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0pt;"> « Viollet-Le-Duc s’inspire de précédents médiévaux pour
dessiner ce grand ostensoir avec ces anges balançant des
encensoirs. » <span style="font-size: x-small;">[cartel
de l’exposition]</span></p><p align="center" style="line-height: 100%; margin-bottom: 0pt;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju5Q1imDXAmZCb1bsWJtql6oiC0dvSqsjrw7DxEtRmi3a6SX5IbYgRjlA9iEckbQDYQ4v-8joIfOLJ9VfCGXsC4f-ahBprJLTqI7ZA5HFwmf67fDqefLuCSvkev8vMnZEKpQco65QIIMvB_fK7GId4ZijSc47zgOBhNW5SpEOSyI69flORI750-MuKjePJ/s1000/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju5Q1imDXAmZCb1bsWJtql6oiC0dvSqsjrw7DxEtRmi3a6SX5IbYgRjlA9iEckbQDYQ4v-8joIfOLJ9VfCGXsC4f-ahBprJLTqI7ZA5HFwmf67fDqefLuCSvkev8vMnZEKpQco65QIIMvB_fK7GId4ZijSc47zgOBhNW5SpEOSyI69flORI750-MuKjePJ/w640-h320/10.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">L’exposition <i><b>Le Trésor de Notre-Dame de Paris. </b></i><i><b>De</b></i><i><b>s origines à Viollet-Le-Duc</b></i>,<br />Musée du Louvre, Paris ; du 18 octobre 2023 au 29 janvier 2024</div><p></p></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-76206099634299305732023-11-30T09:00:00.001+01:002023-11-30T09:00:00.145+01:00Renzo Piano – Whitney Museum of American Art – New York<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9QkXsT1BlN-CNJJZdG6QTJw71U4qRMuOwdoVidEQY1QlH0AdecTMxgBxGDZOOSx6pn1zuoCAI-hcOglynRKxboGJYkRW6XEdpM70MrdtHOG-ltcsyPaCtHbwitUyQz3LAhkrt7_tklPqLTCbLRYOdD5jruxhnJE35WX_VB1o60aqGX1mJO58l9WGZ6n1Z/s800/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="448" data-original-width="800" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9QkXsT1BlN-CNJJZdG6QTJw71U4qRMuOwdoVidEQY1QlH0AdecTMxgBxGDZOOSx6pn1zuoCAI-hcOglynRKxboGJYkRW6XEdpM70MrdtHOG-ltcsyPaCtHbwitUyQz3LAhkrt7_tklPqLTCbLRYOdD5jruxhnJE35WX_VB1o60aqGX1mJO58l9WGZ6n1Z/w640-h358/01.jpg" width="640" /></a></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> "Le Whitney Museum of American Art est un musée d'art situé dans
l'arrondissement de Manhattan à New York. Fondé en 1931 par la
sculptrice et mécène Gertrude Vanderbilt Whitney, il est consacré
essentiellement à l'art américain des xxe et xxie siècles. […]
Le 1er mai 2015, le nouvel édifice, conçu par Renzo Piano, ouvre
ses portes au 99 de la rue Gansevoort, dans le district de
Meatpacking."</p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;"><span style="font-family: Times New Roman, serif;">[</span><a href="https://fr.wikipedia.org/wiki/Whitney_Museum_of_American_Art"><span style="font-family: Times New Roman, serif;">https://fr.wikipedia.org/wiki/Whitney_Museum_of_American_Art</span></a><span style="font-family: Times New Roman, serif;">]</span></span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6JbcZA6Bu6jb6PpuFBL8fZWLeV3wA6vROIsde8__ZzB9RuZfzFTppDmeA-Fi_Yx25dvLh6ogpfm2ikZ44njaBwUTIyeJ8gWJvAafTbsB-fuTaLF-4vxuQSZZVCEEh1rs3uDkQc-7uEIYM3l983Ev3olBvuzwhuFMYBclOrCF9pgfuM9uc6iF0FdXlGa1n/s800/02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6JbcZA6Bu6jb6PpuFBL8fZWLeV3wA6vROIsde8__ZzB9RuZfzFTppDmeA-Fi_Yx25dvLh6ogpfm2ikZ44njaBwUTIyeJ8gWJvAafTbsB-fuTaLF-4vxuQSZZVCEEh1rs3uDkQc-7uEIYM3l983Ev3olBvuzwhuFMYBclOrCF9pgfuM9uc6iF0FdXlGa1n/w640-h288/02.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> GERTRUDE VANDERBILT WHITNEY</p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">1875
- 1942</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">"Née
à New York, Gertrude Vanderbilt Whitney est la petite fille du
magnat des affaires Cornelius Vanderbilt. Un intérêt précoce pour
l’art l’amène à apprendre la sculpture après son mariage. Elle
étudie à Paris et New York puis en 1907, aménage un studio dans
Greenwich Village. Mis à part la poursuite de son travail personnel
comme sculpteure, Whitney contribue à soutenir d’autres artistes
new yorkais. Elle encourage et parraine un nombre important de
peintres et de sculpteurs. Collectionneuse d’art, elle fonde en
1930 le Whitney Museum of American Art."</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[<a href="https://artpublicmontreal.ca/artiste/vanderbilt-whitney-gertrude/">https://artpublicmontreal.ca/artiste/vanderbilt-whitney-gertrude/</a>]</span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRuQKK-QMo1BNVTTpaeNkbFTdXZjdA4FBEQvOW01Zg5u3DM6_74apVkaEo6Ke_3H1eOLWd3AEuDqerBCeoOT-Qc9UeSdWEONNYXwafz1DDODCUVJG_3Fus8l1ZVvvyvvEnh6tYfEGFVqhXnADlvkQHp2XdQ-YxR4IyKNvQol9C_L3J1eNA37nHRGMx6acU/s800/03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRuQKK-QMo1BNVTTpaeNkbFTdXZjdA4FBEQvOW01Zg5u3DM6_74apVkaEo6Ke_3H1eOLWd3AEuDqerBCeoOT-Qc9UeSdWEONNYXwafz1DDODCUVJG_3Fus8l1ZVvvyvvEnh6tYfEGFVqhXnADlvkQHp2XdQ-YxR4IyKNvQol9C_L3J1eNA37nHRGMx6acU/w640-h288/03.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Gaston Lachaise (1882; Paris – 1935; New York) – <i>Standing
Woman</i>, 1912-27; Bronze</p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9OOQDtUNFFRrweIUZb2gIulF8IBhSBzcDlaf5gtaTcYpS5QGnNqMnX5zaH8xD8WwJ4SzqUPSL10XVz9Z52p4ARN3J264UJz_wMWBV4s-0AqSDDMIXPSljKzOfimAspI1uKLy8ILHtQjg0mXMtoIzqS3NlpZgbjk9JaSFjcBLzN5PovxY68t6Yj4zWjIME/s800/04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="574" data-original-width="800" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9OOQDtUNFFRrweIUZb2gIulF8IBhSBzcDlaf5gtaTcYpS5QGnNqMnX5zaH8xD8WwJ4SzqUPSL10XVz9Z52p4ARN3J264UJz_wMWBV4s-0AqSDDMIXPSljKzOfimAspI1uKLy8ILHtQjg0mXMtoIzqS3NlpZgbjk9JaSFjcBLzN5PovxY68t6Yj4zWjIME/w640-h460/04.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Robert Henri (1865; Cincinnati – 1929; New York) – <i>Gertrude
Vanderbilt Whitney</i>, 1916; Oil on canvas</p><div class="separator" style="clear: both; text-align: center;"></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-68KovD18IxS8P8aLDz4t4NeIpsbYsYrLNfd-7egd5RsWby6t9ziRA_VSdWVkCqzJzPl-VrZK3DvDuBJTTm7GjJ9nR_ks-y97PnawCVUB8xEWw866tY7UqucbQC57GhRlFgIzpxHjwuN4oUiwLYThygkJ_EbjDXPX7Q_xEZC4u-UutjXyYYNMRKL77H8Q/s800/05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-68KovD18IxS8P8aLDz4t4NeIpsbYsYrLNfd-7egd5RsWby6t9ziRA_VSdWVkCqzJzPl-VrZK3DvDuBJTTm7GjJ9nR_ks-y97PnawCVUB8xEWw866tY7UqucbQC57GhRlFgIzpxHjwuN4oUiwLYThygkJ_EbjDXPX7Q_xEZC4u-UutjXyYYNMRKL77H8Q/w640-h288/05.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;">"Conçu par RPBW, le cabinet de
Renzo Piano, le nouveau siège du Whitney Museum of American Art à
Gansevoort Street (New York) a ouvert ses portes le 1er mai 2015.
Premier établissement privé entièrement consacré à l’art
américain, le Whitney Museum of American Art a été fondé en 1930
(le MOMA en 1929) suite à une courageuse initiative de Gertrude
Vanderbilt Whitney. Le musée se trouvait auparavant à l’angle de
Madison Avenue et de la 75e rue, dans un bâtiment conçu en 1966 par
Marcel Breuer qui avait beaucoup fait parler critiques et New-yorkais
dès son inauguration. Cinquante ans plus tard, Renzo Piano est
choisi pour réaliser un nouvel ouvrage héritant de la puissance
expressive de son prédécesseur tout en pouvant accueillir une
collection presque 10 fois supérieure (de 2 000 à 19 000 œuvres)."</span></p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[<a href="https://www.floornature.eu/rpbw-renzo-piano-et-le-nouveau-whitney-museum-de-new-york-11119/"><span style="font-family: Times New Roman, serif;">https://www.floornature.eu/rpbw-renzo-piano-et-le-nouveau-whitney-museum-de-new-york-11119/</span></a>]</span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghjfF9hW0DlKYXUiLosX3H3AL54ZfGmIaS67vZpdClOqHiWcvfX3P_5QOUkuM5q6LwHwg8LmNZsGPw9v1Pmf7Fb1B25Sriq2hCtIF5Vw25fmh7JuVfVQmW6q2LXQo0ZrlhRlBPbbLR0tS1Wl-s62FDg9nAD-zmYgMG7PaTHrWQ4VO-Mb2U3RJWI2DWRvmk/s800/06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghjfF9hW0DlKYXUiLosX3H3AL54ZfGmIaS67vZpdClOqHiWcvfX3P_5QOUkuM5q6LwHwg8LmNZsGPw9v1Pmf7Fb1B25Sriq2hCtIF5Vw25fmh7JuVfVQmW6q2LXQo0ZrlhRlBPbbLR0tS1Wl-s62FDg9nAD-zmYgMG7PaTHrWQ4VO-Mb2U3RJWI2DWRvmk/w640-h288/06.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;">"The permanent collection is
exhibited on two floors, level six and seven. These two floors also
step back towards the west to create 13,000 square feet of outdoor
sculpture terraces. Museum offices, education centre, conservation
laboratories and library reading room are situated north of the
building’s core on levels three to seven, including a multi-use
theatre for film, video and performance on level five. Finally, on
the top floor is the ‘studio’ gallery and a café, naturally lit
by a skylight system in saw-tooth configuration."</span></p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[<a href="https://www.rpbw.com/project/the-whitney-museum-at-gansevoort"><span style="font-family: Times New Roman, serif;">https://www.rpbw.com/project/the-whitney-museum-at-gansevoort</span></a>]</span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6XIInhl1PJH0HA3x0zapWYd0XJooEV8FgKpQcaiddCA6PGWVYYJpFdSyMKdG67vdX7qztI_aA1xi2hU4tDymgI7U8KylLlXzD6iApVacB7GwPfHrzFzN-FyQna2wgtNY0DkOCrkJ6Id4B0pqQ3cpBYsY-xMgYdqSMcoGMz-pH_CP3AObYczclwNOHr0K4/s800/07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6XIInhl1PJH0HA3x0zapWYd0XJooEV8FgKpQcaiddCA6PGWVYYJpFdSyMKdG67vdX7qztI_aA1xi2hU4tDymgI7U8KylLlXzD6iApVacB7GwPfHrzFzN-FyQna2wgtNY0DkOCrkJ6Id4B0pqQ3cpBYsY-xMgYdqSMcoGMz-pH_CP3AObYczclwNOHr0K4/w640-h288/07.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> "Designed by architect Renzo Piano, the Whitney's building in the
Meatpacking District includes approximately 50,000 square feet of
indoor galleries and 13,000 square feet of outdoor exhibition space
and terraces facing the High Line. An expansive gallery for special
exhibitions is approximately 18,000 square feet in area, making it
the largest column-free museum gallery in New York City."</p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif; font-size: x-small;">[<a href="https://whitney.org/about/our-building">https://whitney.org/about/our-building</a>]</span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCw1Bx3zmRIOohWfmv-bgJMOwsHZE9SmZyVH0tZUHrhFK8R3GcndOvVIysyC4i1DZrxblnEXORtBJbV7baen_fzKosuLEDvIomAyoLHxYQ3Lla0TLSljQpoEJZA8bT3i2y6bkladctA7V8hTbKdC8TO9dY-4x3hxYfple0CkDBLMY1KAh0Z_MPirXc3DEW/s800/08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCw1Bx3zmRIOohWfmv-bgJMOwsHZE9SmZyVH0tZUHrhFK8R3GcndOvVIysyC4i1DZrxblnEXORtBJbV7baen_fzKosuLEDvIomAyoLHxYQ3Lla0TLSljQpoEJZA8bT3i2y6bkladctA7V8hTbKdC8TO9dY-4x3hxYfple0CkDBLMY1KAh0Z_MPirXc3DEW/w640-h288/08.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY6Ekmpt45AREOE9YS3_rTdrvTzxGU_Ie6SWyAWc698kfVfcR0wP9zwoxgYcLl5wDQ3MrIJbcvE-F7nPYQOCmYIzZZEX311hh_4HKixDaCimUaBSvcv3R9cHiVGZTw4Ax-Kl04Gurnq17Z29sVWT5eevSdVzEvh-ABBf0BmE6vrjHKeaJP_5dzkIhPjdME/s800/09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY6Ekmpt45AREOE9YS3_rTdrvTzxGU_Ie6SWyAWc698kfVfcR0wP9zwoxgYcLl5wDQ3MrIJbcvE-F7nPYQOCmYIzZZEX311hh_4HKixDaCimUaBSvcv3R9cHiVGZTw4Ax-Kl04Gurnq17Z29sVWT5eevSdVzEvh-ABBf0BmE6vrjHKeaJP_5dzkIhPjdME/w640-h288/09.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggJJmRnpabOniXByXE7pBJ6GyhjJVF0TaQjkvfo43H6Kpg42TW-0YvqzLXQRb0F0oF-RDeI-_A93sX3QWqt8RUVfPNrOMslGDBsNXEEadn76Vm7JD0N6F7IhGQW3McadY6oGXFN-ipPuO2p1mdD57y3FbkZ1RadpF1wTv7JrccAjhfMjHANHAlNQbrcLgF/s800/10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggJJmRnpabOniXByXE7pBJ6GyhjJVF0TaQjkvfo43H6Kpg42TW-0YvqzLXQRb0F0oF-RDeI-_A93sX3QWqt8RUVfPNrOMslGDBsNXEEadn76Vm7JD0N6F7IhGQW3McadY6oGXFN-ipPuO2p1mdD57y3FbkZ1RadpF1wTv7JrccAjhfMjHANHAlNQbrcLgF/w640-h288/10.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;">La construction du musée aura
coûté 422 millions de dollars (386,5 millions d’euros), mais le
Whitney a recueilli plus de 760 millions pour financer le nouveau
bâtiment et créer un fonds de dotation. La Ville de New York a
vendu le terrain au musée et a financé les travaux de façon
importante (la Ville est le deuxième donateur, derrière le mécène
Leonard A. Lauder, membre du conseil d’administration). Le Whitney
dispose désormais d’un auditorium ainsi que d’une salle de
conférences, et le musée a engagé le chef très en vue Danny Meyer
pour ouvrir un restaurant au rez-de-chaussée.</span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: Times New Roman, serif; font-size: x-small;">[<a href="https://www.lejournaldesarts.fr/patrimoine/piano-reinvente-le-whitney-museum-125380">https://www.lejournaldesarts.fr/patrimoine/piano-reinvente-le-whitney-museum-125380</a>]</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjScltrCO80AdSP18ZM9qaJAsnFbHQ0qHJAboWCKrCR2E96pbz7Wo5pcIZ2OyH4hkgdxiJPgDeFWU0P-XBMwhksseW50npaEmDvji0qpPwEyRoVw06HToFx_1Av8ktBnH9tPwGlUGTfd2H_yn3raZInYOgp3UGCzfHFAduNazNVEzyanuQL9XquOrnLRyz/s800/11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjScltrCO80AdSP18ZM9qaJAsnFbHQ0qHJAboWCKrCR2E96pbz7Wo5pcIZ2OyH4hkgdxiJPgDeFWU0P-XBMwhksseW50npaEmDvji0qpPwEyRoVw06HToFx_1Av8ktBnH9tPwGlUGTfd2H_yn3raZInYOgp3UGCzfHFAduNazNVEzyanuQL9XquOrnLRyz/w640-h288/11.jpg" width="640" /></a></div></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJq2YhPN7H7Ty4WW63FdajTWvvL0yU4Apf-gf7JOlQmGHRpXOjKL3rURQH8mZh-qzX6UBagyxcm_e4s16Sbq8p-mwIrJcUuwvidC1ReBrNaQ_CN8TCUDHeukdHkkcZ-2v4QLCz7V7UMnJPF5sDcN2saLybTGVVCIoUz-gdeGFwtleILfPMnowwrHGXxwGx/s800/12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJq2YhPN7H7Ty4WW63FdajTWvvL0yU4Apf-gf7JOlQmGHRpXOjKL3rURQH8mZh-qzX6UBagyxcm_e4s16Sbq8p-mwIrJcUuwvidC1ReBrNaQ_CN8TCUDHeukdHkkcZ-2v4QLCz7V7UMnJPF5sDcN2saLybTGVVCIoUz-gdeGFwtleILfPMnowwrHGXxwGx/w640-h288/12.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;">Clad in pale blue-grey steel
panels, the new, eight-storey building is powerfully asymmetrical,
with the bulk of the full-height museum to the west, Hudson-side,
with tiers of lighter terraces and glazed walkways stepping down to
the High Line, embracing it into the project.</span></p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: Times New Roman, serif; font-size: x-small;">[<a href="https://www.archdaily.com/630574/the-whitney-museum-of-american-art-at-gansevoort-renzo-piano-cooper-robertson">https://www.archdaily.com/630574/the-whitney-museum-of-american-art-at-gansevoort-renzo-piano-cooper-robertson</a>]*</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">* Un
articol cu fotografii foarte reusite !</p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZRtAAYkTRc8Y2PPWMeNxFVURt0rYSvpnfAqu6DMlgaJBO6xGIwicte5aPQ4sNV-sKT5cKt7dl1d0UoLrbi38mUWJgvWjxZ11kQ7U0GVXygPrec03dmxuG3byInTNRo-KyfNN_e-pAgjRKJ-R2biM_F5AEhhyUZScuI7JRrQRr8fZBYFxnDpeBEkWu7nfB/s800/13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZRtAAYkTRc8Y2PPWMeNxFVURt0rYSvpnfAqu6DMlgaJBO6xGIwicte5aPQ4sNV-sKT5cKt7dl1d0UoLrbi38mUWJgvWjxZ11kQ7U0GVXygPrec03dmxuG3byInTNRo-KyfNN_e-pAgjRKJ-R2biM_F5AEhhyUZScuI7JRrQRr8fZBYFxnDpeBEkWu7nfB/w640-h288/13.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Le dernier opus new-yorkais du champion des constructeurs de musées
(34 dans le monde dont 13 aux seuls États-Unis) pécherait par
sa fadeur, voire sa laideur. Après les images navales plus ou moins
attendues (sous-marin, brise-glace) ou médicales (laboratoire
pharmaceutique, hôpital), d’autres comparaisons moins aimables
sont tombées (photocopieur, chaufferie urbaine), la proximité d'un
dépôt de camions poubelles suggérant même un incinérateur
d'ordures.</p><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[<a href="https://www.amc-archi.com/photos/le-nouveau-whitney-museum-renzo-piano-arch-est-il-beau-ou-laid-par-jean-michel-leger,3729/le-whitney-museum-de-renzo-pia.1">https://www.amc-archi.com/photos/le-nouveau-whitney-museum-renzo-piano-arch-est-il-beau-ou-laid-par-jean-michel-leger,3729/le-whitney-museum-de-renzo-pia.1</a>]</span></p></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0tjBMD9lVryw3DSd4OwJf3GuG-_3ixNDQmQbTgMopaH0pRXW1oOMz3sTI5n4yDX5Hp3cd2siQdF2aPYued8-ID8fAcnjCcCFV6ueRpYECvXzQU6lLknVI_akLopkV4TaDbi8Jgtso5ZD4LUkCNEyZAjMCJlBUu8PU187TG4_qPCbrroJgLpQK811jGcLg/s800/14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0tjBMD9lVryw3DSd4OwJf3GuG-_3ixNDQmQbTgMopaH0pRXW1oOMz3sTI5n4yDX5Hp3cd2siQdF2aPYued8-ID8fAcnjCcCFV6ueRpYECvXzQU6lLknVI_akLopkV4TaDbi8Jgtso5ZD4LUkCNEyZAjMCJlBUu8PU187TG4_qPCbrroJgLpQK811jGcLg/w640-h288/14.jpg" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Photos : MSChirca, 12 oct. 2023</p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-80726251058665565012023-11-22T12:00:00.005+01:002023-11-24T17:22:11.421+01:00Ruth ASAWA – Whitney Museum of American Art, New York City<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1o8cgpGKcM-Iw-206K3iZ8ixeYBjrz5hY0c9y22iL_7GTiVVaLRpv6CWLkLn5uKVHM92n9NEOuDfaoQkeJF7qtUTwD53sWC50UY7t-YGVPn3I-NLuaTuoVQ7p4jGDCN5_BZ0fgqVzJD1K3Gn8HgHtwvI0vafBxj3mKdSIS03rXf8ejyntr9ag62HQZqi/s1000/01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="749" data-original-width="1000" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1o8cgpGKcM-Iw-206K3iZ8ixeYBjrz5hY0c9y22iL_7GTiVVaLRpv6CWLkLn5uKVHM92n9NEOuDfaoQkeJF7qtUTwD53sWC50UY7t-YGVPn3I-NLuaTuoVQ7p4jGDCN5_BZ0fgqVzJD1K3Gn8HgHtwvI0vafBxj3mKdSIS03rXf8ejyntr9ag62HQZqi/w640-h480/01.jpg" width="640" /></a></p><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Self Portrait), c. 1960s ; Ink on paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYSaan28KKbxlZexJYvZKQGZcvCHC_0NwLYJLqJiQ7r1IV-zC7wXGx2U6g8wTd80NCtuWWb-OR3xlgdr1XEOXnENfpGH2DJ6qn6Md_pfLa7IFDhtgzYD7OhsihcLBi4rmIMZ9xSGEnyopd_ZrJTCBbg00u3iUJRya7Wo-pls6vQa_N6-fneKC-J3vTyi4/s1000/02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYSaan28KKbxlZexJYvZKQGZcvCHC_0NwLYJLqJiQ7r1IV-zC7wXGx2U6g8wTd80NCtuWWb-OR3xlgdr1XEOXnENfpGH2DJ6qn6Md_pfLa7IFDhtgzYD7OhsihcLBi4rmIMZ9xSGEnyopd_ZrJTCBbg00u3iUJRya7Wo-pls6vQa_N6-fneKC-J3vTyi4/w640-h288/02.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p> <span style="text-align: left;">For Ruth Asawa (1926–2013), drawing served as a center of gravity—the activity she described as her "greatest pleasure and the most difficult." Although now widely recognized for her wire sculptures, Asawa drew daily. Her exploratory approach to materials, line, surface, and space yielded an impressive range of drawings that speaks to her playful curiosity and technical dexterity as well as her interest in the aesthetic possibilities of the everyday.</span></p><p align="center" style="line-height: 16px; margin-bottom: 0cm;"><span style="font-size: x-small;">[From : https://whitney.org/exhibitions/ruth-asawa-through-line]</span> </p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJCN58dJPzUAKfe5jkRd2ZaVvnsSApng2DKkUcdjX0ZC0x7WDJj9TMA3IsjIhI5V-MMhyphenhyphentumtPuqvL-GkNkOjhTfP5PEiIzik6_cBG9z_-GKz4vF33pDP9SqR6buyxvE1i8e4La_6GO_ZnpaFjVsleWoJOmuQqVFXeuKn4cowrIzrmOQ-t06CgwuiymFwX/s1000/03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="667" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJCN58dJPzUAKfe5jkRd2ZaVvnsSApng2DKkUcdjX0ZC0x7WDJj9TMA3IsjIhI5V-MMhyphenhyphentumtPuqvL-GkNkOjhTfP5PEiIzik6_cBG9z_-GKz4vF33pDP9SqR6buyxvE1i8e4La_6GO_ZnpaFjVsleWoJOmuQqVFXeuKn4cowrIzrmOQ-t06CgwuiymFwX/w426-h640/03.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Allie’s Iris </i>(Purple Iris with Three Blooms), 1987 ;
Ink and watercolor on paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2Q6G3QWmU5OMNf097_bL8LyesmB7SOwLvqytnuzzceWEvojV8AnDws9tyDIAR1apBPx0MfqxcoTs4rBY2tJ1MxZUJP0R6h4fxUruUBcxcGdpnXXS1y4fxYxaq5jWr3q1E3n5-FATE-peBsenG2CY-56UAMbobOjA56ijeP6gx9-fW_z1hramtXkxaFvxG/s1000/04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2Q6G3QWmU5OMNf097_bL8LyesmB7SOwLvqytnuzzceWEvojV8AnDws9tyDIAR1apBPx0MfqxcoTs4rBY2tJ1MxZUJP0R6h4fxUruUBcxcGdpnXXS1y4fxYxaq5jWr3q1E3n5-FATE-peBsenG2CY-56UAMbobOjA56ijeP6gx9-fW_z1hramtXkxaFvxG/w640-h320/04.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 16px; margin-bottom: 0cm;">From her upbringing on her family's farm in Southern California, where Asawa dreamily traced shapes along dirt roads in between chores and attended weekly calligraphy lessons, drawing became the foundation of her creative life. When her family was forced to leave their home in 1942 as part of the US government's World War II isolation policies toward Japanese Americans, the teenage Asawa found salvation in the artists who taught and supported each other in the incarceration camps.</p><p align="center" style="line-height: 16px; margin-bottom: 0cm;"><span style="font-size: x-small;">[From : https://whitney.org/exhibitions/ruth-asawa-through-line]</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIYo6milYziTdshbF0WrOblYoiydqnebUOaIouR2uneszHmW9TLItPXbAGOaDRrAN1JQXhsWfud8cUieHvO8M6wzd2Q9ZNj3SLPHWUqTGcIqlNNb1JutIYRlpXkhPAS6F2kejMXgseDlYkX9RSzlM16EObK-WCGuF5XClIdVDTLwQT_dpX9S36xbv77cIW/s1000/05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIYo6milYziTdshbF0WrOblYoiydqnebUOaIouR2uneszHmW9TLItPXbAGOaDRrAN1JQXhsWfud8cUieHvO8M6wzd2Q9ZNj3SLPHWUqTGcIqlNNb1JutIYRlpXkhPAS6F2kejMXgseDlYkX9RSzlM16EObK-WCGuF5XClIdVDTLwQT_dpX9S36xbv77cIW/w640-h426/05.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Waves 2), c. late 1950s ; Felt-tipped pen on
paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC7lSlFfxYLJYl8pmx6IaUuWE3ks83Xi6nwPYrCUmZAMdg8bpHIvQHv1sSKfrUgoZ6JAfIwa6TN7dPrEyQBpgC6Dt06TPG0sB3W8_DDUTeGoG15lr5lOWtJR0lkZ_srZAN2ORwGUK8Fi6QePYeHNg_pO5Rhe7Vwkk3K6eRh-G_b7rJOuk4w2KTdhkcHGd9/s788/06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="788" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC7lSlFfxYLJYl8pmx6IaUuWE3ks83Xi6nwPYrCUmZAMdg8bpHIvQHv1sSKfrUgoZ6JAfIwa6TN7dPrEyQBpgC6Dt06TPG0sB3W8_DDUTeGoG15lr5lOWtJR0lkZ_srZAN2ORwGUK8Fi6QePYeHNg_pO5Rhe7Vwkk3K6eRh-G_b7rJOuk4w2KTdhkcHGd9/w640-h320/06.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"> In the years that followed, as a student at the progressive Black Mountain College and throughout six decades in San Francisco, Asawa maintained a belief in the power of art to bring about a better future. This ethos guided her work as an educator, community leader, and artist.</div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 16px; margin-bottom: 0cm;"><span style="font-size: x-small;">[From : https://whitney.org/exhibitions/ruth-asawa-through-line]</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFWMfiD2FEYJZyfRTSvaBBn-9TAk9ENMeejOlbz_L5KHF7P-oSptyiSEeCL7zsAF3rbSxVY0PNAHCJSbYaNGnZBgemTZixlK9U_szHFnpg-OP9t0FNg62UZv9IfgG4sfdgB06d3q2DKFEM-RKRNhNfU9AB-xvPj6VAA8cixjKvZW1c6ypm-qlYhyTZh_iK/s1000/07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFWMfiD2FEYJZyfRTSvaBBn-9TAk9ENMeejOlbz_L5KHF7P-oSptyiSEeCL7zsAF3rbSxVY0PNAHCJSbYaNGnZBgemTZixlK9U_szHFnpg-OP9t0FNg62UZv9IfgG4sfdgB06d3q2DKFEM-RKRNhNfU9AB-xvPj6VAA8cixjKvZW1c6ypm-qlYhyTZh_iK/w640-h426/07.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Sculpture Drawing with Five-Pointed Star in Center),
c. 1973 ; Ink on Japanese paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCSC5iArMfkX2ZrgbdE6sPjGwMINs9P8wnr4fhA1XvLNaoyXglhCeowyxtlnjfXiNjn0Yfn8fR8Z396SJFEo4_XSP8TwMYXmRzMH41i35ff-Tln-l0r3xHhFqeoKOhK4h8y3yjTwoX2lYXbpOQM5Z7jAtHDRx0HcgIWOVNHOlSz21NAF2FRaxpzeQQxoB_/s1000/08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="667" data-original-width="1000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCSC5iArMfkX2ZrgbdE6sPjGwMINs9P8wnr4fhA1XvLNaoyXglhCeowyxtlnjfXiNjn0Yfn8fR8Z396SJFEo4_XSP8TwMYXmRzMH41i35ff-Tln-l0r3xHhFqeoKOhK4h8y3yjTwoX2lYXbpOQM5Z7jAtHDRx0HcgIWOVNHOlSz21NAF2FRaxpzeQQxoB_/w640-h426/08.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> This exhibition highlights drawing as the through line in Asawa's
work. Organized thematically and inspired by her inquisitive approach
to making art, the presentation comprises more than one hundred
works, many of which have never been exhibited.</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[From :
https://whitney.org/exhibitions/ruth-asawa-through-line]</span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhWPxS2iy3caZ21otxHOr81yNiLNGaSMegXPx2A6-PcdHegH6ajOLQjsPX0fCIYu2UhlOKYVtjq3uFBmAPD3rEdGr5lU99Nf6mSHN0xvUPrjHe9B6IhOgm3bcu41y4bCeiIZhhPaeAq1LA-81Rz1sFeC4XromKo1Vrxy8WqTLkP_oUQXgQ4rOVXDKaYt0x/s1000/09.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="665" data-original-width="1000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhWPxS2iy3caZ21otxHOr81yNiLNGaSMegXPx2A6-PcdHegH6ajOLQjsPX0fCIYu2UhlOKYVtjq3uFBmAPD3rEdGr5lU99Nf6mSHN0xvUPrjHe9B6IhOgm3bcu41y4bCeiIZhhPaeAq1LA-81Rz1sFeC4XromKo1Vrxy8WqTLkP_oUQXgQ4rOVXDKaYt0x/w640-h426/09.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Six-Branched Form Based on Nature), c. 1963 ;
Galvanized wire</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0JjVtu5P5n17tUJLehtaLwDKrmTcqNQDzbUUTHk2LRfD6tn88c0kvsGU3-mf9185NnMgSjDYVUOIymdZRTU5ZlHh2RkeWCtTX8XLRMnreG1eQ2KHFQt3AnDuXGmTpGFDWvUlu14qYPNl2MmUwNdLPj065WdFrIjxI1NUcmN8S1Yh2cQHcGiAqzCj32gr/s1000/10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic0JjVtu5P5n17tUJLehtaLwDKrmTcqNQDzbUUTHk2LRfD6tn88c0kvsGU3-mf9185NnMgSjDYVUOIymdZRTU5ZlHh2RkeWCtTX8XLRMnreG1eQ2KHFQt3AnDuXGmTpGFDWvUlu14qYPNl2MmUwNdLPj065WdFrIjxI1NUcmN8S1Yh2cQHcGiAqzCj32gr/w640-h288/10.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Tied-Wire Sculpture Drawing with Six-Branch Center
and Drops at the Ends), c. 1963-69 ; Ink on Japanese paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSwrv_uFfBDGRvyHJJ1ZknK2r6bmSHz3e__Wz_t9cGDSWoDyxbaVTnN1qzKpsaCjqTvo73yiDFXgYFJ4OGOAm7cpa2y423dyLh8PRhQwR8O63YxvlFiE4zLDT25Ce9GsDIQ08E5UQ7LlUIOA2J8ItBH_aq7sX_ILBAWkT8sT1T1h49gtJCHAeMS7Ppiy6V/s1000/11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSwrv_uFfBDGRvyHJJ1ZknK2r6bmSHz3e__Wz_t9cGDSWoDyxbaVTnN1qzKpsaCjqTvo73yiDFXgYFJ4OGOAm7cpa2y423dyLh8PRhQwR8O63YxvlFiE4zLDT25Ce9GsDIQ08E5UQ7LlUIOA2J8ItBH_aq7sX_ILBAWkT8sT1T1h49gtJCHAeMS7Ppiy6V/w640-h288/11.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Together, they capture the boundless energy and generous spirit of
Asawa, who believed that "art is not a series of techniques, but
an approach to learning, to questioning, and to sharing."
</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;">[From :
https://whitney.org/exhibitions/ruth-asawa-through-line]</span></p></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijSaDduaUzNYtFpe2XDBCyQCUqLOowsQ49CV-38wX2j-_A7rIstM4qDHfqJNbT72zqKuFthQcSi2Vs5mjGZxJzC2nxb2_jMPPhaPNw_EXa8WhiNFfVb3qd1JnTAbm0JCs77s0FIVt3QucVLAtqjENE2ojK6jIEmPAKj7jtayXTnRC1jBrEsMokJNjr4-0d/s1000/12.jpg"><img border="0" data-original-height="667" data-original-width="1000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijSaDduaUzNYtFpe2XDBCyQCUqLOowsQ49CV-38wX2j-_A7rIstM4qDHfqJNbT72zqKuFthQcSi2Vs5mjGZxJzC2nxb2_jMPPhaPNw_EXa8WhiNFfVb3qd1JnTAbm0JCs77s0FIVt3QucVLAtqjENE2ojK6jIEmPAKj7jtayXTnRC1jBrEsMokJNjr4-0d/w640-h426/12.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Stacked Triangles), c. 1948-49 ; Oil and
watercolor on paper</p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq8HWpFd5ti3RdhTG0pVk65n7ylSJx1jH_9Yd4FUzIGA-V7JKyq1j6rs_DHTJ7ApkXOK2353deJyn6XZQme9maTiQAd9fOEkQO8XWCRMHa23PDt6q0YN0e89yiRPXQfoSXNZ0nb3POkLvKHiUJwVU1rTt0HIH3Um2rOVizyTWzIirOlC1ob7sTVCt0k8_J/s800/13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="450" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq8HWpFd5ti3RdhTG0pVk65n7ylSJx1jH_9Yd4FUzIGA-V7JKyq1j6rs_DHTJ7ApkXOK2353deJyn6XZQme9maTiQAd9fOEkQO8XWCRMHa23PDt6q0YN0e89yiRPXQfoSXNZ0nb3POkLvKHiUJwVU1rTt0HIH3Um2rOVizyTWzIirOlC1ob7sTVCt0k8_J/w360-h640/13.jpg" width="360" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Untitled</i> (Logarithmic Spiral Squares, Orange/Orange), c.
1951-52 ; Screenprint on paper</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ8z341Pdz1stgtu1tAG191QYq0rc0Y7Vpy5TUYdOxSz7hqajozjYWyLpWgCOgjcYEsWxcXz7tUzzynei6eHa1O20rp9RU6OfJan0OWBCkRQ02Q5V2FH6ba3Ojn8eTdsj__5CDFyaXDPZmu4DEMqudcJxA060Zk0Kv1louAPEIgBAhOmD5LMFbOwBhlTgn/s800/14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="549" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ8z341Pdz1stgtu1tAG191QYq0rc0Y7Vpy5TUYdOxSz7hqajozjYWyLpWgCOgjcYEsWxcXz7tUzzynei6eHa1O20rp9RU6OfJan0OWBCkRQ02Q5V2FH6ba3Ojn8eTdsj__5CDFyaXDPZmu4DEMqudcJxA060Zk0Kv1louAPEIgBAhOmD5LMFbOwBhlTgn/w440-h640/14.jpg" width="440" /></a></div><div style="text-align: center;"> Whitney Museum of American Art, NYC</div><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><b>Ruth
Asawa Through Line</b></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">Sept
16, 2023–Jan 15, 2024</p></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-21271531373703703422023-11-12T16:46:00.006+01:002023-11-16T10:16:12.021+01:00Musée des Beaux-Arts de Nîmes : Qui est la « Jeune fille poursuivie par l’Amour » ?<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpLUR1LuyhH23BAxUgclouA7XTIOOiSUhYZcyUJH4fSNqvDYZYQegqOTsNOQJTVoWrkStt4XhS-JA6UESKeAcG6HAeo3Ownf1ykK9dpif1WZPJPRssXdJYbcJArOQvyl5DwJ4rp9NLY5QPXLxjyyOCftnaL6edXgmVIvzwULSOCQc_EQPEkiv4IzXWRW1w/s1000/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpLUR1LuyhH23BAxUgclouA7XTIOOiSUhYZcyUJH4fSNqvDYZYQegqOTsNOQJTVoWrkStt4XhS-JA6UESKeAcG6HAeo3Ownf1ykK9dpif1WZPJPRssXdJYbcJArOQvyl5DwJ4rp9NLY5QPXLxjyyOCftnaL6edXgmVIvzwULSOCQc_EQPEkiv4IzXWRW1w/w640-h288/1.jpg" width="640" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrvVJoU2U3bPFHrCUnt7u2yDstHwQ0JBHdDb9sofXqqLTbjX_YxKGMqnpEbIW8cltcmoRauqNIQUgIy5J6PAinHGqTz0aZr3NcsdPWIvTp5eLLAf35edO1FWuKI7Rx8Dtnz-XHerteRIAYVqQakR2wXRCRVD0rRnvNg82Ko2mKEgPDFfarcyYBUZLbEK5g/s800/2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="572" data-original-width="800" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrvVJoU2U3bPFHrCUnt7u2yDstHwQ0JBHdDb9sofXqqLTbjX_YxKGMqnpEbIW8cltcmoRauqNIQUgIy5J6PAinHGqTz0aZr3NcsdPWIvTp5eLLAf35edO1FWuKI7Rx8Dtnz-XHerteRIAYVqQakR2wXRCRVD0rRnvNg82Ko2mKEgPDFfarcyYBUZLbEK5g/s320/2.jpg" width="320" /></a></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Au premier étage du très beaux Musée des Beaux-Arts de Nîmes, un
petit tableau anonyme, peint à l’huile sur cuivre et daté 1687,
présente une <i>J</i><i>eune fille poursuivie par l’Amour</i>.</p><div class="separator" style="clear: both; text-align: center;"> Certes, on peut dire que ce n’est pas l’Amour qui poursuit la jeune
fille, mais un jeune homme poussé par l’Amour. Ou on peut se
demander qui est le vieil homme à gauche du tableau, vers qui court
la jeune fille ? </div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">Mais surtout on se demande où avons nous déjà
vu ce jeune couple, surpris exactement en ce moment, avec les mêmes
expressions ? La réponse est : chez l’Albane, au
Louvre*.</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUZ7qgGPsCt_5pXESWvWDe_NkuaKHuRgXVOwS7Jitq_C6cTIztTF8Rjyx_FBhs6kMykC7rkAEaxsvNxwGn0WQZ3M8NAhuP4VdZQpvIPrJXavFaNAVMruoj_mUZdbIFjMYUVeLeqHcV7vSm0nVIhleGhnTUng-DyvVfMrBJHt3iLPKNSS40q00DU8Yiwc9/s1500/4%20Albane%20Apollon%20Daphn%C3%A9.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="694" data-original-width="1500" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUZ7qgGPsCt_5pXESWvWDe_NkuaKHuRgXVOwS7Jitq_C6cTIztTF8Rjyx_FBhs6kMykC7rkAEaxsvNxwGn0WQZ3M8NAhuP4VdZQpvIPrJXavFaNAVMruoj_mUZdbIFjMYUVeLeqHcV7vSm0nVIhleGhnTUng-DyvVfMrBJHt3iLPKNSS40q00DU8Yiwc9/w640-h296/4%20Albane%20Apollon%20Daphn%C3%A9.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Francesco Albani, dit l’Albane (1578-1660)</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><i>Apollon
et Daphné</i> (1615-1620), huile sur cuivre, 17 x 35 cm</p></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"> Et tout devient clair : la jeune fille est Daphné, poursuivie
par Apollon.</div><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">Elle
court et demande de l’aide à son père, le fleuve Pénée,
personnifié par le vieil homme. Par
rapport au tableau <i>Apollon et Daphné</i> du Louvre, le
tableau de Nîmes, présente d'ailleurs Pénée.
Est-ce qu’il a été toujours absent du tableau de l’Albane ?</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">L’histoire
d’Apollon et Daphné est racontée par Ovide
dans le premier livre des <i>Métamorphoses</i><i> </i>:</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><i>« Fille
du fleuve Pénée, Daphné fut le premier objet de la tendresse
d’Apollon. Cette passion ne fut point l’ouvrage de l’aveugle
hasard, mais la vengeance cruelle de l’Amour irrité</i>. […]
<i>Cependant Apollon aime : il a vu Daphné ; il veut s'unir à
elle.</i> […] <i>Nymphe du Pénée, je t'en conjure, arrête
! ce n'est pas un ennemi qui te poursuit. Arrête, nymphe, arrête !</i>
[…] <i>Elle pâlit, épuisée par la rapidité d'une course aussi
violente, et fixant les ondes du Pénée : </i><span style="font-family: Liberation Serif, serif;"><i>"</i></span><i>S'il
est vrai, dit-elle, que les fleuves participent à la puissance des
dieux, ô mon père, secourez-moi ! ô terre, ouvre-moi ton sein, ou
détruis cette beauté qui me devient si funeste !</i><span style="font-family: Liberation Serif, serif;"><i>"</i></span><i>
»</i></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: Liberation Serif, serif;">À</span>
notre avis, le cartel du tableau <i>Jeune fille poursuivi</i><i>e</i><i>
par l’Amour</i> du Musée des Beaux-Arts de Nîmes peut marquer
sans réserve :</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHurjQJtNHfgaXktFlbyhLG8Jx8XUnvlEXdcjX4f3S5bh4jr5uInQpPnk6rsg5-GV6DfgA9YZaaCfJEP_8bqtpd0R8Ejz7BJ_nTmGdysXFC4DFW6Pyyp5BcSPxAobojYGz6lkISJztv9YyI-WQdadN05enhS5GePztjZbsIahpuoy6XtwqFXYnHXdorH2h/s558/3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="558" height="516" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHurjQJtNHfgaXktFlbyhLG8Jx8XUnvlEXdcjX4f3S5bh4jr5uInQpPnk6rsg5-GV6DfgA9YZaaCfJEP_8bqtpd0R8Ejz7BJ_nTmGdysXFC4DFW6Pyyp5BcSPxAobojYGz6lkISJztv9YyI-WQdadN05enhS5GePztjZbsIahpuoy6XtwqFXYnHXdorH2h/w640-h516/3.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><i><b>Daphné
poursuivie par Apollon</b></i><b> </b>ou <i><b>Apollon et
Daphné</b></i><b>, </b>d’après l’Albane.</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"> <span style="font-size: x-small;">*Nous avons présenté le tableau <i>Apollon et Daphné</i> de
l’Albane dans</span></div><div class="separator" style="clear: both; text-align: center;">
<p style="line-height: 100%; margin-bottom: 0cm; text-align: center;"><span style="font-size: x-small;">CHIRCA,<i>
Les amours de dieux dans les peintures du Louvre</i>, Les Éditions
du Net, 2018, p. 22.</span></p><p style="line-height: 100%; margin-bottom: 0cm; text-align: center;"><span style="font-size: x-small;"><br /></span></p><p style="line-height: 100%; margin-bottom: 0cm; text-align: left;"><span style="font-size: x-small;">Email reçu le 15 novembre 2023 : </span></p><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;">Bonjour,</div><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;"><span style="font-size: 12pt;">L'ancien cartel proposait "Daphné et Apollon poursuivis par l'Amour", ou </span>"Daphné et Apollon pourchassés par l'Amour" d'après L'Albane<span style="font-size: 12pt;">.</span></div><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;">Je ne sais pour quelle raison ce cartel a changé, mais lors de mes visites guidées je mentionne ces titres et L'Albane.</div><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;">Je fais suivre votre remarque à la régisseuse des œuvres.</div><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;"><span style="font-size: 12pt;">Cordialement</span></div><div style="background-color: white; font-family: Aptos, Aptos_EmbeddedFont, Aptos_MSFontService, Calibri, Helvetica, sans-serif; font-size: 12pt; text-align: start;">**</div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: small; margin: 0px; text-align: left;"><span face="Calibri, sans-serif" style="color: #1f497d; font-size: 11pt;">Responsable du Service des Publics</span></div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: small; margin: 0px; text-align: left;"><span face="Calibri, sans-serif" style="color: #1f497d; font-size: 11pt;">Médiation & Documentation</span></div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: small; margin: 0px; text-align: left;"><span face="Calibri, sans-serif" style="color: #1f497d; font-size: 11pt;">Musée des Beaux-Arts</span></div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: small; margin: 0px; text-align: left;"><span face="Calibri, sans-serif" style="color: #1f497d; font-size: 11pt;">Ville de Nîmes</span></div><p style="line-height: 100%; margin-bottom: 0cm; text-align: center;"><span style="font-size: x-small;"><br /></span></p></div></div></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-23726822601815451672023-11-06T09:00:00.043+01:002023-11-06T09:00:00.134+01:00Le Musée de la Romanité, Nîmes<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOwWWljplzSscb6FY6MmOcaJMHUCmPlyHdvioMP2q35M_Z3LNdrF3UN-z-f2Qg9fK0gZt3dOdPHLEKmhJTv2Fkq0sUvPROGamskJ48tVI88KikXTLX5WYm6e04wP1KR_ywbjzVn0GKf2jcGyj9rVPePUgemfg23eEnzt7hxC0OUaC0Ij1NoStqAfUD1U21/s1000/00_20231103_180523.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOwWWljplzSscb6FY6MmOcaJMHUCmPlyHdvioMP2q35M_Z3LNdrF3UN-z-f2Qg9fK0gZt3dOdPHLEKmhJTv2Fkq0sUvPROGamskJ48tVI88KikXTLX5WYm6e04wP1KR_ywbjzVn0GKf2jcGyj9rVPePUgemfg23eEnzt7hxC0OUaC0Ij1NoStqAfUD1U21/w640-h288/00_20231103_180523.jpg" width="640" /></a></p><p style="text-align: center;"><span style="text-align: left;">« En 2006-2007, lors des fouilles préventives précédant les
travaux des allées Jaurès, une </span><i style="text-align: left;">domus</i><span style="text-align: left;">, une maison romaine, et
deux mosaïques, dites d’Achille et de Penthée, sont mises au
jour. En excellent état de conservation, elles sont qualifiées par
les spécialistes de « plus belles pièces après celles de
Pompéi ». C’est cette découverte qui a renforcé ma volonté
de créer un musée contemporain pour présenter ces œuvres d’une
grande rareté. »</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">(Jean-Paul
Fournier, maire de Nîmes, dans <i>Nîmes antique et le </i><i>m</i><i>usée
de la Romanité</i>, 2018)</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4XjKzeSEKJ0Siz4Y-44dvI7dtdO7XWglfPa_vItiFaK9Kq1ISKBqSdBykBgngG8NrM_G5TOCty72rFtfeCuSxFcXoGZyl5HmHpdahIJaGerzk7I9_9BtykUXCrVhWdGuTM_OdJGgSLQMlqUbqYKNJ3PxgjoBVuTDsmcbHY9j9818_hR6LlEQZSzrsssE/s1000/01_20231103_150831.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4XjKzeSEKJ0Siz4Y-44dvI7dtdO7XWglfPa_vItiFaK9Kq1ISKBqSdBykBgngG8NrM_G5TOCty72rFtfeCuSxFcXoGZyl5HmHpdahIJaGerzk7I9_9BtykUXCrVhWdGuTM_OdJGgSLQMlqUbqYKNJ3PxgjoBVuTDsmcbHY9j9818_hR6LlEQZSzrsssE/w640-h288/01_20231103_150831.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> « J’ai choisi de créer un bâtiment doux, blanc et lumineux,
poreux et transparent, pour renvoyer un message de paix, à l’opposé
de celui des Arènes, lieu de combats et d’affrontements. »</div><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">(Elizabeth
de Portzamparc, architecte du musée de la Romanité.)</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> « Un espace résolument contemporain de 9 200 mètres
carrés présentant environ 5 000 œuvres sur le 25 000
comprises dans le fonds du musée. » (J.-P. F.)</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9wLdagNJG_PgzekZk6YxNDr3mugKilXwf89Xs_2usR86KDDHBusiiVN6N0xk5M4F5E6mYzxhIsxjjIvldpUpVURgUe_kdg0ppI8XaLEra9GLjld4aWW3HxK-NWctmB3wAHZSahznUHuz-LEvBjwv17jlDO6JAHnrXUQgXwi3iiv8YHFBiYVJmcYkEpvO/s1000/03_20231103_173203.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9wLdagNJG_PgzekZk6YxNDr3mugKilXwf89Xs_2usR86KDDHBusiiVN6N0xk5M4F5E6mYzxhIsxjjIvldpUpVURgUe_kdg0ppI8XaLEra9GLjld4aWW3HxK-NWctmB3wAHZSahznUHuz-LEvBjwv17jlDO6JAHnrXUQgXwi3iiv8YHFBiYVJmcYkEpvO/w640-h288/03_20231103_173203.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Skyphos</i> attique à figures rouges, V<sup>e</sup> s. av. J.-C.</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoTw-8P1DYFz7OeIGfbaeen9-i2qLSfxc3ufSN0ZLLc4H4MFMeGuoscY6Xqx8km8oDJ6lo6wL_a47UVEHSwt0GTwvRQV-Q2rc8BfiC2ar9xbzs5HoIlcEo3zKOt76FjZQu8FSOoZ3lNjLb4H9ZOLXeP_8MdD8c0D7FGkVPX8RQ9IVy9WOmT0hbcE7TaJD9/s1000/04_20231103_125335.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoTw-8P1DYFz7OeIGfbaeen9-i2qLSfxc3ufSN0ZLLc4H4MFMeGuoscY6Xqx8km8oDJ6lo6wL_a47UVEHSwt0GTwvRQV-Q2rc8BfiC2ar9xbzs5HoIlcEo3zKOt76FjZQu8FSOoZ3lNjLb4H9ZOLXeP_8MdD8c0D7FGkVPX8RQ9IVy9WOmT0hbcE7TaJD9/w640-h288/04_20231103_125335.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Frise à guirlandes et bucranes (os décharnés d’un crâne de
bovidé) ; marbre ; I<sup>er </sup>– II<sup>e</sup> s.
ap. J.-C.</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-PVMvnzeU-If6Pf7H8mWsxb5zSmz1xHr5us4Hu3PZlXz3uxonnkcHY_daWY9qAagHGJByBQVajr5_qHWXbT3vDuN7hwxxvFsR013hvsHpeYoFoUrbEi38O4UX7ZtdN5Jn22NoBN6ykmEmFkhnUz4Aa5XqMm1hv1vbiphdYV_QAjXqJ5QY6a54WmIKz39-/s1000/05_20231103_130104.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="498" data-original-width="1000" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-PVMvnzeU-If6Pf7H8mWsxb5zSmz1xHr5us4Hu3PZlXz3uxonnkcHY_daWY9qAagHGJByBQVajr5_qHWXbT3vDuN7hwxxvFsR013hvsHpeYoFoUrbEi38O4UX7ZtdN5Jn22NoBN6ykmEmFkhnUz4Aa5XqMm1hv1vbiphdYV_QAjXqJ5QY6a54WmIKz39-/w640-h318/05_20231103_130104.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Chapiteau de pilastre corinthien ; marbre ; époque romaine</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG9rC3B2Nbq9dZ5-VgUHHlx1JfWyXpWTwLDyV3XK5YIzjd6d7zJNL-wCVJ9gNRj0i0sDCSlOr20v4bvsxx4AInwrKjao72CALB-oVmZBq33tr2d9AMt-OfB8D0exD0Jl-Yn8eGjP8LfZafhRcisRv_Zsv354O3HcyuC4FKKduE1adOjjek8XvaLvG8gX2P/s1000/06_20231103_170853.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="563" data-original-width="1000" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG9rC3B2Nbq9dZ5-VgUHHlx1JfWyXpWTwLDyV3XK5YIzjd6d7zJNL-wCVJ9gNRj0i0sDCSlOr20v4bvsxx4AInwrKjao72CALB-oVmZBq33tr2d9AMt-OfB8D0exD0Jl-Yn8eGjP8LfZafhRcisRv_Zsv354O3HcyuC4FKKduE1adOjjek8XvaLvG8gX2P/w640-h360/06_20231103_170853.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Benedetto Antelami (?), <i>Combat de monstres</i> ; calcaire ;
XII<sup>e</sup> s.</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQLKONQGOE6zwaW2PcDdJVMbHB-sHJq_96QzDtSfnA0zrYpY-WHP_4NVtWW5X7ee_dNxaarI6ea2ZVebfh_aS5xNPb1aPhdGgeYmtNcQFjHuPRIXyaHnRAyYzmyzXx8BENvk-nwVBV11LhKk4HBSQVslcbHMNBb463mdAtMERTxeU5H47kCuLbD9hpMQlP/s1000/07_20231103_161331.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="563" data-original-width="1000" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQLKONQGOE6zwaW2PcDdJVMbHB-sHJq_96QzDtSfnA0zrYpY-WHP_4NVtWW5X7ee_dNxaarI6ea2ZVebfh_aS5xNPb1aPhdGgeYmtNcQFjHuPRIXyaHnRAyYzmyzXx8BENvk-nwVBV11LhKk4HBSQVslcbHMNBb463mdAtMERTxeU5H47kCuLbD9hpMQlP/w640-h360/07_20231103_161331.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<i>Aureus</i> de Trajan ; or ; 113-114 ap. J.-C. / <i>Aureus</i>
de Trajan pour Plotine ; or ; 112-115 ap. J.-C.</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjMWxljPxYDMh3XmVYO0OwvRuaIvpJ2gwpDShRo0Kg9tu68giRfK9bAzDh6ADbygIQaVe9RZ43HF5cgoEsMmXHft6nUTs3-jAaBN9xRAmUsOXwpvCyeji8o_MgY6LOdNGvHJIXiRpaFnMb1qNPSPl6NLk9wr49cXTRsPYzJZOlBYuwRNDERwDnIc3Aa_XT/s1000/08_20231103_161836_16,9.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="563" data-original-width="1000" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjMWxljPxYDMh3XmVYO0OwvRuaIvpJ2gwpDShRo0Kg9tu68giRfK9bAzDh6ADbygIQaVe9RZ43HF5cgoEsMmXHft6nUTs3-jAaBN9xRAmUsOXwpvCyeji8o_MgY6LOdNGvHJIXiRpaFnMb1qNPSPl6NLk9wr49cXTRsPYzJZOlBYuwRNDERwDnIc3Aa_XT/w640-h360/08_20231103_161836_16,9.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Flacons à deux anses ; verre soufflé ; I<sup>er</sup> s.
ap. J.-C.</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiXHcEB_ClWIjxCETEZGBh4AwcIMGCSTixekOCyT4zU2CzI52hs_q11H7vkVizuR71ukIFvJYWUKDYl4RDbAmwIiTi0Hp22HwYhija2bcNHE2dzRuStbe0Ii1aI-QiKt8OIINWX-9zvLxKtSNuL_7QsvaTPA2VHYAebGvB26gYlF1mckvbOshW7Hs76fVp/s1000/09_20231103_173600.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiXHcEB_ClWIjxCETEZGBh4AwcIMGCSTixekOCyT4zU2CzI52hs_q11H7vkVizuR71ukIFvJYWUKDYl4RDbAmwIiTi0Hp22HwYhija2bcNHE2dzRuStbe0Ii1aI-QiKt8OIINWX-9zvLxKtSNuL_7QsvaTPA2VHYAebGvB26gYlF1mckvbOshW7Hs76fVp/w640-h320/09_20231103_173600.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Hydrie laconienne ; bronze ; VI<sup>e</sup> s. av. J.-C.</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqRZzeNmnT_t3pxxPT7HvodWNOE6KCjN_NYS7DkZcJOaCMfUO4x9frcS1hPSG2rEUVWTqg-mqLe-2kB02JGTZa1MKWg_uol1Vjp50ufqc-qZ_QFXlKmUNwMDBajWMhQPOuonDe8PAdTge_JGTC8dit_El8z6z9zd9zuWm3hkmfa-U3Wpc8Gc246HimRxkX/s1000/10_20231103_171018.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="560" data-original-width="1000" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqRZzeNmnT_t3pxxPT7HvodWNOE6KCjN_NYS7DkZcJOaCMfUO4x9frcS1hPSG2rEUVWTqg-mqLe-2kB02JGTZa1MKWg_uol1Vjp50ufqc-qZ_QFXlKmUNwMDBajWMhQPOuonDe8PAdTge_JGTC8dit_El8z6z9zd9zuWm3hkmfa-U3Wpc8Gc246HimRxkX/w640-h358/10_20231103_171018.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Fragment de frise avec la <i>Réprimande</i> (moulage) ; XIIe
s., Cathédrale de Nîmes</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuRgaEe1fVS3f_v_6OdoNpuCGGUwL3pRVa8sxpiyw23yhtSaouI9mBd82fYnO-byb0PZqXSNDeBO2x2W9Cc2HEGiFBiCwA8Be6iFTe0Zmfuo4hEAML-hrexaJB-bcBxXDLQgUv10roQcGAFjiTKTbT1ICCs-kWOVffMyhNSpKjRLoWYF9w1a3C_iX2yZiH/s1000/02_20231103_132128.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="1000" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuRgaEe1fVS3f_v_6OdoNpuCGGUwL3pRVa8sxpiyw23yhtSaouI9mBd82fYnO-byb0PZqXSNDeBO2x2W9Cc2HEGiFBiCwA8Be6iFTe0Zmfuo4hEAML-hrexaJB-bcBxXDLQgUv10roQcGAFjiTKTbT1ICCs-kWOVffMyhNSpKjRLoWYF9w1a3C_iX2yZiH/w640-h288/02_20231103_132128.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">Détail de masque de théâtre de la mosaïque de Penthée ; II<sup>e</sup> s. ap. J.-C.</p></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
« Le musée de la Romanité [...] offre aux visiteurs une
immersion unique dans la civilisation romaine en Méditerranée. »
- (J.-P. F.)</p><br /><p></p></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-9059852602793495592023-08-15T18:30:00.001+02:002023-08-15T18:38:02.853+02:00Castelul Bran al Reginei Maria<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq2piJdcYui50jxTj4nyLRCrLB9FbSPD6wRR5bbSmSrff4v-Gqef2g2sQC8dEKwkb71agH4-cPJFtN2E62WxDz7CG12vLBjJwUAr6UuzN-j5L_jih4pIHMFsKUpnOEKqFXrfPryFgna1QOgiVluXkT-TJVrl_XD96XXcKkYm3EIXRDQ2uejCCGCP_hqA0V/s800/800_20221111_Bran.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq2piJdcYui50jxTj4nyLRCrLB9FbSPD6wRR5bbSmSrff4v-Gqef2g2sQC8dEKwkb71agH4-cPJFtN2E62WxDz7CG12vLBjJwUAr6UuzN-j5L_jih4pIHMFsKUpnOEKqFXrfPryFgna1QOgiVluXkT-TJVrl_XD96XXcKkYm3EIXRDQ2uejCCGCP_hqA0V/w640-h360/800_20221111_Bran.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">"Cetatea Bran a fost construita între 1377 si 1382, din motive economice si strategice. [...]</div><div class="separator" style="clear: both; text-align: center;">Fortareata a fost ridicata de locuitorii orasului Brasov, pe cheltuiala proprie, în schimbul unor privilegii vamale. [...] Cetatea Bran a ramas punct vamal pâna în 1836.</div><div class="separator" style="clear: both; text-align: center;">Castel regal.</div><div class="separator" style="clear: both; text-align: center;">Dupa 1918, Transilvania a devenit parte integranta a României Mari. </div><div class="separator" style="clear: both; text-align: center;">În 1920 consiliul orasului Brasov ofera Castelul Bran, în mod simbolic, Reginei Maria.</div><div class="separator" style="clear: both; text-align: center;">Între 1920 si 1937, sub stricta supraveghere a Reginei [...] a avut loc renovarea Castelului."</div><div class="separator" style="clear: both; text-align: center;">[Nota la intrarea în Castelul Bran]</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='400' height='322' src='https://www.blogger.com/video.g?token=AD6v5dxo7DGsRhDfEz846wk1K1FNzK-ByMPf7eEEgI076i3h8TFDdrpMuN7uRgbvUw6pj5H24bKzuK6TLeHQe7Xb-w' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">"La data de 16 octombrie am preluat acest drag Castel cu recunostinta si reverenta si îl voi îngriji cu toata dragostea pentru ca memoria Celei care i-a dat viata sa fie mereu gasita aici de toti cei care au iubit-O. Fie ca spiritul Ei maret sa domneasca pentru totdeauna asupre "Branei Preiubite".</div><div class="separator" style="clear: both; text-align: center;">Principesa Ileana, octombrie 1935, Jurnal"</div><div class="separator" style="clear: both; text-align: center;">[Nota de la intrarea în Castelul Bran]</div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-15088875639105606552023-06-12T11:51:00.002+02:002023-06-12T11:55:48.928+02:0010 Richard ORLINSKI à Nice<div style="text-align: center;"> <span style="text-align: left;">Né en 1966 à Paris, « Richard Orlinski est depuis 2015,
l’artiste contemporain français le plus vendu dans le monde*.<br /></span><span style="text-align: left;">Il
commence sa carrière artistique en 2004, et créé sa 1</span><sup style="text-align: left;">ère</sup><span style="text-align: left;">
œuvre, un crocodile en résine couleur rouge vif, devenue très vite
une pièce iconique du bestiaire du sculpteur. »** <br /></span><span style="text-align: left;">*
</span><a href="https://fr.artprice.com/artiste/340113/richard-orlinski" style="text-align: left;">https://fr.artprice.com/artiste/340113/richard-orlinski</a></div><p style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj3dOuwCkklHkf1V8xmFRdncSz53pSQoPtpg0fgzChsg3SYNwDZG_PTSfcWwmqWRXmrpmag7cRclbKVBbCEWSj83s4pEFl3QjW9EQvsF_5n60PsXsgVoT2ElpQDNcaNAhyZY4zr1MmumL4UocaN-44NPbcCKh0chLvndcak5dmmU8OBv7tLXxPhgeJ6A/s1250/..01_Cimiez.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj3dOuwCkklHkf1V8xmFRdncSz53pSQoPtpg0fgzChsg3SYNwDZG_PTSfcWwmqWRXmrpmag7cRclbKVBbCEWSj83s4pEFl3QjW9EQvsF_5n60PsXsgVoT2ElpQDNcaNAhyZY4zr1MmumL4UocaN-44NPbcCKh0chLvndcak5dmmU8OBv7tLXxPhgeJ6A/w640-h308/..01_Cimiez.JPG" width="640" /></a></td></tr></tbody></table></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>1.</b> Richard Orlinski – <b>CROCODILE ROUGE</b></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td class="tr-caption" style="text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">Nice,
Jardin du Monastère de Cimiez</p></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;">« Richard Orlinski développe de nouvelles sculptures, souvent
des animaux, tous symboles de liberté, de puissance et de passion.
En résulte des œuvres électriques, aux couleurs pop et au style
facetté qui feront le tour du monde. »**<br />
**
<a href="https://richardorlinski.fr/">https://richardorlinski.fr/</a></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjqYUWyJMoBPwJkJf2KNvEzc6Zh-nclDa5FZGWcPjBzqcA8aA73rh6d_I1r3hO3HBeq2-_y46BsboojwRadL_I-4fSFBjs93cA8AjeTNf3TrgDePYwtO3A7rt5K4zGwn7r9DmpLtUaudQzWBjPW6yz-40nUc3PNwGdXi3wjz3bIeeVvTGjB0LnOlBWiw/s1250/..02_Rauba.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjqYUWyJMoBPwJkJf2KNvEzc6Zh-nclDa5FZGWcPjBzqcA8aA73rh6d_I1r3hO3HBeq2-_y46BsboojwRadL_I-4fSFBjs93cA8AjeTNf3TrgDePYwtO3A7rt5K4zGwn7r9DmpLtUaudQzWBjPW6yz-40nUc3PNwGdXi3wjz3bIeeVvTGjB0LnOlBWiw/w640-h308/..02_Rauba.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>2</b><b>.</b> Richard Orlinski - <b>WILD KONG<br /></b>300 x
229 x 126 cm, MAURITIUS BLUE, 2012<br />Nice,
Rauba Capeu</p></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitWhMjiBomC0oq-9fBRMgsNNjLh9fA-bgg5fxJjpUsajAglGK0F23KgY-B3Uhl3885VYHmAjMN9ZY-Kf-JFTVLg-l4Hi7aNiJLEkRr7Bh7dCFPiRylRVp0s40Hyr7D2SvrYeYpJROq8edMAHu1o15UOCvOREjKDUje1qQPMEQTiDaLXwbivP5x8IVcOw/s1250/..03_QuaiEU.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitWhMjiBomC0oq-9fBRMgsNNjLh9fA-bgg5fxJjpUsajAglGK0F23KgY-B3Uhl3885VYHmAjMN9ZY-Kf-JFTVLg-l4Hi7aNiJLEkRr7Bh7dCFPiRylRVp0s40Hyr7D2SvrYeYpJROq8edMAHu1o15UOCvOREjKDUje1qQPMEQTiDaLXwbivP5x8IVcOw/w640-h308/..03_QuaiEU.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>3</b><b>.</b> Richard Orlinski - <b>WILD KONG<br /></b>500 x
302 x 328 cm, RED ORLINSKI, 2012<br />Nice,
Quai des États-Unis</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkf27ieosGtwHotqxfihLJ_OpGGYFJ6TD_PXGGuv3u-7e_nev_q9jY-Zvf0ghs_NtUM0uypvs4Ds-ibKccFTQgHlpUZkMYgG47iDUgbJuwpvnP-G8UibngTK4geJhWZkrNdw8Gknwc6-KfJAkWP-WFlvMtQvMqk908Pk_pI-j45HCHN79ApUqGKq-1dw/s1250/..04_Mass%C3%A9na.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkf27ieosGtwHotqxfihLJ_OpGGYFJ6TD_PXGGuv3u-7e_nev_q9jY-Zvf0ghs_NtUM0uypvs4Ds-ibKccFTQgHlpUZkMYgG47iDUgbJuwpvnP-G8UibngTK4geJhWZkrNdw8Gknwc6-KfJAkWP-WFlvMtQvMqk908Pk_pI-j45HCHN79ApUqGKq-1dw/w640-h308/..04_Mass%C3%A9na.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>4</b><b>.</b> Richard Orlinski - <b>WILD KONG OIL<br /></b>400 x
219 x 165 cm, SAR YELLOW, 2012<br />Nice,
Place Masséna</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieZo4HRkvoR3loFLD6MGzhhJMePupK3yVdAQ2XmyMyaWSrre58Fhx-0cHzDE3cDN5uANSUPWK4R4yYxudEIxdK-9e17J2-oREfpZnszukEwRd5EWQQK3h2auONm0Ue_MZfiHXnSKhMr7j5EGXyKD2A2VOD8iHvBCzBDrXNWMG-ZInBn9BTPuYNUNseUg/s1306/..05_Promenade.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="675" data-original-width="1306" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieZo4HRkvoR3loFLD6MGzhhJMePupK3yVdAQ2XmyMyaWSrre58Fhx-0cHzDE3cDN5uANSUPWK4R4yYxudEIxdK-9e17J2-oREfpZnszukEwRd5EWQQK3h2auONm0Ue_MZfiHXnSKhMr7j5EGXyKD2A2VOD8iHvBCzBDrXNWMG-ZInBn9BTPuYNUNseUg/w640-h330/..05_Promenade.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>5</b><b>.</b> Richard Orlinski - <b>STANDING BEAR<br /></b>500 x
302 x 328 cm, WHITE, 2013<br />Nice,
Promenade des Anglais</p></td></tr></tbody></table><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX6wlEhZ-wbfwzJK6VG41bLYc7q4FQB5CalBi4LmkjnM8cS7oGIY-eUxolfiQoqBYgsCHURzUZnK_PoxNKF2vEw3IG17d0ClUmzaTRI60I7Azqtvqivwq2BqKvGOCg5X5-wIKE5Ux-RP_ryih0cOLG2PcmNRRgggqO21RJx7rPQk4Awn5mfR_clzwiTg/s1250/..06_Port.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX6wlEhZ-wbfwzJK6VG41bLYc7q4FQB5CalBi4LmkjnM8cS7oGIY-eUxolfiQoqBYgsCHURzUZnK_PoxNKF2vEw3IG17d0ClUmzaTRI60I7Azqtvqivwq2BqKvGOCg5X5-wIKE5Ux-RP_ryih0cOLG2PcmNRRgggqO21RJx7rPQk4Awn5mfR_clzwiTg/w640-h308/..06_Port.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>6</b><b>. </b>Richard Orlinski - <b>WALKING BEAR<br /></b>400 x
187 x 138 cm, WHITE, 2015<br />Nice,
Place de l’Île de Beauté</p></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmxAfP2NESQGwrpSCu7VRc15wYDuwCK6goJhyO7E90LXFwfu1VgJD6WoS8ggef1SVHqmrvlqqP8kH5_t0OwHCoTGh35Pt5VhoY46aKRdx60h-zblIpPpCoKTra4JvM1VFyqqR9Mxhf9HWoU5ofYvGf86YMbbOsAQUNN6yddGt5_lFl1eNUzATVf20YCQ/s1200/..07_Basilique.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmxAfP2NESQGwrpSCu7VRc15wYDuwCK6goJhyO7E90LXFwfu1VgJD6WoS8ggef1SVHqmrvlqqP8kH5_t0OwHCoTGh35Pt5VhoY46aKRdx60h-zblIpPpCoKTra4JvM1VFyqqR9Mxhf9HWoU5ofYvGf86YMbbOsAQUNN6yddGt5_lFl1eNUzATVf20YCQ/w640-h320/..07_Basilique.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>7</b><b>.</b> Richard Orlinski – <b>HORSE<br /></b>320 x
77 x 125 cm, MICK BLUE, 2015<br />Nice,
Basilique Notre-Dame</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiPxbHF8-vSEHklI9J3hVJ7Y8yPGp2Nk_IubCAC9nuk8fcs59MwK2QkiMPPQ32Tg9VYuLMHXPonF18w7PiO3xr4X90UxrhmoZWZdHwLdwjVnSieVvesLXJy4NUrzZMuq8HsoUwnu0VvhWruIfalwnvWQC6s4tu5Fq062qhatcRzGuJHppzCOIWDjXqKg/s1250/..08_Garibaldi.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiPxbHF8-vSEHklI9J3hVJ7Y8yPGp2Nk_IubCAC9nuk8fcs59MwK2QkiMPPQ32Tg9VYuLMHXPonF18w7PiO3xr4X90UxrhmoZWZdHwLdwjVnSieVvesLXJy4NUrzZMuq8HsoUwnu0VvhWruIfalwnvWQC6s4tu5Fq062qhatcRzGuJHppzCOIWDjXqKg/w640-h308/..08_Garibaldi.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>8</b><b>.</b> Richard Orlinski – <b>ROARING LION<br /></b>500 x
230 x 480 cm, BLUE MAURITIUS, 2020<br />Nice,
Place Garibaldi</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFDFjoLzYLBaTz2NVJTatbh2JEXHMd4EaHeKdbh6rKHG22qVlsOhAvx4tLNVsDS_MtkJAl_RDx3JO-SUniX5rFRJrWvFmbIVh0wNmLwhLsH_-KR3JZiOEZdVByqPHHcbvQ9ExCh2IheCSkMocNDt6ESgZXtCFaAaJL1c_VwTHQF9A5vK3Av6t_Uc3q_w/s1200/..09_Gare%20du%20Sud.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFDFjoLzYLBaTz2NVJTatbh2JEXHMd4EaHeKdbh6rKHG22qVlsOhAvx4tLNVsDS_MtkJAl_RDx3JO-SUniX5rFRJrWvFmbIVh0wNmLwhLsH_-KR3JZiOEZdVByqPHHcbvQ9ExCh2IheCSkMocNDt6ESgZXtCFaAaJL1c_VwTHQF9A5vK3Av6t_Uc3q_w/w640-h320/..09_Gare%20du%20Sud.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>9.</b> Richard Orlinski – <b>ORIGIN KONG<br /></b>230 x
216 x 175 cm, RED (sic !) ORLINSKI, 2023<br />Nice,
Gare du Sud</p></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ViFDlD3dh5XgrguPRkEvabEaHFNYAO-CCnpa_OaO1dTwSk47M3XbrEUhw0c9fFzlLXWTuK9uiTes9oygMpTALcb2IWIPTuwVnsescNIkCJbO0v0JySJhyXyrV8uvis6NQ_1L4nUoNGsxw56mx8sc2VfQ2lDVv9Z6MoxvZGigYiq3HGpcZ32ZQ3AUzQ/s1250/..10_Coul%C3%A9eVerte.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="1250" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ViFDlD3dh5XgrguPRkEvabEaHFNYAO-CCnpa_OaO1dTwSk47M3XbrEUhw0c9fFzlLXWTuK9uiTes9oygMpTALcb2IWIPTuwVnsescNIkCJbO0v0JySJhyXyrV8uvis6NQ_1L4nUoNGsxw56mx8sc2VfQ2lDVv9Z6MoxvZGigYiq3HGpcZ32ZQ3AUzQ/w640-h308/..10_Coul%C3%A9eVerte.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<b>10.</b> Richard Orlinski – <b>T-REX<br /></b>500 x
620 x 380 cm, RED ORLINSKI, 2023<br />Nice,
Parc de la Coulée Verte</p></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
« Si je peux, en plus, contribuer à remettre en cause le
snobisme absurde de l’art contemporain,<br />alors j’aurais
complètement rempli ma mission. »***<br /></p><div style="text-align: -webkit-center;"><span style="text-align: left;">***
Richard Orlinsky, </span><i style="text-align: left;">Pourquoi j’ai cassé les codes</i><span style="text-align: left;">,
Michel Lafon, 2017.</span></div><p></p><br />Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-52121626926975481112023-05-22T08:42:00.000+02:002023-05-22T08:42:15.271+02:00Musée Masséna - Bucarest, inspirations Bleus de Nice<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtYbCwTWushZHT-GLia6EtgAf3JwwxR2ZJcOX6R_VKAH4k838UZsnaUSw2IY7MU4MURui7MmBOf8175SKPceHEk38mJbSHch45cZ7iPrPgAgGRQ1J_LlzJps0CwRuzvn0kdfPcOKVDTT9gI9FQA8SXxH7EewAUS33zfBYi107Zk5hCnJR9Tyal7QgxIA/s800/01_20230520_125340.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtYbCwTWushZHT-GLia6EtgAf3JwwxR2ZJcOX6R_VKAH4k838UZsnaUSw2IY7MU4MURui7MmBOf8175SKPceHEk38mJbSHch45cZ7iPrPgAgGRQ1J_LlzJps0CwRuzvn0kdfPcOKVDTT9gI9FQA8SXxH7EewAUS33zfBYi107Zk5hCnJR9Tyal7QgxIA/w640-h360/01_20230520_125340.jpg" width="640" /></a></p><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Expozitia prezentata de Muzeul Masséna din Nisa se înscrie în
rândul manifestarilor organizate cu ocazia împlinirii a
30 de ani de la primirea României ca membru cu drepturi depline în
Organizatia internationala a Francofoniei.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmeWiShgi16jQeuFt-0EGpxI_XLbiXDDHQrMKW4PUIB7O0z8v4PSKwfcBnzV2hvSqwsY-ik3qH7jZo_EMiBzY_MZI_Kmx2MrGNSCmReIGchPa-WCXuuNcviR2QfqgonuAs_kZA1PKtEBQcjsh5p3RJS_7dCkwjCYQzf3XT-mO8PhORefBxBvdza263A/s800/02_20230520_124708.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEmeWiShgi16jQeuFt-0EGpxI_XLbiXDDHQrMKW4PUIB7O0z8v4PSKwfcBnzV2hvSqwsY-ik3qH7jZo_EMiBzY_MZI_Kmx2MrGNSCmReIGchPa-WCXuuNcviR2QfqgonuAs_kZA1PKtEBQcjsh5p3RJS_7dCkwjCYQzf3XT-mO8PhORefBxBvdza263A/w640-h360/02_20230520_124708.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> În perioada 18-29 mai 2023, în salile muzeului sunt expuse
lucrarile unor artisti plastici români contemporani. Iata câtiva
dintre acestia:</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUNZZffrIk27BZevOVe6dO7USE5u4wHEmvRXo1ub7h5dSmx3uZH9ZLtULwF2snEDx4mzD0iiAYRvV4_BaSe_dqBTnYt21iP3cF-qBm6sSlNJNhCTD7qp4_i7VZF9pbWTeAIDWuzcSEXBmI2cm9mCT4cc7-tL0H0dcfPnDw9NaVCSIczsrdtRezAWMxkQ/s800/04_20230520_123911.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUNZZffrIk27BZevOVe6dO7USE5u4wHEmvRXo1ub7h5dSmx3uZH9ZLtULwF2snEDx4mzD0iiAYRvV4_BaSe_dqBTnYt21iP3cF-qBm6sSlNJNhCTD7qp4_i7VZF9pbWTeAIDWuzcSEXBmI2cm9mCT4cc7-tL0H0dcfPnDw9NaVCSIczsrdtRezAWMxkQ/w640-h360/04_20230520_123911.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Francisc CHIUARIU - <i>Shade 7, I feel blue</i> (stânga); Ioan
NEMTOI - <i>Shadow of the Blue Cloud </i>(dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISJh_wyyW0OkJYDJGzw-Ey3R6-GWOrsf7hdiOXuefofMZ3nJMn-xgRaOh4LEETWmRI_Vi0Ct4mh4tcRuV7-z5RRm4Wmg0PCreOgERnSAKBBTmvfHvND8FCIZeq2kw19o12pRRSZMyoFcASCwcqKq6eWQ5QQvRscoXFRhbjl4rq5ucV7H8tp8fI2nhlQ/s800/05_20230520_123923.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISJh_wyyW0OkJYDJGzw-Ey3R6-GWOrsf7hdiOXuefofMZ3nJMn-xgRaOh4LEETWmRI_Vi0Ct4mh4tcRuV7-z5RRm4Wmg0PCreOgERnSAKBBTmvfHvND8FCIZeq2kw19o12pRRSZMyoFcASCwcqKq6eWQ5QQvRscoXFRhbjl4rq5ucV7H8tp8fI2nhlQ/w640-h360/05_20230520_123923.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Miruna COJANU - <i>Portrait de Brancusi</i> (stânga); Radu
BRATU GEORGESCU - <i>Iliastre</i> (dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTmt8UZwjhGOBitzAvAOO5-QC-kEVGvrcJN0edBbcp0ZQwUN39jmIp97rlXvOHBrY1zyJ2zmv6fAwr5_WPgaTqpG89cImzs32nubJ1-_2s7Yp-f-FMkr6xtkX6XbKRT-Z3JLzgdO8Ng7wUrmB9-wJOnhGZUu22fjwH_fHO3oEfd7zxHdjHruSSrRNz3A/s800/06_20230520_123455.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTmt8UZwjhGOBitzAvAOO5-QC-kEVGvrcJN0edBbcp0ZQwUN39jmIp97rlXvOHBrY1zyJ2zmv6fAwr5_WPgaTqpG89cImzs32nubJ1-_2s7Yp-f-FMkr6xtkX6XbKRT-Z3JLzgdO8Ng7wUrmB9-wJOnhGZUu22fjwH_fHO3oEfd7zxHdjHruSSrRNz3A/w640-h360/06_20230520_123455.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Lisandru NEAMTU -<i>Voilier jaune</i> (dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHRTZRzirO0tqLmBboJz0dNReXid9_MHcoalJFzvNLosgigD_IdOh6IPjWWAtCvoka68_I79Jxg2ZYZujUXFOy7isBHy6TkRWNJ_oACUHCNoGGJiJfQ2Ox4aa1onsCb1PuceThhBYC8rj_DW4fJ5FEi2gfYxoi_oZw7NrG3jlaTguBkwEZcdExSKhpiA/s800/07_20230520_123223.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHRTZRzirO0tqLmBboJz0dNReXid9_MHcoalJFzvNLosgigD_IdOh6IPjWWAtCvoka68_I79Jxg2ZYZujUXFOy7isBHy6TkRWNJ_oACUHCNoGGJiJfQ2Ox4aa1onsCb1PuceThhBYC8rj_DW4fJ5FEi2gfYxoi_oZw7NrG3jlaTguBkwEZcdExSKhpiA/w640-h360/07_20230520_123223.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">Aurel TAR - <i>Captain Pacifico</i> (stânga); Darie
DUP - <i>Fetish</i> (cap de papusa; mijloc); Aurel
TAR - <i>Psyché et l'Amour </i>(dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLZ6TcHRmiDA7KvogDa12T0j8iRNycP389LBFM_IC40Rtca_zOPmoQvpWt7iX_NMj4xoSEDtN9um8i6tVnOTzdBGdpP3rCTLNDOk-mdoGEwXTOEpmhunEjjrOvH9rag6xuMjyNxl2_70MLz4rHwC2HxiPevBArG5SaP85sVNDlHd04ehI7seB7k52ByA/s800/08_20230520_123230.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLZ6TcHRmiDA7KvogDa12T0j8iRNycP389LBFM_IC40Rtca_zOPmoQvpWt7iX_NMj4xoSEDtN9um8i6tVnOTzdBGdpP3rCTLNDOk-mdoGEwXTOEpmhunEjjrOvH9rag6xuMjyNxl2_70MLz4rHwC2HxiPevBArG5SaP85sVNDlHd04ehI7seB7k52ByA/w640-h360/08_20230520_123230.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Aurel TAR - <i>Psyché et l'Amour </i>(stânga); Miruna
COJANU - <i>The trust Carpet </i>(dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0m8s0DBVGIr1H0_4V86swtmx0Fy2kkLh7Nk5HHh9NZPMsOzQ8SU6zxyOMymTIt8nJewmC-c7S-1BBhzSBDcrb_J8WDSGu9vLS6aBWZ3arQPDxiOYx7qSVUr1E9SBPVmDhIxM8ZOAeePSUcYzQbmxCM_S1pSMnQnuhCD0vsCjx-UtoNW5sEKzHNhwFmA/s800/09_20230520_124038.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0m8s0DBVGIr1H0_4V86swtmx0Fy2kkLh7Nk5HHh9NZPMsOzQ8SU6zxyOMymTIt8nJewmC-c7S-1BBhzSBDcrb_J8WDSGu9vLS6aBWZ3arQPDxiOYx7qSVUr1E9SBPVmDhIxM8ZOAeePSUcYzQbmxCM_S1pSMnQnuhCD0vsCjx-UtoNW5sEKzHNhwFmA/w640-h360/09_20230520_124038.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Maria NEGREANU - <i>L'oeil de la mer</i> (stânga); <i>Miracle
de la vague</i> (dreapta)</p></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1QOyJJTBsROl0mm42N5IepdHCmLoBMrA5eEWK8nN142J5nZx8mIqAx3_-PqoQXnqsgBMYoRxjVXRToVGO14mmlfKiAkm0M-hFliXHdtWUM3LKOcfPhXN5iWE7R31uJrRZMy68rumhM2Ps65llfMzqSMEYE4dj26lM4zv2oz7e2gHGjzfKSZQ14FL21w/s800/10_20230520_123631.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1QOyJJTBsROl0mm42N5IepdHCmLoBMrA5eEWK8nN142J5nZx8mIqAx3_-PqoQXnqsgBMYoRxjVXRToVGO14mmlfKiAkm0M-hFliXHdtWUM3LKOcfPhXN5iWE7R31uJrRZMy68rumhM2Ps65llfMzqSMEYE4dj26lM4zv2oz7e2gHGjzfKSZQ14FL21w/w640-h360/10_20230520_123631.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Francisc CHIUARIU - <i>Eternel retour</i></p></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWK2-zKYFhgzmHIcGR3QJF2JrxkrvKpakQ7gRnb080Dp20L-jf6O7WM6_GjDIVYVsgRCJ7wRx4DKsCK8Dj4SaZiuPAgK8E7AawZWdz9HZlZtjOaBWg0ZtmLOExrvoML0ZUUG3RufxuqxvIE47zjzT0nwPUhoOQv_-OKYdWDmZqXhPp31gljt_pnSfqTQ/s800/03_20230520_123849.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWK2-zKYFhgzmHIcGR3QJF2JrxkrvKpakQ7gRnb080Dp20L-jf6O7WM6_GjDIVYVsgRCJ7wRx4DKsCK8Dj4SaZiuPAgK8E7AawZWdz9HZlZtjOaBWg0ZtmLOExrvoML0ZUUG3RufxuqxvIE47zjzT0nwPUhoOQv_-OKYdWDmZqXhPp31gljt_pnSfqTQ/w640-h360/03_20230520_123849.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Irina BIATTURI - <i>Hommage à Lempicka</i> (stânga si dreapta)</p></td></tr></tbody></table><br /></p><br /><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p></div><br /><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><p style="text-align: center;"><br /></p><div class="separator" style="clear: both; text-align: center;"></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-79414649126486806932023-05-14T09:13:00.002+02:002023-11-13T09:02:58.430+01:00Poze alandala - mic album de Bucuresti<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpAe5OZ4yzfW-t6tKlMEfM5cetOHGCCG336UGd7V5v4TLmDXf5y7pBO171Rx9W7RUBsUTOVBBU_n7WdI0RcFyRVo3wli5YxbMkYaw2k7soKZJhJGxAvWnP42309uCtMqVOQj6cyTCtlQyhoY3vypFexF2Q98XRWvlscuA8iT1bWFWvYOE6bGkq5TNHMQ/s800/01_20230511_122743.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="620" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpAe5OZ4yzfW-t6tKlMEfM5cetOHGCCG336UGd7V5v4TLmDXf5y7pBO171Rx9W7RUBsUTOVBBU_n7WdI0RcFyRVo3wli5YxbMkYaw2k7soKZJhJGxAvWnP42309uCtMqVOQj6cyTCtlQyhoY3vypFexF2Q98XRWvlscuA8iT1bWFWvYOE6bGkq5TNHMQ/w496-h640/01_20230511_122743.jpg" width="496" /></a></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"> <span style="text-align: left;">Câteva zile acolo unde altadata eram acasa, câteva întâlniri cu prieteni vechi, câteva poze...</span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IX-nmks5--WxLIYwaAkyCGkYjFy_LKFQ8vG6cWvTKsI79Id-9jTNa2DrHqwHlRc6PtVzhLEpBs9dytVFeOAX_pnV-VOHl5dwPeHRQGPBqgQ_WO1r_XqVIUahLnVpjSeKiwDj2xlYYilJBzg5BD7r4EyW35vsRrMWapGCXMzM4GZgzSh3XanQ4IZgag/s800/02_20230511_110719.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IX-nmks5--WxLIYwaAkyCGkYjFy_LKFQ8vG6cWvTKsI79Id-9jTNa2DrHqwHlRc6PtVzhLEpBs9dytVFeOAX_pnV-VOHl5dwPeHRQGPBqgQ_WO1r_XqVIUahLnVpjSeKiwDj2xlYYilJBzg5BD7r4EyW35vsRrMWapGCXMzM4GZgzSh3XanQ4IZgag/w426-h640/02_20230511_110719.jpg" width="426" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"> Bucurestiul este în primavara.</span></div><p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0YCWP13UWjShKT72G87fJ-HMFEjImjJZE1qU46DtItE9TzcSwQQszYRUqC5FYiE1HxKck0aHIEeE8jWKrh2zGfI92X2DTqEvyptbTEiUG5Xi7D83TADLObOINBDQuCsHHk2KEe9tL_lJtdhe7Zroz49o8zMxGJxtRHJew-TlDgjPDOA6SZtQJOVL-dw/s800/03_20230511_102815.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0YCWP13UWjShKT72G87fJ-HMFEjImjJZE1qU46DtItE9TzcSwQQszYRUqC5FYiE1HxKck0aHIEeE8jWKrh2zGfI92X2DTqEvyptbTEiUG5Xi7D83TADLObOINBDQuCsHHk2KEe9tL_lJtdhe7Zroz49o8zMxGJxtRHJew-TlDgjPDOA6SZtQJOVL-dw/w640-h360/03_20230511_102815.jpg" width="640" /></a></div><div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Oamenii îsi vopsesc casele în culori vesele.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivXgEwMGRJNUZaLx3EHoIsx1BOHTDu-yWBySHulfKmEpeH4624xVMK_-6-WRUqqVBYtiJNhFfXOFDj0llW4rmNqi4SJTcP1CffR5fAKPsyWw7Xj6WYR-vEzD5n5Jfuq9uhU0SDBN8VsfNbd7Md2rGzgnxwHVQKh-6P6iF57LAUZO7m8SmfTg187xiS6Q/s800/04_20230510_135845.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivXgEwMGRJNUZaLx3EHoIsx1BOHTDu-yWBySHulfKmEpeH4624xVMK_-6-WRUqqVBYtiJNhFfXOFDj0llW4rmNqi4SJTcP1CffR5fAKPsyWw7Xj6WYR-vEzD5n5Jfuq9uhU0SDBN8VsfNbd7Md2rGzgnxwHVQKh-6P6iF57LAUZO7m8SmfTg187xiS6Q/w640-h360/04_20230510_135845.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> si se pregatesc sa puna flori în gradini.</p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpM2dpBJ_ncJCpBs5i1-l2dSNGgb9j-B3y3HrA0pEgfgik53qoCPbBgrZaycU7ONuwq3fjYvAPHPWZetYA4wq1UOImlJnCua6k2fJ-jogSdYTeHud9oyBWkl3w0fZ-8R59PDf0FR01mNHpB1aRZvJ1QrVpT92f--CzfwAdrV9_5OUYE41skUvkSASOtA/s800/05_20230509_183655.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="539" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpM2dpBJ_ncJCpBs5i1-l2dSNGgb9j-B3y3HrA0pEgfgik53qoCPbBgrZaycU7ONuwq3fjYvAPHPWZetYA4wq1UOImlJnCua6k2fJ-jogSdYTeHud9oyBWkl3w0fZ-8R59PDf0FR01mNHpB1aRZvJ1QrVpT92f--CzfwAdrV9_5OUYE41skUvkSASOtA/w432-h640/05_20230509_183655.jpg" width="432" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Copiii merg la scoala sa învete poezii, basme si povesti,</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNmJaaEgUHJYRczciC4upbI3EH45SuTu2eeufIaJHiVqQjluXX7U0th1W4gTAouxUxRqYfFz7iqyFaO8cZt7SXwQzPiyf0BmX_vI3qIhKDOnM7plTsPErZbsiF8HnQYwuBHjCO6JREZ20C6vkIzB9gEueewtEzRlAYbw23Sr0thtUrJzVMWWfk0mGpEw/s800/06_20230510_115622.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="398" data-original-width="800" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNmJaaEgUHJYRczciC4upbI3EH45SuTu2eeufIaJHiVqQjluXX7U0th1W4gTAouxUxRqYfFz7iqyFaO8cZt7SXwQzPiyf0BmX_vI3qIhKDOnM7plTsPErZbsiF8HnQYwuBHjCO6JREZ20C6vkIzB9gEueewtEzRlAYbw23Sr0thtUrJzVMWWfk0mGpEw/w640-h318/06_20230510_115622.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> iar profesorii ies în strada, în gemete de vuvuzele, sa strige
"Vrem salarii decente!"</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig_nZGaCKadrT3-uvX0vti69Z-vmxRdWprkIBfIDdds3gTxTDnGRvsRmxyAIc98ti8MkZXXfPLxV9tcKjbKTvVQDJ2o6G3IKV-yyMqix5b_QkfrEfAsEWRimCuIYGv5FkRcVOuXmtCOOhw9SVH4cCnfPtC1bOLF95HF6yH-VcxE_0ngxHaSGjFOnq38Q/s800/07_20230510_204914.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="409" data-original-width="800" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig_nZGaCKadrT3-uvX0vti69Z-vmxRdWprkIBfIDdds3gTxTDnGRvsRmxyAIc98ti8MkZXXfPLxV9tcKjbKTvVQDJ2o6G3IKV-yyMqix5b_QkfrEfAsEWRimCuIYGv5FkRcVOuXmtCOOhw9SVH4cCnfPtC1bOLF95HF6yH-VcxE_0ngxHaSGjFOnq38Q/w640-h328/07_20230510_204914.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> La Universitate aceleasi ziduri mâzgalite, geaba încearca Ion
Heliade sa schimbe ceva.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmG9ZOwgyKo0EATkzZN0CVKFvTGLwbLuVvgHdB3rasCHlyIr52euI42UT8WRIzfeNQ9lO236byrzm-834OyywtCim7PV8aIqitEsDIhHUWDxuXliIZx_qO3BVK4qXNx7NIrNcWEOeRPhi6X9Gmx0LipCu6aNW5KeQAB2gHkeSGjAOSspwIVS3xh8exrA/s800/08_20230511_205906.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmG9ZOwgyKo0EATkzZN0CVKFvTGLwbLuVvgHdB3rasCHlyIr52euI42UT8WRIzfeNQ9lO236byrzm-834OyywtCim7PV8aIqitEsDIhHUWDxuXliIZx_qO3BVK4qXNx7NIrNcWEOeRPhi6X9Gmx0LipCu6aNW5KeQAB2gHkeSGjAOSspwIVS3xh8exrA/w640-h360/08_20230511_205906.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"> La Ateneu dirijorul si concertmaistrul îsi strâng mâna, în timp
ce publicul aplauda si fotografiaza.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJsGkj9XpZzTEulA6SF3adQA_GwKj_2hAQGwih7vYypyBwulaquY7FXH0OipkzQgIn7iGHph4IY_geW-ZzeAuqPCVg5gI3dnUWuU11wfFOi0T-z9luKBq0abSgZEq1UVNyOLI20-QY9JkZHMsJxqLAiaxNQbOrC1MRj7l3x9SR21uHfYD5-tNLa6vcw/s800/09_20230510_180142.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifJsGkj9XpZzTEulA6SF3adQA_GwKj_2hAQGwih7vYypyBwulaquY7FXH0OipkzQgIn7iGHph4IY_geW-ZzeAuqPCVg5gI3dnUWuU11wfFOi0T-z9luKBq0abSgZEq1UVNyOLI20-QY9JkZHMsJxqLAiaxNQbOrC1MRj7l3x9SR21uHfYD5-tNLa6vcw/w640-h360/09_20230510_180142.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Pe Calea Victoriei noul si vechiul stau alaturi,</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4OZOrMGLYtP9Cui8MDhvuGdhE5cY9u4OiOBx_Wyv2SvwS3_0jK_SsSIrfwmyWuB0AOfRSkTUCqqor39h35GZXMrs2diZRwMO4cgRzvqZY6xo8TbsSgTz1UOtFPboDsvEVxtPDHsgMzkx_Dqk9G0PSMkAaEUXAWiJJkjRqaqZuZtJziUaxrE1A5SiCQ/s800/10_20230510_205717.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="476" data-original-width="800" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4OZOrMGLYtP9Cui8MDhvuGdhE5cY9u4OiOBx_Wyv2SvwS3_0jK_SsSIrfwmyWuB0AOfRSkTUCqqor39h35GZXMrs2diZRwMO4cgRzvqZY6xo8TbsSgTz1UOtFPboDsvEVxtPDHsgMzkx_Dqk9G0PSMkAaEUXAWiJJkjRqaqZuZtJziUaxrE1A5SiCQ/w640-h380/10_20230510_205717.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> iar ora albastra aminteste un mesaj omniprezent pe zidurile
Bucurestiului: </p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">"Priveste cerul!"</p></div></div></div></div></div></div></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-45760911203662535192023-05-07T17:31:00.006+02:002023-05-08T09:19:11.206+02:00DEVENIND FLOARE - o expozitie trecatoare / DEVENIR FLEUR, Musée d'Art Moderne et d'Art Contemporain, Nice<p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Expozitia <i>DEVENIR FLEUR</i> organizata de Muzeul de Arta Moderna
si de Arta Contemporana din Nisa s-a închis pe 30 aprilie 2023. I
s-a spus "expozitie temporara". Mai potrivit ar fi fost
poate sa i se spuna "expozitie trecatoare", mai ales fiind
vorba de flori. </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6YU05ndChW-ZMxRBuOqh1eOni3E7sr43FdV-EEo52V-6u6CPUiNT_uIAEILuYqiX8esNCOlaiT4MkKD6J-bR_Qn1D9M8jtL9Un9DlaB7warppBRFDAklI9K9wAm0iJjYUx2dTpVPqkIJCGy9crZ4Q1GMzTPENCxSfsb8VUMOptL-aGUKttll9nyA5NA/s800/.01_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="534" data-original-width="800" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6YU05ndChW-ZMxRBuOqh1eOni3E7sr43FdV-EEo52V-6u6CPUiNT_uIAEILuYqiX8esNCOlaiT4MkKD6J-bR_Qn1D9M8jtL9Un9DlaB7warppBRFDAklI9K9wAm0iJjYUx2dTpVPqkIJCGy9crZ4Q1GMzTPENCxSfsb8VUMOptL-aGUKttll9nyA5NA/w640-h428/.01_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Guillaume LANIER, Nice - <i>Composition </i><i>f</i><i>lorale</i><i>, </i>2022</td></tr></tbody></table><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Oare ce au devenit petalele de flori care se ofileau pe pereti, prinse în ace cu gamalie? Dar aranjamentele florale cu flori uscate? Dar copacul care avea pene în loc de frunze?</p></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPwu1UYTDdQ5N_jVyKN4EM3LRDNxSffoZ9Q43tpMT6tTBMnbfIIL6BZ-bUAF-A_GefYSB44ZtHuhlJEvzYBaq5C3W85pgWs2bCvtQmisL6iqaA0bSCyY2aNtqy2NVA-h0y2eXb-AgpKH6rSctFzhYDqLqhAzCetuGFYRwI8M-_ObTOATQNhyjdFD-bJA/s800/.02_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPwu1UYTDdQ5N_jVyKN4EM3LRDNxSffoZ9Q43tpMT6tTBMnbfIIL6BZ-bUAF-A_GefYSB44ZtHuhlJEvzYBaq5C3W85pgWs2bCvtQmisL6iqaA0bSCyY2aNtqy2NVA-h0y2eXb-AgpKH6rSctFzhYDqLqhAzCetuGFYRwI8M-_ObTOATQNhyjdFD-bJA/w640-h360/.02_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Marinette CUECO (Argentat, France, 1934) - <i>Herbier</i>, 1995-2010</td></tr></tbody></table><div style="text-align: center;"><br /></div><div style="text-align: center;">Probabil foile de ierbar au fost strânse cu grija, una câte una, si aranjate în mape, la pastrare, ca niste adevarate opere de arta.</div><div style="text-align: center;"><br /></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguiajmjOyqiUBJskxZqn-SCpLeLnUtOVnS2AKC8IOBbe3FZKVmnK9v8_rkqmA2vxc6YNa_yj3lJpahp6i077XHroNbO8pF3Vmd_PTytQVhFKqniUtrSVQYN26HexwSc_7a3neSFU8rzBAqeD5nVi3-xxj4E3_0WblD2R_X46gnKiIgSa7ul1ktJGfPAw/s781/.03_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="781" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguiajmjOyqiUBJskxZqn-SCpLeLnUtOVnS2AKC8IOBbe3FZKVmnK9v8_rkqmA2vxc6YNa_yj3lJpahp6i077XHroNbO8pF3Vmd_PTytQVhFKqniUtrSVQYN26HexwSc_7a3neSFU8rzBAqeD5nVi3-xxj4E3_0WblD2R_X46gnKiIgSa7ul1ktJGfPAw/w640-h368/.03_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"> Marinette CUECO - <i>Herbier</i></td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">Vreo
fila de ierbar a fost poate înramata si decoreaza acum peretele unei
camere.</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrirhltTph_4CFaoGHX0XBaHoSh3zcCDgWIJRWhA304zocme7nSmDu1Of3Q3sBjeiX4dvTNxMefaAvVbQ_wCRxU-gnA-LGZBdcGrnGA_5Pnu6agKHO3sOHG8E87K1eVt9MEQyY54neJMqEgBo-BbFyyWdV_tpzYOF2G29Olu25-1m6RZRzuans3g5KcQ/s800/.04_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="531" data-original-width="800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrirhltTph_4CFaoGHX0XBaHoSh3zcCDgWIJRWhA304zocme7nSmDu1Of3Q3sBjeiX4dvTNxMefaAvVbQ_wCRxU-gnA-LGZBdcGrnGA_5Pnu6agKHO3sOHG8E87K1eVt9MEQyY54neJMqEgBo-BbFyyWdV_tpzYOF2G29Olu25-1m6RZRzuans3g5KcQ/w640-h424/.04_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Gabriel OROZCO, Xalapa, Mexic, 1962 - <i>Roiseau 6</i>, 2012</td></tr></tbody></table><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Copacul
cu pene a fost poate demontat, ramurile de bambus au fost adunate,
iar frunzele, adica penele, au fost recuperate pentru o expozitie
viitoare. Un fel de "reciclare" a operei de arta.</p></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVAvLLGbfwh5UTkfa1DsY13zaBfE--eVfN04v9wywrp0OmHscHh6TmZ6cWG7s3ZE4hQNgAUZkG1JkjkV3P2OktWRV4OycSoytpaokdCJ3F2S0ltQqbbzZvVXuPohEtz8jRPRtV4CN4OQkkGkY8m3X-MRj8yiPHVvosw2b4Ic19n536sQvV-pyBKBCIA/s800/.05_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="531" data-original-width="800" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaVAvLLGbfwh5UTkfa1DsY13zaBfE--eVfN04v9wywrp0OmHscHh6TmZ6cWG7s3ZE4hQNgAUZkG1JkjkV3P2OktWRV4OycSoytpaokdCJ3F2S0ltQqbbzZvVXuPohEtz8jRPRtV4CN4OQkkGkY8m3X-MRj8yiPHVvosw2b4Ic19n536sQvV-pyBKBCIA/w640-h424/.05_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"> Ali CHERRI, Beirut, Liban, 1976 - <i>The Melancoly of Birds</i>, 2018</td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">P</span><span style="text-align: left;">asarile
melancolice ale lui Ali Cherri si-au luat desigur zborul spre alte
orizonturi.</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitDnQoswHSJko0kXVhG0QjhhcXsynudtzFnu21NLKLgWzMqePQOXm9wIXdD1mOvwCCbPQbKDZ7yusrZWjsmhziUn58diRj3ULKhl8Ef8arr-Toh1h-n7AcpVvnltQv65MnNMo_ucnFPS5pdjPBcoTHvVaJ75_MNXmXR7IqmYK5Iv9NornLDZiMtEFcEg/s800/.06_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitDnQoswHSJko0kXVhG0QjhhcXsynudtzFnu21NLKLgWzMqePQOXm9wIXdD1mOvwCCbPQbKDZ7yusrZWjsmhziUn58diRj3ULKhl8Ef8arr-Toh1h-n7AcpVvnltQv65MnNMo_ucnFPS5pdjPBcoTHvVaJ75_MNXmXR7IqmYK5Iv9NornLDZiMtEFcEg/w640-h360/.06_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Bianca BONDI, Johannesburg, Africa de Sud, 1986 - <i>Scrying in astral ponds</i><i> </i>[<i>Prédire l'avenir dans les étangs astraux</i>], 2022</td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">Apa
de ploaie, apa de mare si sarurile din "iazurile astrale"
ale Biancai Bondi a fost restitute probabil marii,</span><span style="text-align: left;">
iar bazinele în alama si catifea vor servi </span><span style="text-align: left;">desigur
</span><span style="text-align: left;">unei viitoare </span><span style="text-align: left;">"</span><span style="text-align: left;">instalatii</span><span style="text-align: left;">"</span><span style="text-align: left;">
artistice.</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzkofxQl9Suqd50N77kpn1Ah6plBVR7y2as80N_JDO1wsX6dc1DRWjpiJBHLvxUKPRRzPY7mlVfmqxWdiP7yY1Wpmvof8bR7Kwo3uXPD6xseJWPcZEr4lPrqqVB3tDvXiifr0p6XEiCikr5iZOV4AYONWspeqUZO-_m-UWOP-gX4RRiLj9TP59nwLPEg/s800/.07_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzkofxQl9Suqd50N77kpn1Ah6plBVR7y2as80N_JDO1wsX6dc1DRWjpiJBHLvxUKPRRzPY7mlVfmqxWdiP7yY1Wpmvof8bR7Kwo3uXPD6xseJWPcZEr4lPrqqVB3tDvXiifr0p6XEiCikr5iZOV4AYONWspeqUZO-_m-UWOP-gX4RRiLj9TP59nwLPEg/w640-h360/.07_20230423.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Anaïs TONDEUR, Paris, 1985 - <i>Tchernobyl Herbarium</i>, din 2011 pâna în prezent</td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">"Ra</span><span style="text-align: left;">y</span><span style="text-align: left;">ogramele</span><span style="text-align: left;">"
(fotografii obtinute prin simpla interpunere a obiectului între
hârtia fotosensibila si sursa de lumina - cf. Man Ray, 1922) plantelor
expuse radiatiilor nucleare îsi vor gasi cu siguranta locul si
într-un laborator de cercetari stiintifice.</span><span style="text-align: left;">
Eticheta din expozitie apreciaza ca "cette série est un hymne
au soin, à l'attention et à la résilience".</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmov3DtYP3tedb1awSApE4PZgIrM_JVXwrzS7Ff9qevVchZ20yP4kWRTi_poV3-uMlY538wvNdJ9g8E122oYAyAUub9hFnKdzd_acyn2l3m1O6l2kwZxJGf77MKf0CbfXaB-lOlFY0sdpnz_hLZ3uMDoZsWqTPdTWo1jOadmOu-eccURrFeJ0qwI4s6Q/s800/.08_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmov3DtYP3tedb1awSApE4PZgIrM_JVXwrzS7Ff9qevVchZ20yP4kWRTi_poV3-uMlY538wvNdJ9g8E122oYAyAUub9hFnKdzd_acyn2l3m1O6l2kwZxJGf77MKf0CbfXaB-lOlFY0sdpnz_hLZ3uMDoZsWqTPdTWo1jOadmOu-eccURrFeJ0qwI4s6Q/w426-h640/.08_20230423.jpg" width="426" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Yto BARRADA, Paris, 1971 - <i>Couronne d'oxalis</i>, 2007</td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">U</span><span style="text-align: left;">n
simbol al rezilientei</span><span style="text-align: left;"> sunt si
f</span><span style="text-align: left;">lorile de iris salbatic,
amenintate cu disparitia datorita urbanizarii si turismului de masa,
</span><span style="text-align: left;">care </span><span style="text-align: left;">reusesc
sa supravietuiasca pe terenuri virane</span><span style="text-align: left;">
</span><span style="text-align: left;">lânga Tanger, în Maroc</span><span style="text-align: left;">.</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgehQkqlxv12bA0VSePrNkItVP__Danlsb7v3tMhmkG9abZId7AroVHeBEYqd6g2Rhicp2mszskW0rnJFFY7iR2RVRf-NuR60gA8mh8Vsqadbsieyaa1fv5QvcHH-Mt-WIOFK631d46ikxK3Tx6bGjaw2t3j5dFt-z5mjpqLt0xca4SknqwMbeZHIBREg/s800/.09_20230423.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="534" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgehQkqlxv12bA0VSePrNkItVP__Danlsb7v3tMhmkG9abZId7AroVHeBEYqd6g2Rhicp2mszskW0rnJFFY7iR2RVRf-NuR60gA8mh8Vsqadbsieyaa1fv5QvcHH-Mt-WIOFK631d46ikxK3Tx6bGjaw2t3j5dFt-z5mjpqLt0xca4SknqwMbeZHIBREg/w428-h640/.09_20230423.jpg" width="428" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Kapwani KIWANGA, Hamilton, Canada, 1978 - <i>The Marias</i>, 2020</td></tr></tbody></table><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;">Floarea din hârtie expusa de Kapwani Kiwanga "crée un
contraste entre la beauté de la proposition plastique et l'histoire
tragique de cette fleur, utilisée par les esclaves pour ses qualités
abortives".</span></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8qm0rWn8TGMNTSFY2rDP0bz4IRC7gvZLPhjavouwJ3gqzLf5PKGEcPMmbunHxG6DexLyu58xVFyZAbaK8eBh21txWDNUNI3hEZZ_oCs6v_eet-2LAc4QJm1URNO9moYu7kMz5NrBZ5vuknGSOtVi-7aqwooaAD1Mp0FDoIXBC9doxsA-CpQyYYMVfXQ/s800/.10_20230423.jpg"><img border="0" data-original-height="427" data-original-width="800" height="342" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8qm0rWn8TGMNTSFY2rDP0bz4IRC7gvZLPhjavouwJ3gqzLf5PKGEcPMmbunHxG6DexLyu58xVFyZAbaK8eBh21txWDNUNI3hEZZ_oCs6v_eet-2LAc4QJm1URNO9moYu7kMz5NrBZ5vuknGSOtVi-7aqwooaAD1Mp0FDoIXBC9doxsA-CpQyYYMVfXQ/w640-h342/.10_20230423.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
Interesant este si
faptul ca în catalogul
expozitiei DEVENIR FLEUR (https://www.nicematin.com/a/815914?t=1683458867)<span style="text-align: left;">, primul artist plastic la care se face
referinta este o tânara bucuresteanca, Nona INESCU.</span></p><p style="text-align: center;"><br /></p></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-65502056038210268632023-01-06T09:11:00.004+01:002023-01-06T09:11:16.318+01:00Crèches du Monde, Monastère de Cimiez, Nice - Trei crai de la Rasarit...<p style="text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-htcTdYWadPZHShBoZD5njqEHVNr7P-xrawoNeqUnVnqS7M2zUZ9fFZqC-DKEfHG-cQX9lkUhc1p4f_hkPyg4p2eXbBBv8sn3jUQ9UxTK454_TztGF5WGd_eHmqmzQCW1xEDBcQA2upaUTJMz7Xhq-1EMCne95KMkSjyiqpm7UUcpN4l1SlVDLvxjeQ/s800/01_131923Mexic.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="442" data-original-width="800" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-htcTdYWadPZHShBoZD5njqEHVNr7P-xrawoNeqUnVnqS7M2zUZ9fFZqC-DKEfHG-cQX9lkUhc1p4f_hkPyg4p2eXbBBv8sn3jUQ9UxTK454_TztGF5WGd_eHmqmzQCW1xEDBcQA2upaUTJMz7Xhq-1EMCne95KMkSjyiqpm7UUcpN4l1SlVDLvxjeQ/w640-h354/01_131923Mexic.jpg" width="640" /></a> Mexic</p><p style="text-align: center;"><i> "Trei crai de la Rasarit / Spre stea au calatorit. </i>[...]<br /><span style="text-align: left;"><i> Craii daca au plecat / Steaua iar s-a aratat / <br /></i></span><span style="text-align: left;"><i>Si-a
mers, pân-a statut / Unde era Pruncul nascut." </i><br /></span>[Colind românesc]</p><div class="separator" style="clear: both; text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitmKBWqVSFBouINlrz9-NhV4-AYSnqIhNfBt33d38cHvfwF_2Ij4k4ZXv344uXkKDDN8rXe00S9tGxSbqVdjjbjaJ-HflQnsUTTQf88Z2UBfT6iOi89Bqh04K2Ruo8vR4S6cMRCAm8g-YOzZL1O_hLrgkA_ek0hjVD714MO0ZWi27E_myeMyf6heuZ9w/s800/02_131736Vietnam.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="416" data-original-width="800" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitmKBWqVSFBouINlrz9-NhV4-AYSnqIhNfBt33d38cHvfwF_2Ij4k4ZXv344uXkKDDN8rXe00S9tGxSbqVdjjbjaJ-HflQnsUTTQf88Z2UBfT6iOi89Bqh04K2Ruo8vR4S6cMRCAm8g-YOzZL1O_hLrgkA_ek0hjVD714MO0ZWi27E_myeMyf6heuZ9w/w640-h332/02_131736Vietnam.jpg" width="640" /></a><span style="text-align: right;">Vietnam</span></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Cuvintele colindului urmeaza întocmai cuvintele Evangheliei dupa Matei (II, 9): <br /><i>"Si
iata, steaua pe care o vazusera în Rasarit mergea înaintea lor,<br /></i><i>pâna ce a venit si s-a oprit desupra locului unde era
Copilasul."</i> [trad. D. Cornilescu]<span style="text-align: left;"> </span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="text-align: left;"><br /></span></p></div><div class="separator" style="clear: both; text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbWxvjGoS3EVwiRrplVfjt7BMluVaj22OY0iDMjkqTTvW6Pqr0O9mMQXLC8r4WC0yqMYlQMHwMQoi1QShje03wCz1pYf25rQLIVjlmwqJTecJ6arDqLlJR3oIlWn_4ivXFqGbWJAgw6uH-B8WxvslHRTA1kt0Sk5_bOs2FqtLsYP-tx4NgbWmdH9Qanw/s800/03_132652Nepal.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="800" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbWxvjGoS3EVwiRrplVfjt7BMluVaj22OY0iDMjkqTTvW6Pqr0O9mMQXLC8r4WC0yqMYlQMHwMQoi1QShje03wCz1pYf25rQLIVjlmwqJTecJ6arDqLlJR3oIlWn_4ivXFqGbWJAgw6uH-B8WxvslHRTA1kt0Sk5_bOs2FqtLsYP-tx4NgbWmdH9Qanw/w640-h432/03_132652Nepal.jpg" width="640" /></a><span style="text-align: right;">Nepal</span></div><p align="center" style="line-height: 16px; margin-bottom: 0cm;">Vestea a ajuns în cele patru colturi ale lumii si peste tot, dupa credinta si imaginatia locului,<br /></p><div style="text-align: -webkit-center;"><span style="text-align: left;">lânga Ieslea de Craciun au fost reprezentati si cei trei regi magi.</span></div><div style="text-align: -webkit-center;"><span style="text-align: left;"> </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRPmObU_b8OLEKYy4bY8umORRWQzoh4Kj-Pe94433x4wlxsVe_-vf0hrcijdvNt45GjDekkEbghLp6tC3NKzrCaYI1p8OT2pyWzmsedEi4wLv8tFJIveSjCSRjV47_IsQxvyCEpMN1GBFcuWcE6AhJrLVwwPQGn-EGj3DFWHlC1Fi_dQCu4tQd3RkuaA/s800/04_132730USA.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="383" data-original-width="800" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRPmObU_b8OLEKYy4bY8umORRWQzoh4Kj-Pe94433x4wlxsVe_-vf0hrcijdvNt45GjDekkEbghLp6tC3NKzrCaYI1p8OT2pyWzmsedEi4wLv8tFJIveSjCSRjV47_IsQxvyCEpMN1GBFcuWcE6AhJrLVwwPQGn-EGj3DFWHlC1Fi_dQCu4tQd3RkuaA/w640-h306/04_132730USA.jpg" width="640" /></a></div><div style="text-align: right;">Nebraska, SUA</div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Adorarea Magilor este serbata de credinciosii catolici pe 6 ianuarie, sub diverse nume:<br /> Epifania; Ziua Regilor; Befana (în Italia).</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLf7erhainyMrPMtv8RxRAYQijkt3ieBMJSUIYNmSc6k2dvZHBCIXtQAiKSGtzZrGkukLEqATcVYri0F0pbYUwjILc3QRe2U3ObjfXBEEVh3qw_Rn4ZmKCUU5y87Z0f_mCM4u1u-zuiq4hLTm92i9btY9uWLET2tI5IfS6GILYBwTPODsVGaPdSelwnw/s800/05_132427AfricaSud.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="777" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLf7erhainyMrPMtv8RxRAYQijkt3ieBMJSUIYNmSc6k2dvZHBCIXtQAiKSGtzZrGkukLEqATcVYri0F0pbYUwjILc3QRe2U3ObjfXBEEVh3qw_Rn4ZmKCUU5y87Z0f_mCM4u1u-zuiq4hLTm92i9btY9uWLET2tI5IfS6GILYBwTPODsVGaPdSelwnw/w622-h640/05_132427AfricaSud.jpg" width="622" /></a></div><div class="separator" style="clear: both; text-align: right;">Africa de Sud</div><div class="separator" style="clear: both; text-align: center;"> Expozitia "Crèches du Monde" de la Manastirea
franciscanilor de la Cimiez, Nisa <br />prezinta câteva Iesle de Craciun din întreaga lume.</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY6E1L2Pc-N1_Pj8BRKZBF4JHJSpgRRQTc3MYpHCVcEBV8K1VFOTViTKDQkltFo06yosFc3ePKwdq8VQdn_zc1dTz8o_lIfKuTHi2iNx2eMYX-Z2JaIWkfo6MWTsX1ZwWtO43XDaDDmpRxHTuHtOT9lG3KMbvVMNWoRoRWU6ykwozRj2OdLiJIaK1QFg/s800/06_132551Palestina.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="424" data-original-width="800" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY6E1L2Pc-N1_Pj8BRKZBF4JHJSpgRRQTc3MYpHCVcEBV8K1VFOTViTKDQkltFo06yosFc3ePKwdq8VQdn_zc1dTz8o_lIfKuTHi2iNx2eMYX-Z2JaIWkfo6MWTsX1ZwWtO43XDaDDmpRxHTuHtOT9lG3KMbvVMNWoRoRWU6ykwozRj2OdLiJIaK1QFg/w640-h340/06_132551Palestina.jpg" width="640" /></a></div><div style="text-align: right;">Palestina</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3P2kYWmRPyPMACuK5E_mfkODZoVDc0TqdkGWrpTejdsc_Q0t3hF3Skh9cmWjLy9RZ9u2o5dLuCl-aPAKoeRgwGgZ-4JcHHVDkC7xo_W_XUy3mYAexa0osCOkl7OMgoN5P8_SlZJLcAk-svG9Sa3McFPDFX9Rc7xiXtPGXj16NuftoYz-qexMJAK7Gw/s800/07_132837Peru.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="462" data-original-width="800" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp3P2kYWmRPyPMACuK5E_mfkODZoVDc0TqdkGWrpTejdsc_Q0t3hF3Skh9cmWjLy9RZ9u2o5dLuCl-aPAKoeRgwGgZ-4JcHHVDkC7xo_W_XUy3mYAexa0osCOkl7OMgoN5P8_SlZJLcAk-svG9Sa3McFPDFX9Rc7xiXtPGXj16NuftoYz-qexMJAK7Gw/w640-h370/07_132837Peru.jpg" width="640" /></a></div><div style="text-align: right;">Peru</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqRcwOTS3gkzcf3ARQ9UaO9U_stcQ_G8V--hJ89jRQdGa5o0jGKXZ_iop2JAhTAB6Mdic5eRJ2WPfQl9IXZ5aVWWhQdIBJEAf_rBA5mHB73AWjZKOugzwL2Dv2lRdIZnWSHiJvvsP9qwILaZkpsfiGdRFUXogHy1yqAcapoBeqA3lVQZllnDlhmNQSxw/s800/08_132648India.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="425" data-original-width="800" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqRcwOTS3gkzcf3ARQ9UaO9U_stcQ_G8V--hJ89jRQdGa5o0jGKXZ_iop2JAhTAB6Mdic5eRJ2WPfQl9IXZ5aVWWhQdIBJEAf_rBA5mHB73AWjZKOugzwL2Dv2lRdIZnWSHiJvvsP9qwILaZkpsfiGdRFUXogHy1yqAcapoBeqA3lVQZllnDlhmNQSxw/w640-h340/08_132648India.jpg" width="640" /></a></div><div style="text-align: right;">India</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ7u8qaaGk59jv1XYsebjWRwz-cVyzBmGSFbYOLOX9nu7mLZQ2QvKdfKkveHmJGbT-0q4KaSySKDVkpt9yWUMKel0B9y5TwEkJvwy0yLNgQbUaBmhNJOdQBFDhxI7mQJblyDvv5eIm9juC71nUzsgGM0dtNhWccQwZ-MA3g3zARDm14TUbwAFql_-d0Q/s800/09_132839Venezuela.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="561" data-original-width="800" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ7u8qaaGk59jv1XYsebjWRwz-cVyzBmGSFbYOLOX9nu7mLZQ2QvKdfKkveHmJGbT-0q4KaSySKDVkpt9yWUMKel0B9y5TwEkJvwy0yLNgQbUaBmhNJOdQBFDhxI7mQJblyDvv5eIm9juC71nUzsgGM0dtNhWccQwZ-MA3g3zARDm14TUbwAFql_-d0Q/w640-h448/09_132839Venezuela.jpg" width="640" /></a></div><div style="text-align: right;">Venezuela</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi66L02HBtb-AAZH-F6C8xdhRWaP-Ams4B7ftCU8W00Z_Faw4KsVSopXZNeU32LGdc4-AjvT0ue7TkfkSi4kONUN00_FVPstxt6o-A6Zm339SPs6DZo5EA-eSTLbojE3GJHuM9pfBbYZcHV3n_VeKcOoL0G9TcMtItnI4faFdm2ab5osrDmM9uOxF7SZA/s800/10_132129Nisa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="364" data-original-width="800" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi66L02HBtb-AAZH-F6C8xdhRWaP-Ams4B7ftCU8W00Z_Faw4KsVSopXZNeU32LGdc4-AjvT0ue7TkfkSi4kONUN00_FVPstxt6o-A6Zm339SPs6DZo5EA-eSTLbojE3GJHuM9pfBbYZcHV3n_VeKcOoL0G9TcMtItnI4faFdm2ab5osrDmM9uOxF7SZA/w640-h292/10_132129Nisa.jpg" width="640" /></a></div><div style="text-align: right;">Nisa</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn119i31t67SkJG7GRcHtvzs633CP2BpQrk81JRJ2losd_K0IJy5aoEzNG-362kibary5DOWo5VtB7yO8iI9hCrrhTjjnNZDU1U_P-hTKKZfANNyEYQVA9JHFImOymAMwXGYOxvD5oMijdap362-6yy59HkxyeT0zAFcsgfan1mVnPuu1h1Jc9z2A4Dw/s800/11_132622.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="361" data-original-width="800" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn119i31t67SkJG7GRcHtvzs633CP2BpQrk81JRJ2losd_K0IJy5aoEzNG-362kibary5DOWo5VtB7yO8iI9hCrrhTjjnNZDU1U_P-hTKKZfANNyEYQVA9JHFImOymAMwXGYOxvD5oMijdap362-6yy59HkxyeT0zAFcsgfan1mVnPuu1h1Jc9z2A4Dw/w640-h288/11_132622.jpg" width="640" /></a></div><br /><div style="text-align: center;">Expozitia este deschisa pâna joi, 2 februarie 2023.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaedLe2_Kr3Z7a5matctGCp--UYEA0__GLv3WqJXuu39Ixvac6RFqm8qiH-OT5suHMNqx845mOy_nf6K3GW88O_q2OU92NQoDGrK2U3fAwlNIGWZDn8huZSr-QtLaungcNvDRUWVx63p8iTKlEwaUtuZZ9srBWzRHuhWyycdVeXG-6ykgapM6La_fEOg/s800/00_130027Monast%C3%A8reCimiez.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaedLe2_Kr3Z7a5matctGCp--UYEA0__GLv3WqJXuu39Ixvac6RFqm8qiH-OT5suHMNqx845mOy_nf6K3GW88O_q2OU92NQoDGrK2U3fAwlNIGWZDn8huZSr-QtLaungcNvDRUWVx63p8iTKlEwaUtuZZ9srBWzRHuhWyycdVeXG-6ykgapM6La_fEOg/w640-h360/00_130027Monast%C3%A8reCimiez.jpg" width="640" /></a></div><p style="text-align: center;"><br /></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-13064999319869329982022-05-12T07:25:00.004+02:002023-05-08T05:27:48.168+02:00Niko Pirosmani - un pictor naiv si un milion de trandafiri rosii<div style="line-height: 100%; margin-bottom: 0cm; text-align: left;"><div style="text-align: center;"><span style="font-family: georgia; font-size: medium;">Era una din acele clipe din miez de noapte când melodiile gasesc mai
usor</span></div><div style="text-align: center;"><span style="font-family: georgia; font-size: medium;">calea
sufletului. Iar cuvintele cântecului spuneau o poveste:</span></div><div style="text-align: center;"><span style="font-family: georgia; font-size: medium;"><br /></span></div>
<span style="font-family: georgia; font-size: medium;"><div style="text-align: center;"><i>"</i><i>A
fost odata un pictor </i><i>c</i><i>are avea </i><i>o casuta si
pânze,</i></div><i><div style="text-align: center;"><i>Dar
el iubea o actrita care iubea florile.</i></div></i><i><div style="text-align: center;"><i>Atunci
el si-a vândut casa, tablourile si tot ce avea,</i></div></i><i><div style="text-align: center;"><i>Si
cu toti banii a cumparat un ocean de flori.</i></div></i><i><div style="text-align: center;"><i>Milioane,
miloane de trandafiri rosii, ea vede de la fereastra,</i></div></i><i><div style="text-align: center;"><i>Caci
cel îndragostit cu adevarat si-a transformat pentru ea toata viata
în flori."</i></div><div style="text-align: center;"><i><br /></i></div></i></span><div style="text-align: center;"><span style="font-family: georgia; font-size: medium;"><span>P</span><span>oveste</span><span>a
este,</span><span> </span><span>în
parte, </span><span>adevarata. El,
pictorul, este Niko Pirosmani, alias Nikolos Pirosmanashvili </span><span>(1862,
Mirzaani, Georgia – 1918, Tbilisi). </span><span>În
</span><span>autoportretul de mai </span><span>jos</span><span>
</span><span>avea</span><span>
38 de ani. </span><span>Ea</span><span>
este </span><span><i>A</i></span><span><i>ctrita
Margar</i></span><span><i>i</i></span><span><i>ta</i></span><span>,
</span><span>cu </span><span>numele
de scena </span><span>Marguerite
de Sèvres, </span><span>pictat</span><span>a</span><span>
</span><span>de </span><span>el</span><span>
</span><span>în
1909</span><span>.</span></span></div><div style="font-family: "Liberation Serif", serif; text-align: center;"><span style="font-family: Liberation Serif, serif;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxx7VzOusjWioiI02LDhDx2FGwN0k6ERHvoDCZ7HhQCYt11J-N07X0XSCoDZ2fVBVxBc5ln5OGy9Fu3fs9Vu15UfB7OAwDTSCYpd-lADVZ5Y8EFp6WCNXDDe9Al6NfAu_6t0wVrakQOPNuQXOl2pyernfp-5Qc9K6kJQMydoDvINR4Zq_12J6HWqfwYA/s671/.01_Niko+Margarita.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="671" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxx7VzOusjWioiI02LDhDx2FGwN0k6ERHvoDCZ7HhQCYt11J-N07X0XSCoDZ2fVBVxBc5ln5OGy9Fu3fs9Vu15UfB7OAwDTSCYpd-lADVZ5Y8EFp6WCNXDDe9Al6NfAu_6t0wVrakQOPNuQXOl2pyernfp-5Qc9K6kJQMydoDvINR4Zq_12J6HWqfwYA/w640-h430/.01_Niko+Margarita.jpg" width="640" /></a></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"><span style="font-family: Liberation Serif, serif;"> </span><span style="font-family: georgia;">Niko Pirosmani s-a nascut într-un sat din Georgia, undeva între
Marea Neagra si Marea Caspica. A ramas orfan la vârsta de opt ani si
a fost luat de surorile lui mai mari la Tbilisi, unde a lucrat ca
servitor în case bogate. A revenit în satul natal ca cioban, dar
s-a întors la Tbilisi unde a fost si conductor la calea ferata si
pictor de firme. În fotografia ovala de mai jos avea 18 ani, iar în
cea de alaturi 54 de ani. Imaginea de pe bancnota georgiana de 1 lari
(1995) reproduce aceasta ultima fotografie.</span></span></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWnfvq5iOPk0liXkD9TD-LJHVvx_h_WktT_SX7aK1N1AZ3Kj9H0p1Q3T6QSH3drKjmuvBRsFCVIHVYFs5oadRCBtInoGbRTYY0OW9c0_UyPx_csq4L6hMvcH3H9HH5lYhVxu5YLSEDzm-jMf5J2il8X6a9Sl4I4NBM-qwa00HpfwPXCewF7qAKU_eLiQ/s954/.02_Nikos%203%20photos.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="954" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWnfvq5iOPk0liXkD9TD-LJHVvx_h_WktT_SX7aK1N1AZ3Kj9H0p1Q3T6QSH3drKjmuvBRsFCVIHVYFs5oadRCBtInoGbRTYY0OW9c0_UyPx_csq4L6hMvcH3H9HH5lYhVxu5YLSEDzm-jMf5J2il8X6a9Sl4I4NBM-qwa00HpfwPXCewF7qAKU_eLiQ/w536-h640/.02_Nikos%203%20photos.jpg" width="536" /></a></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><p style="font-family: "Liberation Serif", serif;"></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"><span style="font-family: Liberation Serif, serif;"> </span><span style="font-family: georgia;">Niko Pirosmani a învatat sa picteze ca autodidact, utilizând
materiale cele mai ieftine si la îndemâna, cum era musamaua de culoare neagra, suport pentru multe din tablourile sale.
Picta tot ce vedea în jur: oamenii la lucru sau la petrecere,
trenul, animalele, satul, muntii.</span></span></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"><br /></span></p><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4guSItrwekKGybBkMDyfAPvOXFoVgqmj7o2ZSuD8fdcarKm5QbP1m8-S5npRXBHdAPf3xETv7yecwr-h6zceEgggO0IzgA5hW1FB3nwvpxy1hCMP-Hc2j0HSKuNR2V-rZ_CI5E6PDFZREiUpPKD3aluYqPRhlS19yYSMvIBfRk05VRmsU65xSd8N9A/s665/.03_123.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="665" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4guSItrwekKGybBkMDyfAPvOXFoVgqmj7o2ZSuD8fdcarKm5QbP1m8-S5npRXBHdAPf3xETv7yecwr-h6zceEgggO0IzgA5hW1FB3nwvpxy1hCMP-Hc2j0HSKuNR2V-rZ_CI5E6PDFZREiUpPKD3aluYqPRhlS19yYSMvIBfRk05VRmsU65xSd8N9A/w640-h192/.03_123.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_5yzvnxjATasS9MiiaJJi3qyqKSB4ySbHQDXRJqu2lmben70g1uTjmMK8RwOpF4coevx-rFbJaiVrcsyVI175uf6WgRKyUv4Q6Rbih2OSGfAe16a2yZwcXQN2m4BS8ABFDx3Qa0ikqTVhNKKzaHGkdU72Za_ksNCgTqXJFedERBkAm1QRsnPt2I8JGw/s800/.04_f%C3%AAte+train.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="137" data-original-width="800" height="110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_5yzvnxjATasS9MiiaJJi3qyqKSB4ySbHQDXRJqu2lmben70g1uTjmMK8RwOpF4coevx-rFbJaiVrcsyVI175uf6WgRKyUv4Q6Rbih2OSGfAe16a2yZwcXQN2m4BS8ABFDx3Qa0ikqTVhNKKzaHGkdU72Za_ksNCgTqXJFedERBkAm1QRsnPt2I8JGw/w640-h110/.04_f%C3%AAte+train.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__AoKkmK8r1dq3HeXteo-rHm3WWodyQPZarYkTqDNNWJMDvPZ20d2aKpXuJMhhe1W08_nXWOx3EsKYysvB7UEO7kNZU2ktfymSoPVwoyQcoaTvysZqCPHl_rxNV3Y0MaTBvZKjv1hf3cff7SmsQw_8pPH3Qbqct6qnWmRQx6jjWN9gigJnaWH6ruhxg/s665/.05_456.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="200" data-original-width="665" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__AoKkmK8r1dq3HeXteo-rHm3WWodyQPZarYkTqDNNWJMDvPZ20d2aKpXuJMhhe1W08_nXWOx3EsKYysvB7UEO7kNZU2ktfymSoPVwoyQcoaTvysZqCPHl_rxNV3Y0MaTBvZKjv1hf3cff7SmsQw_8pPH3Qbqct6qnWmRQx6jjWN9gigJnaWH6ruhxg/w640-h192/.05_456.jpg" width="640" /></a></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: georgia; font-size: medium;"> În primavara anului 1909, la Tbilisi este în turneu o trupa în
care evolueaza Marguerite de Sévres, actrita si balerina. Niko
Pirosmani, 47 de ani, este convins ca si-a descoperit idealul
feminin, însa actrita nu-i acorda nicio atentie. Hotarât sa o
impresioneze, Niko îsi vinde casa si tot ceea ce poseda pentru a
cumpara toate florile pe care le poate gasi în oras. Astfel încât
într-o buna dimineata, Marguerite descopera uimita piata din fata
hotelului acoperita de flori... </span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: georgia; font-size: medium;">Apoi Marguerite a plecat, iar Niko a
continuat sa picteze, si mai sarac ca înainte de a se îndragosti de
"actrita Margarita". </span><span style="font-family: georgia; font-size: medium;">Celebritatea a venit mult dupa moartea sa.</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsXymt5Bn9jI5nFThkGeYCj-xhICxeyAEfA7n70BAcChnDg0WhmoZHuMdkePJBnCm_uxCvibqKQEmL45hGhH5E7_fZZNx2kGcQFc1p10KMRHo-DbuqecaN2TsFykLyEWTaYoDgKOHfhhqUMKqdeOSx4qb_3giEndF5ptd4jXpNf_QGAsdkx0bTYNeaFA/s800/.06_Pirosmani_Albertina.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="800" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsXymt5Bn9jI5nFThkGeYCj-xhICxeyAEfA7n70BAcChnDg0WhmoZHuMdkePJBnCm_uxCvibqKQEmL45hGhH5E7_fZZNx2kGcQFc1p10KMRHo-DbuqecaN2TsFykLyEWTaYoDgKOHfhhqUMKqdeOSx4qb_3giEndF5ptd4jXpNf_QGAsdkx0bTYNeaFA/w640-h318/.06_Pirosmani_Albertina.jpg" width="640" /></a></div><span style="font-family: georgia; font-size: large;">Viena, 2018-2019</span><span style="font-family: "Liberation Serif", serif; font-size: medium;"><br /></span><p></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: georgia; font-size: medium;">Desigur,
episodul Niko - Margarita poate fi prezentat sec si fara mila, asa cum o face
romancierul Konstatntin Paustovski: <span>"</span>Viata
lui Pirosmani a fost ravasita de dragostea lui cruda si ruinatoare
pentru actrita Margarita, o actrita ordinara si avida de bani,
dintr-un parc prafuit de periferie<span>"
</span><span>[extras din </span><span>volumul
</span><span><i>Drumul spre Sud</i></span><span>
al autobiografiei </span><span>lui K.
Paustovski </span><span>intitulat</span><span>a</span><span>
</span><span><i>Poveste despre viat</i></span><span><i>a</i></span><span>]. </span></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: georgia; font-size: medium;"><span>Spusa
astfel, întâmplarea cade repede în uitare. </span>Pusa însa
în versuri de un poet, Andrei Voznesenski, si în muzica de
compozitorul leton Raimond Pauls, pe o veche melodie evreiasca,
povestea <i>Milionului de trandafiri rosii </i>impresioneaza mereu:</span></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><span style="font-size: large;"><br /></span></p></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyiV4zcqma6x8R2D7nKZQg8tdBPOY4pFbWahruM6UbLJAD4RhVq1GEfZAT0MvC9bVY1Mgt-n-lwHAdhMHMPog' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;">Million de Roses par l'orchestre Dominique Moisan</div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;">Dancing "Le Point de Vue" à Laz en Bretagne, France</div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><br /><span style="font-family: "Liberation Serif", serif; font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><br /></span></div><br /></span><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><br /></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"> </p><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"></div><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><br /><span style="font-size: medium;"><br /></span></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><br /></p><p align="center" style="font-family: "Liberation Serif", serif; line-height: 100%; margin-bottom: 0cm;"><br /></p></div><div class="separator" style="clear: both; font-family: "Liberation Serif", serif; text-align: center;"><br /></div><br /><span style="font-family: Liberation Serif, serif;"><br /></span></div></div><p style="text-align: center;">
</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><i><span style="font-family: Liberation Serif, serif;"></span></i></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-48558110964447796632022-02-20T13:52:00.004+01:002022-02-21T06:35:47.262+01:00Daniel SPOERRI - „Teatrul obiectelor” la MAMAC - Muzeul de Artă Modernă și de Artă Contemporană din Nisa<p style="text-align: center;"> <span style="font-size: medium;"><span style="text-align: left;">„</span><i style="text-align: left;">Născut </i><span style="text-align: left;">[Daniel Isaac
Feinstein] </span><i style="text-align: left;">pe 27 martie 1930 în România </i><span style="text-align: left;">[la
Gala</span><span style="text-align: left;">ț</span><span style="text-align: left;">i]</span><i style="text-align: left;">,
refugiat în Elveția </i><span style="text-align: left;">[</span><span style="text-align: left;">c</span><span style="text-align: left;">ă</span><span style="text-align: left;">ci
</span><span style="text-align: left;">după moartea în pogromul de
la Ia</span><span style="text-align: left;">ș</span><span style="text-align: left;">i
din 1941 </span><span style="text-align: left;">a </span><span style="text-align: left;">lui
Isaac Feinstein </span><span style="text-align: left;">(</span><span style="text-align: left;">tatăl,
</span><span style="text-align: left;">librar convertit la
protestantism</span><span style="text-align: left;">)</span><span style="text-align: left;">,
mama, Lydia </span><span style="text-align: left;">Feinstein-</span><span style="text-align: left;">Spoerri,
revine în țara natal</span><span style="text-align: left;">ă</span><span style="text-align: left;">]</span><i style="text-align: left;">,
artistul se consacr</i><i style="text-align: left;">ă</i><i style="text-align: left;"> dansului </i><span style="text-align: left;">[</span><span style="text-align: left;">1954-1957;</span><span style="text-align: left;">
prim balerin la Opera din Berna]</span><i style="text-align: left;">, teatrului </i><span style="text-align: left;">[</span><span style="text-align: left;">actor,
mim, regizor – pune în scen</span><span style="text-align: left;">ă</span><span style="text-align: left;">,
printre altele, «Cânt</span><span style="text-align: left;">ă</span><span style="text-align: left;">rea</span><span style="text-align: left;">ț</span><span style="text-align: left;">a
cheal</span><span style="text-align: left;">ă</span><span style="text-align: left;">»]
</span><i style="text-align: left;">și </i><i style="text-align: left;">literaturii</i><i style="text-align: left;"> </i><span style="text-align: left;">[înfiin</span><span style="text-align: left;">ț</span><span style="text-align: left;">eaz</span><span style="text-align: left;">ă</span><span style="text-align: left;">
</span><span style="text-align: left;">în </span><span style="text-align: left;">1957</span><span style="text-align: left;">
</span><span style="text-align: left;">revista «Material»
destinat</span><span style="text-align: left;">ă</span><span style="text-align: left;">
poeziei concrete]</span><i style="text-align: left;">, în</i><i style="text-align: left;">a</i><i style="text-align: left;">inte de a </i><i style="text-align: left;">aborda</i><i style="text-align: left;">,
începând cu 1959, </i><i style="text-align: left;">artel</i><i style="text-align: left;">e</i><i style="text-align: left;"> </i><i style="text-align: left;">plastic</i><i style="text-align: left;">e</i><i style="text-align: left;">.”</i></span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span><span>[</span><span><i>Extras
dintr-un a</i></span><span><i>fi</i></span><span><i>ș</i></span><span><i>
din expozi</i></span><span><i>ț</i></span><span><i>i</i></span><span><i>a
„Le théâtre des objets </i></span><span><i>de
Daniel Spoerri</i></span><span><i>”,
MAMAC, Nice</i></span><span> </span><span>+
</span><span>N</span><span>ote
</span><span>din </span><span>Wikipedia</span><span>]</span></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg6QFvxDD79qzxpxBj6LohCfkrBaTYkEmPHpUrsExwm_pcbK-kdqFpM_d-1C4JHhniqaZdNpTNBcKNClojIMjo-rqITdTdjZpsmzc--pCnZpYpI_dDXkp8MyiEjNlG4oaUPlF31xl0KbnQoz6gmgGNEtOSEHjKEOfdFjcHqReQ2DuKAV6dvAo-lIb3wVg=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEg6QFvxDD79qzxpxBj6LohCfkrBaTYkEmPHpUrsExwm_pcbK-kdqFpM_d-1C4JHhniqaZdNpTNBcKNClojIMjo-rqITdTdjZpsmzc--pCnZpYpI_dDXkp8MyiEjNlG4oaUPlF31xl0KbnQoz6gmgGNEtOSEHjKEOfdFjcHqReQ2DuKAV6dvAo-lIb3wVg=w640-h480" width="640" /></a></div><p></p><div style="line-height: 100%; margin-bottom: 0cm; text-align: left;"><div style="text-align: center;"><span style="font-size: medium;"> Daniel SPOERRI– <span style="font-family: Liberation Serif, serif;"><b>Ä</b></span><span style="font-family: Liberation Serif, serif;"><b>gg
i Hatten</b></span><span style="font-family: Liberation Serif, serif;"> [Ouă în
pălărie], 1965</span></span></div><div style="text-align: center;"><span style="font-family: Liberation Serif, serif; font-size: medium;"><br /></span></div><span style="font-family: "Liberation Serif", serif;"><div style="text-align: center;"><span style="font-size: medium;">Asamblaj
de lemn, sticlă, ipsos (60 x
39 x 39 cm)</span></div></span></div><div class="separator" style="clear: both; text-align: center;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">„<i>În
timp ce adună la Paris fiare vechi pentru prietenul său Jean
Tinguely </i>[întâlnit în 1949 la
Basel]<i>, are ideea de a fixa diverse obiecte, </i><i>în
</i><i>starea</i><i> în care </i><i>le</i><i> găs</i><i>e</i>ș<i>te</i><i>,</i><i>
pe un suport pe care îl ridică la vertical</i>ă<i>,
imortalizând </i><i>astfel </i><i>o clipă datorată hazardului.”</i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiH_bb9RBo5v-A_9V0IlCwG3W0vDUWAdAUEs0KVFAOB8k-9E2OVJfByAhvFlB4OnbIpiFAa087HENzJDImRsf4-mrGO4VpfkWn2k4_9QhR2xE5JiuJGDDcaCzowRcKoKYzRSe050BJRooidxZmx6yNmBA-gMPV3r-_XXq2GjQcwOts2KWJ7KRegPAUiEA=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEiH_bb9RBo5v-A_9V0IlCwG3W0vDUWAdAUEs0KVFAOB8k-9E2OVJfByAhvFlB4OnbIpiFAa087HENzJDImRsf4-mrGO4VpfkWn2k4_9QhR2xE5JiuJGDDcaCzowRcKoKYzRSe050BJRooidxZmx6yNmBA-gMPV3r-_XXq2GjQcwOts2KWJ7KRegPAUiEA=w640-h480" width="640" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> În prim plan: Daniel SPOERRI – <b>Les Boîtes</b> [Cutiile], 1961</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Obiecte
diverse (unelte, cutii de lemn, hârtie, pantofi) fixate pe panou de
lemn (79,4 x 69 x 41 cm)</span></p><div class="separator" style="clear: both;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">În
plan secund: Daniel SPOERRI – <b>Foire aux puces </b>[Târg de
vechituri], 1975</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Obiecte
diverse (busturi și mâini de manechin, butoni, suport de pălării,
baston, sculptură din metal,
pantofi, frunze și flori de plastic) fixate pe panou de lemn
acoperit cu catifea (110 x 165 x 140 cm)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiwdkeIvDbykswYVU2ure-Z4dAVec9BFYfv2V_tIThKQhdadLkhjLffLB5wV65hmdGcbH7UwyJh4NgPNDIJtTCzC4dMmvleHXytooLtM9rk4-fIEZxIUfKsFgtnNbYMc9mhj9i8OH1LXzIkyMb0sSsJuSPKzuVjnOo6N39sKkUURR-npyzYI26RyWeplQ=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiwdkeIvDbykswYVU2ure-Z4dAVec9BFYfv2V_tIThKQhdadLkhjLffLB5wV65hmdGcbH7UwyJh4NgPNDIJtTCzC4dMmvleHXytooLtM9rk4-fIEZxIUfKsFgtnNbYMc9mhj9i8OH1LXzIkyMb0sSsJuSPKzuVjnOo6N39sKkUURR-npyzYI26RyWeplQ=w480-h640" width="480" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> Daniel SPOERRI – <b>Action Restaurant Spoerri</b>, Düsseldorf, 3
noiembrie 1972</span></p><div class="separator" style="clear: both;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Resturi
de la masă și
obiecte fixate pe panou de lemn vopsit (70 x 70 x 33 cm)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> „<i>Nu-mi permit nicio creativitate, pun doar puțin lipici sub
obiecte”</i> – Daniel Spoerri
[Wiki]</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjuScbO2WnVhc4ckM1M_TXXpJDo8CP-eUip01GNzovKceR8wZzQc5NWWozT4x_MCw9IiaHwPkJngHS8o3ylf5dB0OQfTYihjDl5dgldGisNXJfZ4vFu4V3b0pBlLPRmJDREpHI3uhJ_hHbLkiBcA5uIFYBBlCrmHRCvomtimt2fyjv-cIzb4ZjutKSEvw=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjuScbO2WnVhc4ckM1M_TXXpJDo8CP-eUip01GNzovKceR8wZzQc5NWWozT4x_MCw9IiaHwPkJngHS8o3ylf5dB0OQfTYihjDl5dgldGisNXJfZ4vFu4V3b0pBlLPRmJDREpHI3uhJ_hHbLkiBcA5uIFYBBlCrmHRCvomtimt2fyjv-cIzb4ZjutKSEvw=w480-h640" width="480" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> Daniel SPOERRI – <b>Attention </b><span lang="fr-FR"><b>œuvre</b></span><b>
d’art – Achtung Kunstwerk – Attention Art Work</b>, 1968</span></p><div class="separator" style="clear: both;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Borcan
cu rollmops de hering, sticlă,
plastic (12 x 7,5 x 7,5 cm)</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: large;">„</span><i style="font-size: large;">Când,
în 1961, Daniel Spoerri pune pe produse alimentare eticheta</i></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"><i>
<b>«Aten</b><b>ț</b><b>ie! Oper</b><b>ă</b><b> de art</b><b>ă</b><b>»</b>
el deschide calea la <b>Eat Art</b>, o artă care se mănâncă.”</i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEht8i-LrQl0XVXmK-L4QnTdyI-M6Fi6K6PVrG__ep3sF2VaoLeBteYVN_v9JwFepyK_q7FdHg0VP1M30rZvxrr8c7pg-zlFAHhE0C447XCjH_QXNWkjFzlQ_69UU7OeRH70RIyB4gD6w3ufgyVauEc7bp0DNGN8dDjDpwCAfd2_yNk6DEeNqFIcx0erQA=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="307" data-original-width="800" height="246" src="https://blogger.googleusercontent.com/img/a/AVvXsEht8i-LrQl0XVXmK-L4QnTdyI-M6Fi6K6PVrG__ep3sF2VaoLeBteYVN_v9JwFepyK_q7FdHg0VP1M30rZvxrr8c7pg-zlFAHhE0C447XCjH_QXNWkjFzlQ_69UU7OeRH70RIyB4gD6w3ufgyVauEc7bp0DNGN8dDjDpwCAfd2_yNk6DEeNqFIcx0erQA=w640-h246" width="640" /></a></span></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> „<i>În martie 1963, Daniel Spoerri transformă galeria J de artă
de la Paris în restaurant. <br />
Timp de 10 seri, «chef Daniel»
imaginează un tur gastronomic al lumii.”</i></span></p><div class="separator" style="clear: both; text-align: center;"></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiYWypwafWbcVPtIabrN-wsizmYJ-JCbnLWU2XlbWTFGH2qh_5M2R2Ji4cE-Hy-ckAl6Dm1OHArMS4yOA3Br3yZVfgi01x1XRslC0lo2J7BgwH3S3GBFmE3mSDFAF9kj9MzIiZ7GQ1uLg2i04Py4ZWmdXrkqZCdgsFE_wFGqm33SBZDxj2QqSbrcItpfQ=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEiYWypwafWbcVPtIabrN-wsizmYJ-JCbnLWU2XlbWTFGH2qh_5M2R2Ji4cE-Hy-ckAl6Dm1OHArMS4yOA3Br3yZVfgi01x1XRslC0lo2J7BgwH3S3GBFmE3mSDFAF9kj9MzIiZ7GQ1uLg2i04Py4ZWmdXrkqZCdgsFE_wFGqm33SBZDxj2QqSbrcItpfQ=w640-h480" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> Daniel SPOERRI – <b>Péril en mer </b>[Pericol
pe mare], 1985</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">din
seria <b>„Comoara s</b><b>ă</b><b>racilor”</b></span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Asamblaj
compus dintr-o tapiserie înfrumusețată
prin pictare, dintr-un girofar, dintr-un bot de pește-fierastrău,
din frunze artificiale și din pești
de porțelan, toate lipite
pe un panou de lemn (124 x 164 x 140 cm)</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgqX1AhS9cTbbjdCqiBFULi4v-csTa0-ucAjmX1zxxjnW6mLUUMHWwDmHY12NMWIjGXZ-l8xZlTIH-zbZdLZLoeNlHu9Fol0EuzJ4PwGZnqJNcfud_hd_sxpadAvFpDKsgp28wGQAdTf_smiKFM8Off61FXKj0NYxGsBiYpBFwFxBC19HiF-bsI12ma0Q=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEgqX1AhS9cTbbjdCqiBFULi4v-csTa0-ucAjmX1zxxjnW6mLUUMHWwDmHY12NMWIjGXZ-l8xZlTIH-zbZdLZLoeNlHu9Fol0EuzJ4PwGZnqJNcfud_hd_sxpadAvFpDKsgp28wGQAdTf_smiKFM8Off61FXKj0NYxGsBiYpBFwFxBC19HiF-bsI12ma0Q=w640-h480" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> Daniel SPOERRI – <b>La Sainte famille</b><b> </b>[Sfânta
familie], 1986</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">din
seria <b>„Comoara s</b><b>ă</b><b>racilor”</b></span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Asamblaj
compus dintr-o tapiserie înfrumusețată
cu plante artificiale, cu o păpușă
care face baie și cu un neon, toate lipite pe un panou de lemn (140
x 180 x50 cm)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgmHsINWF56QyjtWQpIP1-D42iYwzSkwS8lMQmSzh07x0JCwt8IQrymDp3mfW7muRI6kk1uOmukpqJLQPrP_Xj75TC7Uq85UPxXP3GtAQX61Lc76SIaouDzo9QxuNAnbT0M1DfP_NIoyMvgzTtDaJG0vdu04vE1hfdJa-CQ_h5rn0244DFb29DSNZIuvQ=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgmHsINWF56QyjtWQpIP1-D42iYwzSkwS8lMQmSzh07x0JCwt8IQrymDp3mfW7muRI6kk1uOmukpqJLQPrP_Xj75TC7Uq85UPxXP3GtAQX61Lc76SIaouDzo9QxuNAnbT0M1DfP_NIoyMvgzTtDaJG0vdu04vE1hfdJa-CQ_h5rn0244DFb29DSNZIuvQ=w480-h640" width="480" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"> Daniel SPOERRI – <b>Attention : Chien méchant</b> [Atenție: câine
rău], 1962</span></p><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">Asamblaj
compus dintr-o pictură pe
pânză reprezentând un
copil, semnată „G.B.”,
</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;">înfrumusețat(ă) (?)
cu o botniță
(81 x 72 x 15 cm)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: medium;"><br /></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="color: #2b00fe; font-size: large;"><b>„<i>Î</i><i>ntr-un
spectacol, ceea ce este fals, din momentul în care intri în joc,
este adevărat.”</i></b></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-size: medium;"><b>Daniel Spoerri</b>.</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><span style="font-size: medium;"><br /></span></p></div><br /><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><br /><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><br /><span style="font-size: medium;"><br /><i><br /></i></span><p></p></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><span style="font-size: medium;"><br /></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><span style="font-size: medium;"><br /></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><i><br /></i></p></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /><span style="font-size: x-small;"><br /></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;"><br /></span></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-18334655711719230552021-09-15T15:00:00.116+02:002021-09-15T15:00:00.236+02:00Musée Jacquemart-André, Paris - Botticelli, prima zi<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKsaub_KC4C90_qeKthOQDT6moHp4WEDM1paxq0FSz3eltoiAXjHAbziCqyJWG-lf1rPDkECWnrSKmCYnF1nowsRgKflbCWTw_i5hwCJKCCmoSMsNOYsKNeiuxJqjQP5v2YhXnHL37Hk7Q/s800/001alesP1230417_2.12_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="374" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKsaub_KC4C90_qeKthOQDT6moHp4WEDM1paxq0FSz3eltoiAXjHAbziCqyJWG-lf1rPDkECWnrSKmCYnF1nowsRgKflbCWTw_i5hwCJKCCmoSMsNOYsKNeiuxJqjQP5v2YhXnHL37Hk7Q/s16000/001alesP1230417_2.12_800cr.jpg" /></a></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><i>La Bella Simonetta</i> a fost aleasa pentru a ilustra afisul expozitiei <i>Botticelli, artiste & designer</i></div><div class="separator" style="clear: both;">deschisa pe 10 septembrie 2021 la Muzeul Jacquemart-André din Paris.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i>„În încaperea unde-si păstra ducele Cosimo vesmintele, se afla, lucrate de mâna lui Sandro, doua capete de femei, vazute din profil, de o mare frumusete; se spune ca una dintre ele ar fi</i> [La Bella Simonetta - n.n.] <i>iubita lui Giuliano de’ Medici, fratele lui Lorenzo.”</i> [Giorgio Vasari, <i>Viețile pictorilor, sculptorilor și arhitectilor </i>(prima editie 1550); Editura Meridiane, Bucuresti, 1968, vol. 2, p. 112-8].</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGhCY2_0obyUwEoTDePP6l8lMV1ePDLho-iUQgm-DJfvMcDeUmTyccEgO8JMjHJFuYKLpeG-d4TbXp4AtLEebVeZcNZisk4HAxKURHZl76EQa1fOetvNQqBo3vrIlTxnl1FvmvxwrAg29H/s800/002alesP1230580_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGhCY2_0obyUwEoTDePP6l8lMV1ePDLho-iUQgm-DJfvMcDeUmTyccEgO8JMjHJFuYKLpeG-d4TbXp4AtLEebVeZcNZisk4HAxKURHZl76EQa1fOetvNQqBo3vrIlTxnl1FvmvxwrAg29H/s16000/002alesP1230580_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><b>Alessandro Filipepi </b>(~1445, Florenta – 1510, Florenta), mai cunoscut sub numele de</div><div class="separator" style="clear: both;"><i>Sandro Botticelli</i>, intra pe la 1459-1460 ca ucenic în atelierul lui Filippo Lippi (~1406 – 1469).</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i>„Daruindu-se cu totul acestei arte, și-a urmat și și-a imitat maestrul cu atâta înflacarare, </i></div><div class="separator" style="clear: both;"><i>încât Fra Filippo l-a îndragit și l-a învatat atâtea ca Sandro a atins curând o desavârsire</i></div><div class="separator" style="clear: both;"><i>la care nimeni nu s-ar fi așteptat.”</i> [Giorgio Vassari, <i>op. cit.</i>].</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1DqhC0BYbBu-2sEIjpdoUhz2sgNd31ZDUWNLf6Uq_DXSHUTQhIqc1Sfrr7z5wlxsNvjVARpJR-1sA6j2v5c5X1ABxHowsQgv5RX39LUUMOcpNh7fulhzFCFIx4h073SSIgvOS_9G1fae/s800/003alesP1230504_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk1DqhC0BYbBu-2sEIjpdoUhz2sgNd31ZDUWNLf6Uq_DXSHUTQhIqc1Sfrr7z5wlxsNvjVARpJR-1sA6j2v5c5X1ABxHowsQgv5RX39LUUMOcpNh7fulhzFCFIx4h073SSIgvOS_9G1fae/s16000/003alesP1230504_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">În prima sala a expozitiei, sunt alaturate doua picturi realizate în tempera pe lemn de plop:</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">în stânga: Filippo Lippi - <i>Vierge à l’Enfant</i>; ~1460-1465; München, Alte Pinakothek;</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">în dreapta: Botticelli - <i>Vierge à l’Enfant </i>dite <i>Madone des Guidi de Faenza</i>; ~1465-1470; Paris, Luvru.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUR7RcolTZOhqaW0nEVGixm2MmeVb80Meix0UYy9B4keKY4O3zQps7MkLiD13tYBTRKfkLSC5UwcdOOeifd5bLgE8aygVagkqrOS9NwIkwSIaDhUJsm9VyJ5-kVMrFMpyT1H5XVAhHq2wU/s800/004alesP1230507_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUR7RcolTZOhqaW0nEVGixm2MmeVb80Meix0UYy9B4keKY4O3zQps7MkLiD13tYBTRKfkLSC5UwcdOOeifd5bLgE8aygVagkqrOS9NwIkwSIaDhUJsm9VyJ5-kVMrFMpyT1H5XVAhHq2wU/s16000/004alesP1230507_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>« Botticelli expérimente ici la copie d’auteur, c’est-à-dire la production d’une variante qui introduit des notes tout à fait personnelles. »</i> […] <i>« Il modifie légèrement la pose afin d’amplifier le sentiment de tendresse voilé de tristesse qui lie la Madone à son Enfant. Elle ne regarde plus le spectateur, mais baisse les yeux vers le Sauveur dont le visage semble ombré d’inquiétude. »</i> [Nota din expozitie].</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_eePjk-QV9o86e3NVwBX1vcPgryIb0n7rW2M1uM-VZzumcg5C8Lm36IX8OIFHoogMbaoQoDqLFx-c4wF5iaq4MR35Vdxr7Y66e7SGDni-VsrtFp2kO2OExI-rZa3i10wzVvV68teF0Mj/s800/005_alesP1230435_2.13_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_eePjk-QV9o86e3NVwBX1vcPgryIb0n7rW2M1uM-VZzumcg5C8Lm36IX8OIFHoogMbaoQoDqLFx-c4wF5iaq4MR35Vdxr7Y66e7SGDni-VsrtFp2kO2OExI-rZa3i10wzVvV68teF0Mj/s16000/005_alesP1230435_2.13_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><i>„Deși prindea ușor ceea ce îi plăcea, Sandro vadea totuși o veșnica neliniste, neaflând mulțumire în niciuna din lecțiile de citire, scriere sau socoteli; mâhnit din pricina acestei minți atât de ciudate și ajuns la deznadejde, tatăl lui l-a dat sa învete meseria de aurar pe lânga unul din cumetrii săi, anume Botticello.” </i>[...] <i>„Sandro, care era îndemânatic din fire și se dedase cu totul desenului, a ajuns să se înflacareze pentru pictura și s-a hotarât să se îndrepte spre ea. ”</i> [Giorgio Vassari, <i>op. cit.</i>].<br /><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjef7wDJ3erHEUIv1vDZFrWWpKZB4kWxBLtnH4BTcD7V9t7EOSnRERiO9oYmOLh7MCWTu9uRgKUcvcPxfaLGAHU_KAO6VNip6o7tbOpPAAQ5WBsabLvhsMKHHg9iJJ7KbGl9YC812ocatU3/s800/006alesP1230445_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjef7wDJ3erHEUIv1vDZFrWWpKZB4kWxBLtnH4BTcD7V9t7EOSnRERiO9oYmOLh7MCWTu9uRgKUcvcPxfaLGAHU_KAO6VNip6o7tbOpPAAQ5WBsabLvhsMKHHg9iJJ7KbGl9YC812ocatU3/s16000/006alesP1230445_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;">Botticelli - <i>Portait de Julien de Médicis</i>; vers 1478-1480; tempera et huile sur bois (détail)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i>« Durant la messe de Pâques, le 26 avril 1478, des membres de la famille Pazzi et quelques alliés tentent d’assassiner les deux frères Laurent et Julien de Médicis. Si Laurent réussit à s’échapper de justesse, Julien est terrassé sous les coups de ses assaillants. » </i></div><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both;"><i>« Le fait que les Médicis aient choisi Botticelli pour réaliser le portrait commémoratif de Julien témoigne de sa remarquable compétence dans ce domaine. »</i> [Note din expozitie].</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOEOhwFHUKdQIi5AHtnSGjUPaRzCgEUvdxCAba0d_vf_hA_0jMVo503UEnbKA8hl-nqXObB8LyBkObKcgHVlxkpo_CuqeV4OxbipoDwfkGnDKNQQ3jhfw0hagNbl6hqUhy2QWpihI5ettR/s800/007alesP1230428_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOEOhwFHUKdQIi5AHtnSGjUPaRzCgEUvdxCAba0d_vf_hA_0jMVo503UEnbKA8hl-nqXObB8LyBkObKcgHVlxkpo_CuqeV4OxbipoDwfkGnDKNQQ3jhfw0hagNbl6hqUhy2QWpihI5ettR/s16000/007alesP1230428_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;">Botticelli – <i>Portrait de Michele Marullo Tarcaniota</i>, 1490-1500, </div><div class="separator" style="clear: both;">tempera et huile sur bois transposé sur toile (détail)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i>« Marullo était un humaniste, poète et soldat, dont la mort subite – il se noya dans un torrent à la suite d’une chute de cheval – fut perçue comme une tragédie par les milieux poétiques et humanistes italiens. »</i> […] </div><div class="separator" style="clear: both;"><i>« Un portrait d’une grande sobriété, l’un des chefs-d’œuvre de Botticelli. » </i>[Nota din expozitie].</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMxL1BrczmiyHlzdqtJm1987MBNNPONJm_dWpIJeDYyX6QUafWLaG01FSWic2Fkq6JUQUWA45C3MDc4q3knyLycO2vA65_7BLeat2s4lUj9_aCDDa7qSwFaA_VFAq0c38aLLaKBabrwDrq/s800/008alesP1230405_2.12_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="371" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMxL1BrczmiyHlzdqtJm1987MBNNPONJm_dWpIJeDYyX6QUafWLaG01FSWic2Fkq6JUQUWA45C3MDc4q3knyLycO2vA65_7BLeat2s4lUj9_aCDDa7qSwFaA_VFAq0c38aLLaKBabrwDrq/s16000/008alesP1230405_2.12_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;"><i>« Ces deux Vénus sont les rares vestiges d’une large production de nus féminins exécutés par Botticelli.</i> […] <i>Le modèle dérive de </i>La Naissance de Vénus<i>, œuvre célèbre pour laquelle Botticelli s’est inspiré de la description du tableau perdu d’Apelle, célèbre peintre de l’Antiquité. »</i></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji8GnxYFfk6OxOPZF9EQ5zUTZfCMjECdnpl66v3Pp9OVzqMJuhgn3QjfQgeOarsiQiuZyD58LmHQOBYM4JvblsaTau_bvwFUcaYXilPmvfhVnk9azQDYDozRRAdbmCIs5zpBf12ZwPOygX/s800/009_alesP1230401_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji8GnxYFfk6OxOPZF9EQ5zUTZfCMjECdnpl66v3Pp9OVzqMJuhgn3QjfQgeOarsiQiuZyD58LmHQOBYM4JvblsaTau_bvwFUcaYXilPmvfhVnk9azQDYDozRRAdbmCIs5zpBf12ZwPOygX/s16000/009_alesP1230401_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;">Botticelli – <i>Venus pudica</i>, ~1485-1490; tempera pe pânza; Berlin, Gemäldegalerie (détail)</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i>« En extrayant la figure centrale de la déesse et en la reproduisant sur un fond noir, Botticelli renoue avec sa source d’inspiration, une sculpture antique dite « Vénus pudique », connue à l’époque en plusieurs exemplaires, tout en inventant un genre radicalement nouveau. » </i>[Nota din expozitie].</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEhgMjeWYt0S3Z2elTLf45wwxHzePL0C6b8NjD4lZLM2xN0fio_OP3oNnrOt4RStiB2CLxjBVeJes_Rapx9TQn-323ZIgMstWjeoImOfetsApGx8ZfqRQCZwwXN2l2hJZhe7lg8g7H0YGg/s800/010_alesP1230567_2.15_800cr.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="372" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEhgMjeWYt0S3Z2elTLf45wwxHzePL0C6b8NjD4lZLM2xN0fio_OP3oNnrOt4RStiB2CLxjBVeJes_Rapx9TQn-323ZIgMstWjeoImOfetsApGx8ZfqRQCZwwXN2l2hJZhe7lg8g7H0YGg/s16000/010_alesP1230567_2.15_800cr.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;"><i>„Se spune ca Sandro îi îndragea din cale-afara pe cei despre care afla ca se îndeletniceau cu studierea artei; se spune, de asemenea, ca a câștigat bani mulți, pe care i-a risipit însa, fie din pricina ca nu se pricepea să se chibzuiasca, fie din nepasare. În cele din urma, ajungând batrân și neputincios și mergând cu doua cârji – caci nu se putea tine pe picioare – a murit bolnav și prăpădit.” </i>[Giorgio Vassari, <i>op. cit.</i>].</div><div class="separator" style="clear: both; text-align: right;"><br /></div><div class="separator" style="clear: both; text-align: right;"><span style="font-size: x-small;"><b>Fotografii din expozitia Botticelli de la Muzeul Jacquemart-André: MSChirca, 10.09.2021</b></span></div><div class="separator" style="clear: both;"><br /></div></div></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-10220592752876132932021-04-03T12:36:00.000+02:002021-04-03T12:36:06.251+02:00Bronzetti nuragici - Statuete antice de bronz din Sardinia<div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHgziRpV92H9Jm8CIUyxcN09jCV56biarOOL282jzqSGXSrzFBbdGrGyNODescdC102ru59s7TNAYjnhsN7mCFCxGq5V_gFphv1V4N28mX-1mLJdZNg3afAImjkhF_c_gZk4lJHuKxp8Hx/s1600/Pieta+sarda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHgziRpV92H9Jm8CIUyxcN09jCV56biarOOL282jzqSGXSrzFBbdGrGyNODescdC102ru59s7TNAYjnhsN7mCFCxGq5V_gFphv1V4N28mX-1mLJdZNg3afAImjkhF_c_gZk4lJHuKxp8Hx/s16000/Pieta+sarda.jpg" /></a></div>Michelangelo - <i>Pietà</i> (foto simetrie orizontală) // Bronzetto nuragico - <i>Madre dell’Ucciso</i><br /><span lang="RO" style="text-indent: 0cm;"><br /></span></div><div style="text-align: center;"><span lang="RO" style="text-indent: 0cm;">Privim zarea şi călătorim
cu gândul. </span><span style="text-indent: 0cm;">Citim </span><i style="text-indent: 0cm;">Itinerari italiani. L’Italia regione per
regione</i><span style="text-indent: 0cm;"> (LGF, 1992). Am ajuns la capitolul </span><i style="text-indent: 0cm;">Passato e presente della Sardegna</i><span style="text-indent: 0cm;">. „Sardinia ar trebui să fie într-acolo.
Câteva sute de kilometri în zbor de pasăre.” De parcă o pasăre ar zbura aţă, în
linie dreaptă... Mai bine s-ar spune „în zbor de gând”!</span></div>
<p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO" style="mso-ansi-language: RO;"><o:p> </o:p></span><span style="text-indent: 0cm;">Un pasaj ne atrage atenţia: „Din această
preistorie [sardă] avem mărturii uimitoare cum sunt </span><i style="text-indent: 0cm;">nuraghi</i><span style="text-indent: 0cm;">, </span><i style="text-indent: 0cm;">domus de janas</i><span style="text-indent: 0cm;"> (casele
vrăjitoarelor), </span><i style="text-indent: 0cm;">tombe dei giganti</i><span style="text-indent: 0cm;"> (mormintele
uriaşilor) şi, mai presus de toate, acele expresii foarte singulare ale unei
arte unice în lume care a fixat în </span><i style="text-indent: 0cm;">bronzetti
nuragici </i><span style="text-indent: 0cm;">viaţa şi miturile unor secole demult apuse” (L. Crespellani, p.
72).</span></p><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">Nu am văzut până acum vreun nuraghe şi
nici vreun bronzetto nuragico. Noroc cu Internetul! De mai bine de un an, călătorim
mai mult cu gândul şi cu Internetul. Şi uite aşa am ales şi am alăturat câteva
imagini de nuraghi şi de bronzetti nuragici.<o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcU9-JGTQLDVO8hpfXfQzZZWPJuiR8M4_f3mvd_QYZN4THpngybDlZn_wVw6buNzIhf3dFg7yV_dtOvzVC0NU4MqF6nPh38shzS1swe7_DFnyOZmoz345GVTTjBVEG5S2IiwwBLugAeruX/s800/barumini1%252B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="565" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcU9-JGTQLDVO8hpfXfQzZZWPJuiR8M4_f3mvd_QYZN4THpngybDlZn_wVw6buNzIhf3dFg7yV_dtOvzVC0NU4MqF6nPh38shzS1swe7_DFnyOZmoz345GVTTjBVEG5S2IiwwBLugAeruX/w452-h640/barumini1%252B2.jpg" width="452" /></a></div><span style="text-align: -webkit-center;"><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>Nuraghe din Barumini, Sardinia</span><br /><div class="separator" style="clear: both; text-align: center;"><span lang="RO" style="text-indent: 0cm;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="RO" style="text-indent: 0cm;">Simboluri ale culturii nuragice din
Sardinia, <b>nuraghi</b> - turnuri
tronconice din piatră, înconjurate eventual de alte turnuleţe, au fost
construite în cea de a doua jumătate a epocii bronzului, aproximativ între 1900
şi 700 î.Hr. La sfârşitul sec. XX se aprecia că există circa 7.000 de nuraghi
în insulă, dar astăzi se consideră că numărul lor este cu mult mai mare. </span><span style="text-indent: 0cm;">Ridicate fie în vârf de colină, fie în
plin câmp, rolul acestor construcţii rămâne un mister: locaşuri de cult, fortăreţe,
depozite, locuinţe? În nuraghe de la Su Mulinu au fost descoperite bijuterii de
aur, argint şi chihlimbar, dar şi sute de opaiţe. </span></div><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO"><o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWh_gVYEevAtvjJleQiLwmB0G6tiTLB_e2xDiGTTy2tYM9ci81v-FHlqg999boTcH90NRiyEXvSeKNaLI5MjMFwwZTC3hvQD24CF0B-3HCQwLlh-aYcbRfCpzCUgGyS8dPub84WHxvFjY/s1200/bronzetti-nuragici1%252B2_800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWh_gVYEevAtvjJleQiLwmB0G6tiTLB_e2xDiGTTy2tYM9ci81v-FHlqg999boTcH90NRiyEXvSeKNaLI5MjMFwwZTC3hvQD24CF0B-3HCQwLlh-aYcbRfCpzCUgGyS8dPub84WHxvFjY/w640-h426/bronzetti-nuragici1%252B2_800.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><p align="center" class="MsoNormal" style="text-indent: 0cm;"><span lang="RO"><span lang="RO" style="font-family: "Times LT Std"; font-size: 11.5pt; mso-ansi-language: RO; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">Descoperite îndeosebi în puţuri sacre, fixate cu plumb pe pereţii de
piatră, <b>bronzetti nuraghici</b> sunt
statuete în bronz făurite la sfârşitul epocii bronzului şi la începutul epocii
fierului, aprox. în secolele IX - VI î.Hr. Numărul celor descoperite până în
prezent este de circa 500. Având în general dimensiuni de 15-20 cm, aceste
statuete reprezintă animale, obiecte, dar cel mai adesea oameni: luptători,
conducători, şefi religioşi, femei cu copii în braţe - vezi mai sus <i>Madre dell’Ucisso</i>, numită şi <i>Pietà sarda </i>sau <i>Pietà nuragica</i>.</span></span></p><p align="center" class="MsoNormal" style="text-indent: 0cm;"><span lang="RO"><span lang="RO" style="font-family: "Times LT Std"; font-size: 11.5pt; mso-ansi-language: RO; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvr3dobkybzA2TJyndUmCJmhvaDSPAfvKLtAIDZ0MpHrkQ2jo3X2NveYng_sgatQeccESzZvtnhWcZRI3UFJPO-zovrb43tLkM79MISYwSoh8GItkylHiVue7br5hVBIbIUGr9asS8NI-8/s800/erou+luptator.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="758" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvr3dobkybzA2TJyndUmCJmhvaDSPAfvKLtAIDZ0MpHrkQ2jo3X2NveYng_sgatQeccESzZvtnhWcZRI3UFJPO-zovrb43tLkM79MISYwSoh8GItkylHiVue7br5hVBIbIUGr9asS8NI-8/w606-h640/erou+luptator.jpg" width="606" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-indent: 0cm;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-indent: 0cm;">Se bănuieşte că bronzetti nuraghici erau
fabricate prin procedeul „cerii pierute”. Meşterul sculpta statuia în ceară,
apoi o învelea în pământ şi o punea la copt. La cald, ceara pleca, se „pierdea”,
prin mici canale lăsate special în această „terracotta”. În golul rămas se
turna apoi un amestec de cupru şi cositor (bronz) topit, iar odată pământul îndepărtat,
apărea statueta în bronz, cu toate detaliile originalului din ceară.</span></div><p></p><p align="center" class="MsoNormal" style="text-indent: 0cm;"><span lang="RO"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicyVQ7dOOLQdAhxYdoxW_SASoOxQip2R96Y1-PelJ-qDfks8R2xqXaRWrNgL60zCZgF2Xt90TJbA4JlvZ8QJaGYDRw-U9F7U3dZovQvNwwVHLKu_iBQFFjSE0KCSuMja2p5FiqvWV5ssPB/s800/Vetrina.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-indent: 0cm;"><img border="0" data-original-height="600" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicyVQ7dOOLQdAhxYdoxW_SASoOxQip2R96Y1-PelJ-qDfks8R2xqXaRWrNgL60zCZgF2Xt90TJbA4JlvZ8QJaGYDRw-U9F7U3dZovQvNwwVHLKu_iBQFFjSE0KCSuMja2p5FiqvWV5ssPB/s16000/Vetrina.jpg" /></a><br /><br /><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: center;"></div><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><u><span lang="RO">Bibliografie si surse foto:<o:p></o:p></span></u></p><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">https://museoarcheocagliari.beniculturali.it/<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">http://www.italia.it/fr/idees-de-voyage/art-et-histoire/la-sardaigne-et-ses-nuraghes.html<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">https://www.tourismesardaigne.fr/nuraghes-en-sardaigne-nuraghi/<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">https://www.sardegnamagazine.net/piccola-storia-bronzetti-nuragici-piccole-opere-darte-la-storia/<o:p></o:p></span></p><p class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span lang="RO">https://archeologiavocidalpassato.com/tag/bronzetti-nuragici/<o:p></o:p></span></p><p align="center" class="MsoNormal" style="text-indent: 0cm;"><span lang="RO"><span lang="RO" style="font-family: "Times LT Std"; font-size: 11.5pt; mso-ansi-language: RO; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">
</span></span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /> <p></p><p align="center" class="MsoNormal" style="text-indent: 0cm;"><span lang="RO"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /> <o:p></o:p><p></p><div class="separator" style="clear: both; text-align: center;"></div><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><br /><span lang="RO"><br /></span></p><p align="center" class="MsoNormal" style="text-align: center; text-indent: 0cm;"><span style="text-indent: 0cm;"><br /></span></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-42076511117602816182020-12-31T12:00:00.002+01:002020-12-31T12:00:03.558+01:00Cântarea Cântãrilor | Le Cantique des Cantiques - Musée national Marc Chagall<p style="text-align: center;"> <span style="text-align: left;">„</span><span face="Arial, sans-serif" style="text-align: left;">Cu iapa înhamata la carele lui
faraon te aseman eu pe tine, scumpa mea.</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">Ce
frumoși îți sunt obrajii în mijlocul lantisoarelor de la gât și
</span>
</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">ce
frumos îți este gâtul în mijlocul sirurilor de margaritare!</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">Îti
vom face deci lantisoare de aur cu stropituri de argint.”</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span style="font-size: x-small;"><i style="font-family: Arial, sans-serif; text-align: left;">Cântarea
Cântarilor </i><span face="Arial, sans-serif" style="text-align: left;">(</span><span face="Arial, sans-serif" style="text-align: left;">I,
9-11</span><span face="Arial, sans-serif" style="text-align: left;">), </span><i style="font-family: Arial, sans-serif; text-align: left;">Biblia
</i><span face="Arial, sans-serif" style="text-align: left;">(</span><span face="Arial, sans-serif" style="text-align: left;">trad. D. Cornilescu,
1921)</span></span></p><p align="right" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuCQCyvhucDkhkmtAOUHtarNBwoX92q8kOi-HFUdXXbwqf8l_r3EpNtMkU9A7DmE9P8FYlAhBRHu42g72n-TKeIYQd54EZ10wju-xevyIS-cEr9M32RioFfreG7jyuzoDiJjL0a50Kumro/s800/%2528%252801_%25281%2529alesP1210324A.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="509" data-original-width="800" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuCQCyvhucDkhkmtAOUHtarNBwoX92q8kOi-HFUdXXbwqf8l_r3EpNtMkU9A7DmE9P8FYlAhBRHu42g72n-TKeIYQd54EZ10wju-xevyIS-cEr9M32RioFfreG7jyuzoDiJjL0a50Kumro/w640-h408/%2528%252801_%25281%2529alesP1210324A.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>I </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ4AUBbSiMiZ27PFdM957fL1oLgcb5pnkEC4t-0hZppEwUSqhLeEEqkhXaxJm99BmNOFBkVPFnhE1kf3BLCW4yqh-vU1DnEfSOEmnK7Jh8MAB0DTLngY3vngXK8JAG125O9cqV7DE4iWZs/s800/%2528%252802_001alesP1210324.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="800" height="548" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ4AUBbSiMiZ27PFdM957fL1oLgcb5pnkEC4t-0hZppEwUSqhLeEEqkhXaxJm99BmNOFBkVPFnhE1kf3BLCW4yqh-vU1DnEfSOEmnK7Jh8MAB0DTLngY3vngXK8JAG125O9cqV7DE4iWZs/w640-h548/%2528%252802_001alesP1210324.jpg" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>I </i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i><br /></i></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYWA-5yi5_EQnKfPM8LRjZxZ2uk4ntDQXr4PfbYN_NGH_TPSOsdplwJL6QGe0C-ie_A8rbbV83MBjqqsleyXPqSonLPtB5OLPaNjqVtTm2WbYIYp6HHNn0EX3exoJEVuiPRZcNEvXRK5id/s800/%2528%252803_%25281%2529alesP1210324b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="494" data-original-width="800" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYWA-5yi5_EQnKfPM8LRjZxZ2uk4ntDQXr4PfbYN_NGH_TPSOsdplwJL6QGe0C-ie_A8rbbV83MBjqqsleyXPqSonLPtB5OLPaNjqVtTm2WbYIYp6HHNn0EX3exoJEVuiPRZcNEvXRK5id/w640-h396/%2528%252803_%25281%2529alesP1210324b.jpg" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>I </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga52FqkDdvpwxGBT37MKoFxX5UMF5ciYnYkQ7w6pJqmYQMLmlmWak90i9v2s1iffbvjyjsDea2Pu9niqOi2l2ruOtFpSBsqWIpd6wvjjfhYrZAlYhFpwowDxscwuJAPmzM5eZnD7u9M4rI/s800/%2528%252804_002alesP1210322.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="694" data-original-width="800" height="556" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga52FqkDdvpwxGBT37MKoFxX5UMF5ciYnYkQ7w6pJqmYQMLmlmWak90i9v2s1iffbvjyjsDea2Pu9niqOi2l2ruOtFpSBsqWIpd6wvjjfhYrZAlYhFpwowDxscwuJAPmzM5eZnD7u9M4rI/w640-h556/%2528%252804_002alesP1210322.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>II </i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzfJhl0zNatnmhyEqxy91pwG9k7nfQ0s0SOHF-TZtl1Cc8MAZWzFVcfcTjPK_Y0o-PoT1OLI0YT3e7oNqK8GNXdSQ8kfghar-M0P0kJFhCcApPFkPfoEQxLx-N_FPiuIC18M-oIGGcXsW5/s800/%2528%25285_%25282%2529alesP1210322b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzfJhl0zNatnmhyEqxy91pwG9k7nfQ0s0SOHF-TZtl1Cc8MAZWzFVcfcTjPK_Y0o-PoT1OLI0YT3e7oNqK8GNXdSQ8kfghar-M0P0kJFhCcApPFkPfoEQxLx-N_FPiuIC18M-oIGGcXsW5/w640-h316/%2528%25285_%25282%2529alesP1210322b.jpg" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>II </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLNHst_RpWlSF0fU7XstsOJX3cefXqAoXCpQsHaWYTIJrbnP-tsQsu-c2Q5eCAoRhyiCxZE3QCE_MJw6hQ3t8CfKxUo4ozbX4RSka9jlhgtWh6cuq71nJnVd3p8kQcDDHQkrGix-7z9br0/s800/%2528%252806_%25282%2529P1210343.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLNHst_RpWlSF0fU7XstsOJX3cefXqAoXCpQsHaWYTIJrbnP-tsQsu-c2Q5eCAoRhyiCxZE3QCE_MJw6hQ3t8CfKxUo4ozbX4RSka9jlhgtWh6cuq71nJnVd3p8kQcDDHQkrGix-7z9br0/w400-h266/%2528%252806_%25282%2529P1210343.JPG" width="400" /></a></div><div><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCXyzT5zsVc1pzq9Pm1-t7oHQEj2jJuUnAanbsciJpfglC3NKHxWqu895CroOIy2a3zNCWP09e997JmEQo3VN0doi5ARIN1PzofCDbv0DbU1yde-OUZa9uGjmrdwLzG8NjxRCSRam4OnBf/s800/%2528%252807_%25283%2529alesP1210341.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCXyzT5zsVc1pzq9Pm1-t7oHQEj2jJuUnAanbsciJpfglC3NKHxWqu895CroOIy2a3zNCWP09e997JmEQo3VN0doi5ARIN1PzofCDbv0DbU1yde-OUZa9uGjmrdwLzG8NjxRCSRam4OnBf/w640-h440/%2528%252807_%25283%2529alesP1210341.JPG" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>III </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtsBK96V4ggSSug0Ychkp-4bfRwCx7w6lppd9laM_Hupo5gL97SPyJzGlvelmkywPDC3_vRc4gtbh7guA9nbkO41tfV7BCtrzCVo04Y_p40XB_Sh1oUnhVR4ZNIWHAyfm8jfnh4cYa7o94/s800/%2528%252808_003alesP1210338.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="561" data-original-width="800" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtsBK96V4ggSSug0Ychkp-4bfRwCx7w6lppd9laM_Hupo5gL97SPyJzGlvelmkywPDC3_vRc4gtbh7guA9nbkO41tfV7BCtrzCVo04Y_p40XB_Sh1oUnhVR4ZNIWHAyfm8jfnh4cYa7o94/w640-h448/%2528%252808_003alesP1210338.jpg" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>III </i></span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB3Uvf5UPGU6OJzOcuh0jt6rkbCJW8bAGT8FwgqRk45AePX0hmi7bezT5dxJyWV-HDGIt9NVwaVpw2a2OQQpTwjuyo87OScIRUt8MbUqOJtNC7yI2pfHkYeuQN1VRz_neCdrDOzbCdzWmU/s800/%2528%252809_%25283%2529P1210340.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB3Uvf5UPGU6OJzOcuh0jt6rkbCJW8bAGT8FwgqRk45AePX0hmi7bezT5dxJyWV-HDGIt9NVwaVpw2a2OQQpTwjuyo87OScIRUt8MbUqOJtNC7yI2pfHkYeuQN1VRz_neCdrDOzbCdzWmU/w640-h440/%2528%252809_%25283%2529P1210340.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>III </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1QZhakz91IlV_taj_WUWoN9cwfE_KbwDRFBCCTDt6ZnENm-yPtPX9bhSm81t5DkmgXs4IeWaSFuLDsIMZMVs9l9p4LGw2XnKGQ9Sd_ME-K6bAI4ogcZouK8cyFfn9FiiApCpqN-rHxF8m/s800/%2528%252810_%25284%2529alesP1210336.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1QZhakz91IlV_taj_WUWoN9cwfE_KbwDRFBCCTDt6ZnENm-yPtPX9bhSm81t5DkmgXs4IeWaSFuLDsIMZMVs9l9p4LGw2XnKGQ9Sd_ME-K6bAI4ogcZouK8cyFfn9FiiApCpqN-rHxF8m/w640-h440/%2528%252810_%25284%2529alesP1210336.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>IV </i>(détail)</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><br /></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig9_NGIU9s7pY9y3azhZ7IzQtGQ77gJp1BdOB80gjtnBt_fa41lmYGjnHxWmfPSWiUHX1rXXEyRi-gVpKPYOaw_B_b-jHPrZYsjUCiw9Vim-jB3viiwlm77-dX6x4ws9kVtISV9J69SJE4/s800/%2528%252811_004alesP1210335.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="602" data-original-width="800" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig9_NGIU9s7pY9y3azhZ7IzQtGQ77gJp1BdOB80gjtnBt_fa41lmYGjnHxWmfPSWiUHX1rXXEyRi-gVpKPYOaw_B_b-jHPrZYsjUCiw9Vim-jB3viiwlm77-dX6x4ws9kVtISV9J69SJE4/w640-h482/%2528%252811_004alesP1210335.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - <i>Le Cantique des Cantiques </i><i>IV</i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i><br /></i></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6mnxB3Fos0D1_CGZ1LghXDXK0FhSO6uiVahV0DWRoB-VbwAmba2Lk0Em0w66Q273_U7HmuHfe6KVFM6eMdMYUddqeOsr_jLuVO7_FESOn6SFHWFxS8ssmSUQmudXR53Oss-mSFeRB1-xI/s800/%2528%252812_%25285%2529P1210334.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6mnxB3Fos0D1_CGZ1LghXDXK0FhSO6uiVahV0DWRoB-VbwAmba2Lk0Em0w66Q273_U7HmuHfe6KVFM6eMdMYUddqeOsr_jLuVO7_FESOn6SFHWFxS8ssmSUQmudXR53Oss-mSFeRB1-xI/w640-h440/%2528%252812_%25285%2529P1210334.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6386W-fwCyzQA_gC-BJIrR13EfeoJ6ooB5GA6XkA8iRA2vcQtIJc37wLlQgberFzKX5tFLXAr6NlbtnGOW7rzQxzDzfYcKIRvdOVBqmlghSeH6RCGN2cIGl-Z6hQzFvgk_BJETpwlT647/s800/%2528%252813_%25285%2529alesP1210332.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6386W-fwCyzQA_gC-BJIrR13EfeoJ6ooB5GA6XkA8iRA2vcQtIJc37wLlQgberFzKX5tFLXAr6NlbtnGOW7rzQxzDzfYcKIRvdOVBqmlghSeH6RCGN2cIGl-Z6hQzFvgk_BJETpwlT647/w640-h426/%2528%252813_%25285%2529alesP1210332.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwQBrmwnaTvg_rrJ5lbFBYyeruoAGQyuJXHb2nCIfYjDYiZ8UoF2b_VHVWokKa0MdQ-ZOr5Jz7g56SeDrDdCs8Ihx95EFP-osR3GCZnGDl5lDHfbIha0hxTWpR9-8e4SAOy-FZyX0RpGNv/s800/%2528%252814_%25285%2529alesP1210330.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwQBrmwnaTvg_rrJ5lbFBYyeruoAGQyuJXHb2nCIfYjDYiZ8UoF2b_VHVWokKa0MdQ-ZOr5Jz7g56SeDrDdCs8Ihx95EFP-osR3GCZnGDl5lDHfbIha0hxTWpR9-8e4SAOy-FZyX0RpGNv/w640-h440/%2528%252814_%25285%2529alesP1210330.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDzowPxCo1_rCDGjnA8R4dASfHGpq2KHjt8nwNxqrtGFlhg-tRbo6jdLRXTGmFrXjv-6busKHDIT3pJ0vSWtHSJJszRtGXoNKxVi-Qv1YGFZeLUMPajZkgNOXgQtX5Do3_fywBAjc42nm/s800/%2528%252815_%25285%2529P1210331.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBDzowPxCo1_rCDGjnA8R4dASfHGpq2KHjt8nwNxqrtGFlhg-tRbo6jdLRXTGmFrXjv-6busKHDIT3pJ0vSWtHSJJszRtGXoNKxVi-Qv1YGFZeLUMPajZkgNOXgQtX5Do3_fywBAjc42nm/w640-h440/%2528%252815_%25285%2529P1210331.JPG" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgGlp6O4t0_FMSNhcNKgUJS7NiZISoNDmCXj8KO5tZK0TKfWconrwtPhyphenhyphenoETGDKLBdo_SbXEhmzThf68fxK0nRy45QzixVA_dAq6yr0l-H0ZGt2plz4iZANqbiACD3u-ZxAL6jn_tD0zva/s800/%2528%252816_%25285%2529alesP1210329.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="551" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgGlp6O4t0_FMSNhcNKgUJS7NiZISoNDmCXj8KO5tZK0TKfWconrwtPhyphenhyphenoETGDKLBdo_SbXEhmzThf68fxK0nRy45QzixVA_dAq6yr0l-H0ZGt2plz4iZANqbiACD3u-ZxAL6jn_tD0zva/w640-h440/%2528%252816_%25285%2529alesP1210329.JPG" width="640" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHEdmDgCVGwlS8RpqFpRdMwoCIIoP-eR_EtVkRMNng3iNTq7NYW399ViPb2w3l8fEME1hbDAISzxzlmLCDjNi9cG6JKEWWkzpHT8W5v01COPJZsmyd3Z-EhZXzOXNCgthJ86nTgwXLvqVg/s800/%2528%252817_%25285%2529P1210333.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHEdmDgCVGwlS8RpqFpRdMwoCIIoP-eR_EtVkRMNng3iNTq7NYW399ViPb2w3l8fEME1hbDAISzxzlmLCDjNi9cG6JKEWWkzpHT8W5v01COPJZsmyd3Z-EhZXzOXNCgthJ86nTgwXLvqVg/w426-h640/%2528%252817_%25285%2529P1210333.JPG" width="426" /></a></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span><span face="Arial, sans-serif">(détail)</span></p></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBET509-nrdU3Ozphl-HCLHf8YFoHNROF3HDBfQ8KFfB31ctmJfvQ2jA7cZq0dGyLQaKq4FvWhTp-jLdkwSGIeey0V062q2MZ7yR1qcsVDOlanTY2BqXxmleHRD2N_Kqt_Qipa4Tia3vIJ/s800/%2528%252818_005alesP1210326.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="557" data-original-width="800" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBET509-nrdU3Ozphl-HCLHf8YFoHNROF3HDBfQ8KFfB31ctmJfvQ2jA7cZq0dGyLQaKq4FvWhTp-jLdkwSGIeey0V062q2MZ7yR1qcsVDOlanTY2BqXxmleHRD2N_Kqt_Qipa4Tia3vIJ/w640-h446/%2528%252818_005alesP1210326.jpg" width="640" /></a></div><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Marc
Chagall - </span><span face="Arial, sans-serif"><i>Le Cantique
des Cantiques </i></span><span face="Arial, sans-serif"><i>V </i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i><br /></i></span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">La începutul anilor ‘50, Marc
Chagall </span><span face="Arial, sans-serif">(1887-1985)
</span><span face="Arial, sans-serif">intenționează sa ofere o noua
înfatisarea Capelei Calvarului din Vence, localitate în care a
locuit între 1949 și 1966. Pentru aceasta, începe sa lucreze la o
serie de picturi de mari dimensiuni reunite sub titlul </span><span face="Arial, sans-serif"><i>Message
Biblique</i></span><span face="Arial, sans-serif">. </span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i>Geneza</i></span><span face="Arial, sans-serif">
și </span><span face="Arial, sans-serif"><i>Exodul</i></span><span face="Arial, sans-serif">,
</span><span face="Arial, sans-serif">p</span><span face="Arial, sans-serif">rimele
doua cărți ale </span><span face="Arial, sans-serif"><i>Bibliei</i></span><span face="Arial, sans-serif">,
</span><span face="Arial, sans-serif">fac subiectul a</span><span face="Arial, sans-serif">
12 tablouri</span><span face="Arial, sans-serif">,
iar </span><span face="Arial, sans-serif"><i>Cântarea Cântarilor</i></span><span face="Arial, sans-serif">,
</span><span face="Arial, sans-serif">a</span><span face="Arial, sans-serif">
</span><span face="Arial, sans-serif">5</span><span face="Arial, sans-serif">
tablouri. </span>
</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif" style="text-align: left;">André
Malraux, ministru al Culturii între 1959 și 1969, îi propune lui
Chagall ca tot acest ciclu de picturi să fie prezentat publicului într-un
spațiu special </span><span face="Arial, sans-serif" style="text-align: left;">construit. Acesta</span><span face="Arial, sans-serif" style="text-align: left;"> va deveni primul muzeu național dedicat </span><span face="Arial, sans-serif" style="text-align: left;">unui
artist din timpul vieții sale: <i>Musée national Marc Chagall</i> din
Nisa. </span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif" style="text-align: left;">Marc și Vava Chagall hotarasc în 1966 sa doneze toate aceste
picturi Statului francez. Marc Chagall decide el însusi de modul de
expunere a tablourilor. </span><span face="Arial, sans-serif" style="text-align: left;">Cele
cinci picturi ilustrând </span><span face="Arial, sans-serif" style="text-align: left;"><i>Cantarea
Cantarilor</i></span><span face="Arial, sans-serif" style="text-align: left;"> sunt prezentate
în aceeași sala hexagonala, ordinea de prezentare, de la I la V,
fiind de la dreapta la stânga. Eticheta fiecarui tablou mentioneaza
anul realizarii, materialul utilizat și anul donatiei. </span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><i style="font-family: Arial, sans-serif; text-align: left;">Le
Cantique des Cantiques </i><i style="font-family: Arial, sans-serif; text-align: left;">I</i><span face="Arial, sans-serif" style="text-align: left;">,
1960</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i>Le
Cantique des Cantiques </i><i>II</i>,
1957</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i>Le
Cantique des Cantiques </i><i>III</i>,
1960</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i>Le
Cantique des Cantiques </i></span><span face="Arial, sans-serif"><i>IV</i></span><span face="Arial, sans-serif">,
1958</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif"><i>Le
Cantique des Cantiques </i></span><span face="Arial, sans-serif"><i>V</i></span><span face="Arial, sans-serif">,
1965 - 1966</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">Huile
sur papier marouflé sur toile</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">Musée national Marc Chagall, Nice</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span face="Arial, sans-serif">Donation
Marc Chagall, 1966</span></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span face="Arial, sans-serif">Muzeul național Marc Chagall din Nisa
a fost inaugurat </span><span face="Arial, sans-serif">pe 7 iulie</span><span face="Arial, sans-serif">
1973 </span><span face="Arial, sans-serif">în prezenta lui Maurice
Druon, ministrul Culturii, a lui Marc Chagall și a lui André
Malraux.</span></p></div><p></p><div><br /></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-16939366986822574352020-11-08T06:06:00.381+01:002020-11-08T06:06:00.774+01:00Musée des Arts Asiatiques, Nice - Détails /// Muzeul de Arte Asiatice, Nisa - Detalii<div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><i>"Ce musée est un bijou couleur de neige brillant dans l'azur de la Méditerranée."</i></div><div class="separator" style="clear: both; text-align: center;">KENZO TANGE</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAnjIEOvWDQS7H1ELbwggZHjgP1_J5NwiBY0wO8cJVqJgt0LHRb2hbW0KLiQDkyph7HcPf9qMrxQ079kaMCjBHJXmSUgT7B9IeNI6fSGTo09bNZiHPJ16V-YXVoA_tEbUMe__7Cx9iQjJA/s818/.00.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAnjIEOvWDQS7H1ELbwggZHjgP1_J5NwiBY0wO8cJVqJgt0LHRb2hbW0KLiQDkyph7HcPf9qMrxQ079kaMCjBHJXmSUgT7B9IeNI6fSGTo09bNZiHPJ16V-YXVoA_tEbUMe__7Cx9iQjJA/w469-h640/.00.jpg" width="469" /></a></div><div style="text-align: center;"><br /></div><b>Tête de Shiva</b><br /> Alliage en or et argent travaillé en repoussé</div><div style="text-align: center;"><b>VIETNAM</b>, Royaume de Champa, IXe siècle </div><div style="text-align: center;"><br /></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4WkLxuTpJrzTXU1oOFeuPrV2GV0xHhLYdT7rsLzLkOLZHqhJo8429D0YgbjJbiVTBPBR43sWiA3qpOdzXunruIxAeiI_LoAN5IaGyNX6h5rDdHYnkO7JhUd0jZ9GuKbUm25hpDg4lKwdN/s800/.02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4WkLxuTpJrzTXU1oOFeuPrV2GV0xHhLYdT7rsLzLkOLZHqhJo8429D0YgbjJbiVTBPBR43sWiA3qpOdzXunruIxAeiI_LoAN5IaGyNX6h5rDdHYnkO7JhUd0jZ9GuKbUm25hpDg4lKwdN/s16000/.02.jpg" /></a></div> </div><div style="text-align: center;"><b>Le Musée des Arts Asiatiques de Nice</b> a été conçu par l'architecte japonais <b>Kenzo Tange</b>.</div><div style="text-align: center;">Kenzo Tange (1913 - 2005) a reçu en 1987 le Prix Pritzker d'architecture.</div><div style="text-align: center;">Le musée de Nice a été inauguré en 1998.</div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5Uo_wy-vzwLyth_5_nEDhKilbZmkqE_zWhFZOm8Cu_lkSslVMQuNFpmUn9PYiiXEVIDzw8jT1ecDHwnhP6G59nKF0rCR8ynGW8eeBbY8qSJTmwi-5KYzDLwY6KpOoG-e_NBgBUwjxOr4/s818/.09.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5Uo_wy-vzwLyth_5_nEDhKilbZmkqE_zWhFZOm8Cu_lkSslVMQuNFpmUn9PYiiXEVIDzw8jT1ecDHwnhP6G59nKF0rCR8ynGW8eeBbY8qSJTmwi-5KYzDLwY6KpOoG-e_NBgBUwjxOr4/w417-h640/.09.JPG" width="417" /></a></div><br /><div style="text-align: center;"><b>"Beauté accrochant un kusudama" </b>(détail)</div><div style="text-align: center;">[kusudama = une forme particulière d'origami]</div><div style="text-align: center;">Estampe Nishiki-e</div><div style="text-align: center;"><b>JAPON</b>, Hasegawa Sadanobu II (1848 - 1940) </div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioCLx7V1w2hBYZhp6-_UOzU4K6QL83euq33Y9apaJBgsMCmOLYUzAEZPEqdZLMLh1rUsCRstTDyl76s2AtGoke_raAcI2UiLAY6YKOPaZLYhSuvHPAkd1sw61AVpFRCrPbCtgotdQQQTqG/s800/.03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="384" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioCLx7V1w2hBYZhp6-_UOzU4K6QL83euq33Y9apaJBgsMCmOLYUzAEZPEqdZLMLh1rUsCRstTDyl76s2AtGoke_raAcI2UiLAY6YKOPaZLYhSuvHPAkd1sw61AVpFRCrPbCtgotdQQQTqG/s16000/.03.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>"Le plan du musée repose sur deux formes géométriques fondamentales de la tradition japonaise :</i></div><div class="separator" style="clear: both; text-align: center;"><i> le carré, symbole de la terre, et le cercle, symbole du ciel"</i> - Kenzo Tange.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi47u4AYxh6sjAjfA6t4RHtnbDYC20mVbkvXjCRNj8x58SApMYOMbg529GXCh3IC8H8yfbABdKkqcWUbsFvMnbJ7XE8j5v1NtCkJTbIfIAB4g2X_U6L6vghhibwpK1FWelaU8vyP1fXXXur/s818/.04.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi47u4AYxh6sjAjfA6t4RHtnbDYC20mVbkvXjCRNj8x58SApMYOMbg529GXCh3IC8H8yfbABdKkqcWUbsFvMnbJ7XE8j5v1NtCkJTbIfIAB4g2X_U6L6vghhibwpK1FWelaU8vyP1fXXXur/w417-h640/.04.JPG" width="417" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Bouddha debout </b>(détail)</div><div class="separator" style="clear: both; text-align: center;">[<i>"Témoignage de la rencontre entre art grec et art indien" </i>- https://maa.departement06.fr/]</div><div class="separator" style="clear: both; text-align: center;">Schiste gris</div><div class="separator" style="clear: both; text-align: center;"><b>GANDHARA</b>, probablement le site de Sahri-Bahlol, IIe siècle</div><div class="separator" style="clear: both; text-align: center;">[Gandhara - région dans l'Inde ancienne, située à la frontière de l'Afghanistan et du Pakistan actuels]</div><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgluD-adJRTITHTs7aUMYRjJFRFhkipYII19pkER0u4empKFC8d_8KIH2MiMojU22Piqa8BGS-gqoNLeU6rID6LiiMnJDBaN37nA4uoSxslcpboj8-P7nD7YkCbJq_Tg0uMCKpP9jhnJ4f7/s818/.06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgluD-adJRTITHTs7aUMYRjJFRFhkipYII19pkER0u4empKFC8d_8KIH2MiMojU22Piqa8BGS-gqoNLeU6rID6LiiMnJDBaN37nA4uoSxslcpboj8-P7nD7YkCbJq_Tg0uMCKpP9jhnJ4f7/w391-h400/.06.jpg" width="391" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Balustre de fenêtre </b>(détail)</div><div class="separator" style="clear: both; text-align: center;">Grès gris</div><div class="separator" style="clear: both; text-align: center;"><b>CAMBODGE</b>, Beng Mealea (transition style d'Angkor Vat et style du Bayon), XIIe siècle</div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhgjQhG_Vmjdi12N07jU00iGrxPy5aOX_dRin6xfqKZ9ZqcxwF5yW5g0lbutwzZ6YLeT0TlCIljW92pL3YdAl6IB3zNxX7j7bMgY84zVSzAJmjAcg9zDs51cN4uelPW0LD4mZ3lJ1scKM6/s800/.05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhgjQhG_Vmjdi12N07jU00iGrxPy5aOX_dRin6xfqKZ9ZqcxwF5yW5g0lbutwzZ6YLeT0TlCIljW92pL3YdAl6IB3zNxX7j7bMgY84zVSzAJmjAcg9zDs51cN4uelPW0LD4mZ3lJ1scKM6/w640-h400/.05.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Bouddha paré </b>(détail)</div><div class="separator" style="clear: both; text-align: center;">Bois de teck anciennement laqué et doré</div><div class="separator" style="clear: both; text-align: center;"><b>BIRMANIE</b>, XIe-XIIe siècles</div><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB0nf2qN7ONiCJJrHlKgHkoywaF_cpy618hSa8ioeULDnDieDvrKM9tOFkzb_iVilgLF96DBgU_jzRuH8pYzRCm2kf8u6iwJdgH1m9RxOwpOr9GiGmy276zXzZ5JUVqW8mxJAYSrAO84KA/s800/.05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="445" data-original-width="800" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB0nf2qN7ONiCJJrHlKgHkoywaF_cpy618hSa8ioeULDnDieDvrKM9tOFkzb_iVilgLF96DBgU_jzRuH8pYzRCm2kf8u6iwJdgH1m9RxOwpOr9GiGmy276zXzZ5JUVqW8mxJAYSrAO84KA/w640-h356/.05.jpg" width="640" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Fauteuil "How high the moon" </b>(détail)</div><div class="separator" style="clear: both; text-align: center;">Acier déployé, finition nickelée</div><div class="separator" style="clear: both; text-align: center;"><b>JAPON</b>, Shiro Kuramata, 1986</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEweBOpE4zJatt7wGn9L5354eSoOKAa46O8dUJkFXBOJDNWRUtMmNxuw0bT7q8qnwu7yuiSSoNfLgJvE3qoyNbY9Ksq5EMfaPdhc3yNH_klQvghTVLDAcAVOgy9adzhE5Q4H5c8qzvm4xB/s800/.07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="418" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEweBOpE4zJatt7wGn9L5354eSoOKAa46O8dUJkFXBOJDNWRUtMmNxuw0bT7q8qnwu7yuiSSoNfLgJvE3qoyNbY9Ksq5EMfaPdhc3yNH_klQvghTVLDAcAVOgy9adzhE5Q4H5c8qzvm4xB/s16000/.07.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><b>"Kim Toan Nghe" - paire de lions mythiques</b></div><div class="separator" style="clear: both; text-align: center;">Bronze</div><div class="separator" style="clear: both; text-align: center;"><b>VIETNAM</b>, Annam, XVe siècle</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwuodMlc5v6FotiB2medT4rqFVrjXyqOUdGF9oqsipIVp7QOLNJVTe5ppykhoGbiWK-wg0ki9dKiI0Hsb8WoRCfmkPALI5dFC6KG_OXNJ-lPm8uGPtBNlfI7MSCmOEaRiTN5Reatgyr1RZ/s818/.01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="818" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwuodMlc5v6FotiB2medT4rqFVrjXyqOUdGF9oqsipIVp7QOLNJVTe5ppykhoGbiWK-wg0ki9dKiI0Hsb8WoRCfmkPALI5dFC6KG_OXNJ-lPm8uGPtBNlfI7MSCmOEaRiTN5Reatgyr1RZ/w417-h640/.01.jpg" width="417" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b>Dame à genoux </b>(détail), <b style="font-style: italic;">Mingqi </b></div><div class="separator" style="clear: both; text-align: center;"><span>[Mingqi = "objet lumineux", censé briller éternellement au cœur d'une tombe]</span></div><div class="separator" style="clear: both; text-align: center;">Terre cuite à engobe blanc et polychromie</div><div class="separator" style="clear: both; text-align: center;"><b>CHINE</b>, époque Han Antérieurs (206 av. J. C. - 220 ap. J. C.)</div></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-35379593252429560602020-11-01T06:00:00.061+01:002020-11-01T06:00:01.601+01:00St. Paul's Cathedral, London --- Icons / Icoane --- Christopher Wren<div style="text-align: center;"> <span style="text-align: left;">Icoanele sunt rare în Catedrala Sf. Paul din Londra. </span> </div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xUVaKG4d6ROw3BJ0k746WuxhebJIFUauNgo1Hy0fT7IJud6uIijtc1KI_MSo5EG4_0jARn4pGtQdR1swIWxdQZo5qYH_p1Ctn0u-R3DcyeV8lmlcue1Yv9WhZc5rXXB0V6yKSpJe-XRa/s800/.01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="800" height="565" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0xUVaKG4d6ROw3BJ0k746WuxhebJIFUauNgo1Hy0fT7IJud6uIijtc1KI_MSo5EG4_0jARn4pGtQdR1swIWxdQZo5qYH_p1Ctn0u-R3DcyeV8lmlcue1Yv9WhZc5rXXB0V6yKSpJe-XRa/w640-h565/.01.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div>De fapt, sunt doar patru icoane, doua strajuind intrarea principala, iar alte doua - altarul.</div><div>Toate cele patru icoane sunt însotite de <i>scurte notite</i>.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR2W4C3jZK2DyFZ7gDRPOiKfYFSGLws1mK-9D0-ZlUwwYKcbH005vZ1H1TAWYEI9ddtKSSNXGCWea6qvoUlo0M-YjWBrC1Eyd-qt2xMcQQKjVQNlmXPND9nXoNv2bw8qoQaTzOYSv2nXMw/s824/.01b.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR2W4C3jZK2DyFZ7gDRPOiKfYFSGLws1mK-9D0-ZlUwwYKcbH005vZ1H1TAWYEI9ddtKSSNXGCWea6qvoUlo0M-YjWBrC1Eyd-qt2xMcQQKjVQNlmXPND9nXoNv2bw8qoQaTzOYSv2nXMw/w414-h640/.01b.JPG" width="414" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>"Icon of the Virgin and Child - This icon is of Mary the mother of Jesus, with Jesus in her arms, resting his cheek on hers.</i></div></div><div class="separator" style="clear: both; text-align: center;"><div style="line-height: 100%; margin-bottom: 0cm;"><i> It speaks of the tender love between mother and child.</i></div><div style="line-height: 100%; margin-bottom: 0cm;"><i>The letters on the icon are Greek capitals. They are abbreviations of Greek words which mean</i></div><div style="line-height: 100%; margin-bottom: 0cm;"><i>'Mother of God' and 'Jesus Christ'."</i></div><div style="line-height: 100%; margin-bottom: 0cm;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgELmjZ40jE0E4Dczs6pFrrp0f_Wxz_kxsQew5yV4EUXuZisZeomGFFnKlx_keg47F_gcljLerlRNmky1nuAYvfBbTL1flfuw2zv-n9ncxJ8AbqRCqFlf9N2HrIYtfY-2I0EbVsj6qbiWNh/s800/.02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="762" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgELmjZ40jE0E4Dczs6pFrrp0f_Wxz_kxsQew5yV4EUXuZisZeomGFFnKlx_keg47F_gcljLerlRNmky1nuAYvfBbTL1flfuw2zv-n9ncxJ8AbqRCqFlf9N2HrIYtfY-2I0EbVsj6qbiWNh/w610-h640/.02.jpg" width="610" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><i>"Icon of Christ - This icon is of Jesus Christ and shows him after his death and resurrection</i></div><div class="separator" style="clear: both; text-align: center;"><i>as ruler of the world.</i></div><div class="separator" style="clear: both; text-align: center;"><i>The letters either side of Jesus mean 'Jesus Christ'; </i></div><div class="separator" style="clear: both; text-align: center;"><i>the letters arround his head mean 'He who is'."</i></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo_MwwwmXYBFKAd7EMffub9qnvHeUH-wEuBd7KfDpyui7e0dkhEVZhm_dQzFrHqzPSVVKoxQ0_oX7HYBLfRhtoAaWsA98nW0bczrtkNuh1gONY3LPYq37aBu-2P0WYH9blQw5FklVwZDqJ/s800/.02b.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="657" data-original-width="800" height="526" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo_MwwwmXYBFKAd7EMffub9qnvHeUH-wEuBd7KfDpyui7e0dkhEVZhm_dQzFrHqzPSVVKoxQ0_oX7HYBLfRhtoAaWsA98nW0bczrtkNuh1gONY3LPYq37aBu-2P0WYH9blQw5FklVwZDqJ/w640-h526/.02b.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;">De o parte si de alta a altarului, se afla icoana Sf. Meletie, primul episcop al Londrei, si cea a Sf. Paul.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHU8atxwtVZT5SPE2iWKhjhxho0EW7KXgKpkbFGvzWMrxhxe83J1u-cEGQ9UnBf_q5otRdiB1W8NEixUpnIEWBaTv4SpYlz3TtDPGpPAAk9nBXmAaiIry7-_MQD6LsUW8GHqF4GBA78TkP/s800/.03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="457" data-original-width="800" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHU8atxwtVZT5SPE2iWKhjhxho0EW7KXgKpkbFGvzWMrxhxe83J1u-cEGQ9UnBf_q5otRdiB1W8NEixUpnIEWBaTv4SpYlz3TtDPGpPAAk9nBXmAaiIry7-_MQD6LsUW8GHqF4GBA78TkP/w640-h366/.03.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><i>"Icon of St Mellitus - St Mellitus became the first Bishop of London in 604 AD.</i></div><div class="separator" style="clear: both; text-align: center;"><i>During his time as Bishop, the first Cathedral in London was built on this site."</i></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vn_e8oHPdqSOrFSg3E9vxkgqPi8e_KksitWEwrAwQmyGdcgtN8t_AYm456Owol6GO5gaN_uvX72BU1Mx3G7kreJzjNHajUzFn2U6xjU1C6jJBZgV7enecfb-1kUOmU4whYgEjuMf0jyh/s824/.04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="543" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_vn_e8oHPdqSOrFSg3E9vxkgqPi8e_KksitWEwrAwQmyGdcgtN8t_AYm456Owol6GO5gaN_uvX72BU1Mx3G7kreJzjNHajUzFn2U6xjU1C6jJBZgV7enecfb-1kUOmU4whYgEjuMf0jyh/w422-h640/.04.jpg" width="422" /></a></div><br /><div class="separator" style="clear: both; text-align: center;">Prima catedrala a Londrei, cea în care a slujit Sf Meletie, era construita din lemn.</div><div class="separator" style="clear: both; text-align: center;">Distrusa într-un incendiu, a fost reconstruita între 675 si 685 din piatra. </div><div class="separator" style="clear: both; text-align: center;">Aceasta a doua catedrala a fost distrusa de vikingi si a fost reconstruita în 962. </div><div class="separator" style="clear: both; text-align: center;">Dupa incendiul din 1087, începe constructia celei de a patra catedrale, numita "vechiul Sf. Paul". </div><div class="separator" style="clear: both; text-align: center;">Dupa marele incendiu al Londrei din 1666, constructia celei de a cincea catedrale</div><div class="separator" style="clear: both; text-align: center;"> a fost încredintata lui Christopher Wren (1632 - 1723).</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizWLH43MMM_YMkysXhZI3rj1RBhdzywu4FTtCkXxyYsZuEdyIXZR7_ubPxRr63JrEBCEzXUivNhs53y957GS_iobYcj3HV6p9rJV2OZy0zXveWfz08HQv04WP5TLXzU_SFRZ3RlVdmF6nF/s800/.05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="800" height="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizWLH43MMM_YMkysXhZI3rj1RBhdzywu4FTtCkXxyYsZuEdyIXZR7_ubPxRr63JrEBCEzXUivNhs53y957GS_iobYcj3HV6p9rJV2OZy0zXveWfz08HQv04WP5TLXzU_SFRZ3RlVdmF6nF/w640-h512/.05.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><i>"Icon of St Paul - This Cathedral is named after St Paul. He was an apostle in the 1st Century AD</i></div><div class="separator" style="clear: both; text-align: center;"><i>and travelled widely sharing the Good News of Jesus. </i></div><div class="separator" style="clear: both; text-align: center;"><i>Many of his letters are in the Bible."</i></div><div class="separator" style="clear: both; text-align: center;"><i><br /></i></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzwgwIhuNTywd4O9BU8xvB5TTRFKudvTiP71z9aRXN1PnNeTK7i7n8sG2nfK-LNBdt2TguFtAdME8Eu2wFKRjUF87o6fIcTpzVfawXSkR4fk-FAkdAd1aJn-FSKP9pgPbVxVNk_lNrH8PR/s800/.06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="761" data-original-width="800" height="608" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzwgwIhuNTywd4O9BU8xvB5TTRFKudvTiP71z9aRXN1PnNeTK7i7n8sG2nfK-LNBdt2TguFtAdME8Eu2wFKRjUF87o6fIcTpzVfawXSkR4fk-FAkdAd1aJn-FSKP9pgPbVxVNk_lNrH8PR/w640-h608/.06.jpg" width="640" /></a></div><br />Doar cel de al treilea proiect propus de Christopher Wren a fost aprobat.</div><div class="separator" style="clear: both; text-align: center;">Prima piatra a noii constructii a fost pusa pe 21 iunie 1675. Ultima piatra a fost pusa 35 de ani mai târziu, în 1710.</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">Christopher Wren a mai trait înca 13 ani dupa terminarea Catedralei Sf Paul.</div><div class="separator" style="clear: both;">Este înmormântat în catedrala, sub o simpla placa de marmura, fara nici un monument.</div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtU-ZNXLQMzu7M-FT9Z3FfPH5kY_zmmLerrkjwSr_8RsDR_UmvLPb4G9WYK0CPwLqX38-05LmO9lIO8J7sQg81UtGn49FTpoGtBkuWvKlUX4GTzE5gCsJhkK0dkfBorfS-V4nT2Cmyi9TJ/s824/.11.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="824" data-original-width="533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtU-ZNXLQMzu7M-FT9Z3FfPH5kY_zmmLerrkjwSr_8RsDR_UmvLPb4G9WYK0CPwLqX38-05LmO9lIO8J7sQg81UtGn49FTpoGtBkuWvKlUX4GTzE5gCsJhkK0dkfBorfS-V4nT2Cmyi9TJ/w414-h640/.11.JPG" width="414" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">Deasupra mormântului, pe zid, o inscriptie sfatuieste:</div><div class="separator" style="clear: both;"><i>Lector, si monumentum requiris, </i></div><div class="separator" style="clear: both;"><i>circumspice.</i></div><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both;">"Cititorule, daca tu cauti monumentul, priveste în jurul tau."</div><div class="separator" style="clear: both;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOfVsg0yguj0WurEAGN6cxV-V1QWy3EObRAxuVwZNzSYZAvIk7lEEz9vixA0bSvFzJKe7JO7GzefSFTz1uMq5PwoFnQ4Gd91LlcIfaGhfG5IXyOa9paKi2wOE4NMOF0giZyLU5cb2k5cg/s800/.12.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="557" data-original-width="800" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrOfVsg0yguj0WurEAGN6cxV-V1QWy3EObRAxuVwZNzSYZAvIk7lEEz9vixA0bSvFzJKe7JO7GzefSFTz1uMq5PwoFnQ4Gd91LlcIfaGhfG5IXyOa9paKi2wOE4NMOF0giZyLU5cb2k5cg/w640-h446/.12.JPG" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: right;"><span style="color: red;">PS Cum o calatorie la Londra pentru a vizita St Paul's Cathedral </span></div><div class="separator" style="clear: both; text-align: right;"><span style="color: red;">pare greu de realizat acum, o solutie ramâne Internetul:</span></div><div class="separator" style="clear: both; text-align: right;"><span style="color: red;"><br /></span></div><div class="separator" style="clear: both; text-align: right;"><span style="color: red;">https://artsandculture.google.com/partner/st-paul-s-cathedral</span></div>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.comtag:blogger.com,1999:blog-220411567693505583.post-43103211315830837872020-10-25T06:00:00.095+01:002020-10-25T06:00:02.690+01:00Privind departarea - Gradina din Èze si Jean-Philippe Richard<p style="text-align: center;"><span style="text-align: left;"> In gradina din</span><span style="text-align: left;"> </span><span style="font-family: Liberation Serif, serif; text-align: left;">È</span><span style="text-align: left;">ze, 14 fete privesc marea.</span> </p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizjdRoagN763EiiTpjH7Nmi6MHQ2SOKrC1qrm8LvAFguR6KZRpQdxwG4QjuHxpG-bJDzlvI8dHHjPVuZjidh14HRGOcBfDTEh3HVFBxscUUAoolr9dUDTf45tE-0luhttAiRzFliLZs5eq/s800/.01.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizjdRoagN763EiiTpjH7Nmi6MHQ2SOKrC1qrm8LvAFguR6KZRpQdxwG4QjuHxpG-bJDzlvI8dHHjPVuZjidh14HRGOcBfDTEh3HVFBxscUUAoolr9dUDTf45tE-0luhttAiRzFliLZs5eq/s16000/.01.jpg" /></a></p><p style="text-align: center;"> Marea, cerul, departarea...</p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCZO9fiB_CyDePr4k2o4d5ZUMluyWVk_FJN4__fLQqNViB9EGRDMAR-mZGb4ePqpr3m7cT2uIbRy03p0GPXHeoyBkAc-74I5KsPApVN1620SpAVXVWkAfHqYwC19MhC4mhVoD6eZpfpP-r/s800/.02.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCZO9fiB_CyDePr4k2o4d5ZUMluyWVk_FJN4__fLQqNViB9EGRDMAR-mZGb4ePqpr3m7cT2uIbRy03p0GPXHeoyBkAc-74I5KsPApVN1620SpAVXVWkAfHqYwC19MhC4mhVoD6eZpfpP-r/s16000/.02.JPG" /></a></p><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Desprinse din nori și din ruinele vechii cetati</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7AUhwEHuxaO3HRmspMUXMHJnyX51tKHRXBJGfihBiqAVTFqbMLJdrDeLLSfYYmb55O6KPOpmRSS-SDa01XVATArWK58D0dnSzabcZj8JeCM_Ir0oELNpsRA1KriY0ES07KeZvwX4qIDR9/s800/.03.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="554" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7AUhwEHuxaO3HRmspMUXMHJnyX51tKHRXBJGfihBiqAVTFqbMLJdrDeLLSfYYmb55O6KPOpmRSS-SDa01XVATArWK58D0dnSzabcZj8JeCM_Ir0oELNpsRA1KriY0ES07KeZvwX4qIDR9/s16000/.03.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Te privesc privind...</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_B1oSSsShtlpk-Kl61LpKF-yNmL2Byn2BLRiRGvAeFc3aQmoovaic8ntJHnQ-KchMViONLXRz6g5I-APlMz0kjIwhIzzIjjhTpLfKIEDsp5i4A8wIscbT5IfTyIQV715h6_LiHT0udBx/s800/.04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="620" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG_B1oSSsShtlpk-Kl61LpKF-yNmL2Byn2BLRiRGvAeFc3aQmoovaic8ntJHnQ-KchMViONLXRz6g5I-APlMz0kjIwhIzzIjjhTpLfKIEDsp5i4A8wIscbT5IfTyIQV715h6_LiHT0udBx/s16000/.04.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Viseaza, zambind...</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB8p4EZymN5PH-wOQyzZxXO453Um8o9MjuXzabSaTB29ifZ0U2xpQOB9euENCMhaWvYNTQguWEIq62PVj8uL5neo1kYjyKLuz9zDR3JkoOLQceJ5351DQn28gwAQgkNC13hs6PWl1z4sb7/s800/.05.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB8p4EZymN5PH-wOQyzZxXO453Um8o9MjuXzabSaTB29ifZ0U2xpQOB9euENCMhaWvYNTQguWEIq62PVj8uL5neo1kYjyKLuz9zDR3JkoOLQceJ5351DQn28gwAQgkNC13hs6PWl1z4sb7/s16000/.05.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Intorc spatele cactusilor si intepaturilor.</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNZpqM-GLrK2k68APMMwG9vj35MCzmqOJcTaqfYE1_hWxyLRmjHL3fpWSOxVhi0VaqADO7Q5-RrDN_r60ULgI7Vj7VN5IszIqljzZxsMGuaIIeepcWa-DxR6Ab8IQniR797nbh4r5Y_Gl_/s800/.06.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="527" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNZpqM-GLrK2k68APMMwG9vj35MCzmqOJcTaqfYE1_hWxyLRmjHL3fpWSOxVhi0VaqADO7Q5-RrDN_r60ULgI7Vj7VN5IszIqljzZxsMGuaIIeepcWa-DxR6Ab8IQniR797nbh4r5Y_Gl_/s16000/.06.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span lang="ro-RO">Isi vorbesc fără cuvinte</span><span lang="ro-RO">,
cu mâinile în buzunare.</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFpgqgk6taQpZEPOVprnO2VroB80pvmr37rMSzXOeibPSxoaaEzYvJa7WxKQcREa1fSfpzA2ac0gFBxpmEQJkQuq3TL0qpBdrG2JL6aipvWx4NuN_y1eY2yYRBQaeO8gIUDf2x3H863h86/s800/.07.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="561" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFpgqgk6taQpZEPOVprnO2VroB80pvmr37rMSzXOeibPSxoaaEzYvJa7WxKQcREa1fSfpzA2ac0gFBxpmEQJkQuq3TL0qpBdrG2JL6aipvWx4NuN_y1eY2yYRBQaeO8gIUDf2x3H863h86/s16000/.07.jpg" /></a></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> Se încalzesc la soare</p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFrFXwDTjHmI0xzFcZ55ifdbYmdmf0pbwxf9Z6WE2uet53ovlWH5Ze8aLWHNe8JQ0K07JAX_JpfG5acfbLKg058oJS9u4KWEVd1LSotbH86s7zMRnlz1kU0W_9Nifs9f7wkIYb8iX6u44/s800/.08.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFrFXwDTjHmI0xzFcZ55ifdbYmdmf0pbwxf9Z6WE2uet53ovlWH5Ze8aLWHNe8JQ0K07JAX_JpfG5acfbLKg058oJS9u4KWEVd1LSotbH86s7zMRnlz1kU0W_9Nifs9f7wkIYb8iX6u44/s16000/.08.JPG" /></a></div><div class="separator" style="clear: both; text-align: center;"><p align="center" style="line-height: 100%; margin-bottom: 0cm;">
<span lang="ro-RO">sau st</span><span lang="ro-RO">au retrase</span><span lang="ro-RO">
la umbra.</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGSROPtys89khaLBMyB-sNAMaTwrcvoJI3Zy64x00Vq-NjAWWZSd9wLpvqwgIGhs84nP-UKkT3zQSuwTufgVCC-DLxM4GPS712ZWuymjdDgzlibgQc-ZCFQMkc41l156_5mcc5srAnk1Mh/s800/.09.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGSROPtys89khaLBMyB-sNAMaTwrcvoJI3Zy64x00Vq-NjAWWZSd9wLpvqwgIGhs84nP-UKkT3zQSuwTufgVCC-DLxM4GPS712ZWuymjdDgzlibgQc-ZCFQMkc41l156_5mcc5srAnk1Mh/s16000/.09.JPG" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"> La început, am încercat sa nu le fotografiez. Ce cautau acolo?</p><div class="separator" style="clear: both;">
<p align="center" style="line-height: 100%; margin-bottom: 0cm;">Gradina
din <span style="font-family: "Liberation Serif", serif; text-align: left;">È</span>ze nu înseamna doar cactusi în soare si marea în departare?</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span lang="ro-RO">Numai
ca personajele create de Jean-Philippe Richard, cu un zâmbet fin,</span></p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span lang="ro-RO">s</span><span lang="ro-RO">-au
strecurat singure în poze. </span>
</p>
<p align="center" style="line-height: 100%; margin-bottom: 0cm;"><span lang="ro-RO">Și
nu au mai plecat.</span></p><p align="center" style="line-height: 100%; margin-bottom: 0cm;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhupZ0fcBARsABT-S5f9GZP5QpS4_5lvNB0gTJ-qKw0h__6bx8b3Kq_fGeOkA7udyJ4hmuHLpfyCkCtBFGjibMiMCNk9v3QWzmIJTxcxMpAuSNLm_p01bY1JXBXk2xNlwtZoKkZkt0YaeWY/s800/.10.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="553" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhupZ0fcBARsABT-S5f9GZP5QpS4_5lvNB0gTJ-qKw0h__6bx8b3Kq_fGeOkA7udyJ4hmuHLpfyCkCtBFGjibMiMCNk9v3QWzmIJTxcxMpAuSNLm_p01bY1JXBXk2xNlwtZoKkZkt0YaeWY/s16000/.10.jpg" /></a></div><br /><span lang="ro-RO"><p style="line-height: 100%; margin-bottom: 0cm; text-align: right;">Mai mult despre Jean-Philippe Richard:</p><p style="line-height: 100%; margin-bottom: 0cm; text-align: right;"> https://www.richardsculpteur.com/</p></span></div></div></div></div></div></div></div><p></p>Amelia & Mihai-Stefan CHIRCAhttp://www.blogger.com/profile/05776735732239188097noreply@blogger.com